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"Western Apache Material Culture is a collection of essays specifically about the Guenther and Goodwin Western Apache ethnographic collections at the Arizona State Museum, and about Western Apache culture. . . . This is an important book and will become the standard reference on Western Apache material culture." —American Indian Quarterly "This book will surely appeal not only to those who are interested in the Apache, material culture studies, or the potential of Native American museum resources as cultural and historical documents, but also to those who are concerned with the way humans adapted to the environment and thus 'utilized their world so well.'" —African Arts "It is a remarkably beautiful and detailed catalog of the Goodwin and Guenther collections of Wester Apache artiffacts in the Arizona State Musuem—and a lot more! . . . A section of thirty-two color photographs by award-winning photographer Helga Teiwes is the delectable frosting on this rich and satisfying cake." —Journal of Arizona History
Based on the author's thesis. Part I was previously published in 1940 by the American Museum of Natural History. This revised edition includes two additional comparative sections.
Winner of the 2018 John C. Ewers Book Award Winner of the 2018 Donald Fixico Book Award Rosalyn R. LaPier demonstrates that Blackfeet history is incomplete without an understanding of the Blackfeet people’s relationship and mode of interaction with the “invisible reality” of the supernatural world. Religious beliefs provided the Blackfeet with continuity through privations and changing times. The stories they passed to new generations and outsiders reveal the fundamental philosophy of Blackfeet existence, namely, the belief that they could alter, change, or control nature to suit their needs and that they were able to do so with the assistance of supernatural allies. The Blackfeet did not believe they had to adapt to nature. They made nature adapt. Their relationship with the supernatural provided the Blackfeet with stability and made predictable the seeming unpredictability of the natural world in which they lived. In Invisible Reality LaPier presents an unconventional, creative, and innovative history that blends extensive archival research, vignettes of family stories, and traditional knowledge learned from elders along with personal reflections on her own journey learning Blackfeet stories. The result is a nuanced look at the history of the Blackfeet and their relationship with the natural world.
This study documents Blackfoot plant use as provided by elderly informants schooled in the tradition of plant uses. Use of approximately one hundred species are described in topical form: religion and ceremony, birth control, medicine, horse medicine, diet, craft and folklore.
A selection of papers focusing on a contextual assessment of Native material culture research plus commentary on the current state of such studies and identification of possible future trends.
Mythology of the Blackfoot Indians, originally published in 1908 by the American Museum of Natural History, introduces such figures as Old Man, Scar-Face, Blood-Clot, and the Seven Brothers. Included are tales with ritualistic origins emphasizing the prototypical Beaver-Medicine and the roles played by Elk-Woman and Otter-Woman, and a presentation of Star Myths, which reveal the astronomical knowledge of the Blackfoot Indians. Narratives about Raven, Grasshopper, and Whirlwind-Boy account for conditions in humanity and nature. Many of the stories in the concluding group-like "The Lost Children" and "The Ghost-Woman"-were tales told to Blackfoot children. Clark Wissler notes that these narratives were collected very early in the twentieth century from the Piegans in Montana and from the North Piegans, Bloods, and Northern Blackfoot in Canada. Most were translated by D. C. Duvall and revised for Mythology of the Blackfoot Indians by Wissler. Wissler (1870-1947) was curator at the American Museum of Natural History and chairman of the Department of Anthropology at Columbia University. Among his major works are North American Indians of the Plains and Man and Culture. Introducing this Bison Book edition is Alice B. Kehoe, a professor of sociology and anthropology at Marquette University and the author of North American Indians: A Comprehensive Account.