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In Material Culture and Queenship in 14th-century France: The Testament of Blanche of Navarre (1331-1398) Marguerite Keane considers the object collection of the long-lived fourteenth-century French queen Blanche of Navarre, the wife of Philip VI (d. 1350). This queen’s ownership of works of art (books, jewelry, reliquaries, and textiles, among others) and her perceptions of these objects is well -documented because she wrote detailed testaments in 1396 and 1398 in which she described her possessions and who she wished to receive them. Keane connects the patronage of Blanche of Navarre to her interest in her status and reputation as a dowager queen, as well as bringing to life the material, adornment, and devotional interests of a medieval queen and her household.
This book is the first full-length biography of Joan of Navarre, a fascinating royal woman who became duchess of Brittany and queen consort of England through her two marriages in 1386 and 1403 respectively. Joan was enmeshed in the turbulent politics of the later Middle Ages as her extensive family and marital connections meant she was related to most of the royal houses of Western Europe—as well as the key protagonists of the Hundred Years War. The large foreign entourage that Joan brought with her to England, and her family ties across the Channel, made her unpopular with her subjects and her loyalties suspect, provoking several purges of her household and culminating in a charge of treason on which she was detained for several years. Yet Joan returned to court in her later years and fought vociferously to the end to retain queenly rights, revenues, and position. Ultimately, this book highlights Joan’s political agency and tenacity, bringing her out of the historical shadows and into the foreground of high politics in fifteenth-century England and Europe. Joan of Navarre is a useful resource for all students and scholars interested in queenship studies, women’s history, and European politics during the later Middle Ages.
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.
This edited collection opens new ways to look at queenship in areas and countries not usually studied and reflects the increasingly interdisciplinary work and geographic range of the field. This book is a forerunner in queenship and re-invents the reputations of the women and some of the men. The contributors answers questions about the nature of queenship, reputation of queens, and gender roles in the medieval and early modern west. The essays question the viability of propaganda, gossip, and rumor that still characterizes some queens in modern histories. The wide geographic range covered by the contributors moves queenship studies beyond France and England to understudied places such as Sweden and Hungary. Even the essays on more familiar countries explores areas not usually studied, such as the role of Edward II’s stepmother, Margaret of France in Gaveston’s downfall. The chapters clearly have a common thread and the editors’ summary and description of the collection is valuable in assisting the reader. The collection is divided into two sections “Biography, Gossip, and History” and “Politics, Ambition, and Scandal.” The editors and contributors, including Zita Eva Rohr and Elena Woodacre, are scholars at the top of their field and several and engage and debate with recent scholarship. This collection will appeal internationally to literary scholars and gender studies scholars as well historians interested in the countries included in the collection.
The decades between ca 1280 and ca 1380 were marked by a striking affinity to the Mendicant orders on the part of many female members of royal and princely courts. And yet, "Queens, Princesses and Mendicants" is both an innovative and comparatively neglected juxtaposition in medieval studies, for historical research has generally tended to neglect the relationship between Mendicants and aristocratic women. This volume unites twelve articles written by experts from seven European countries. The contributions cover a wide array of medieval European kingdoms in order to facilitate direct comparisons. Was affinity towards the Mendicants a prevalent phenomenon in the late Middle Ages? Can one even term "philomendicantism" a late medieval European movement? The collection of essays provides answers to these and other questions within the field of gender, religious and cultural history.
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.
This book investigates the agency and influence of medieval queens in late fourteenth-century England, focusing on the patronage and intercessory activities of the queens Philippa of Hainault and Anne of Bohemia, as well as the princess Joan of Kent. It examines the ways in which royal women were able to participate in traditional queenly customs such as intercession, and whether it was motherhood that gave power to a queen. This study focuses particularly on types of patronage, and also considers the importance of coronation, especially for Joan of Kent, who was neither a queen consort nor a dowager, yet still fulfilled some queenly duties. Crucially, the author highlights the transactional nature of the queen’s role at court, as she accumulated wealth from land, rights and traditions, which in turn funded patronage activities.
This collection forges new ground in the discussion of aristocratic and royal women, their relationships with their objects, and medieval geography. It explores how women’s geographic and familial networks spread well beyond the borders that defined men’s sense of region and how the movement of their belongings can reveal essential information about how women navigated these often-disparate spaces. Beginning in early medieval Scandinavia, ranging from Byzantium to Rus', and multiple lands in Western Europe up to 1500, the essays span a great spatio-temporal range. Moreover, the types of objects extend from traditionally studied works like manuscripts and sculpture to liturgical and secular ceremonial instruments, icons, and articles of personal adornment, such as textiles and jewelry, even including shoes.
Military Diasporas proposes a new research approach to analyse the role of foreign military personnel as composite and partly imagined para-ethnic groups. These groups not only buttressed a state or empire’s military might but crucially connected, policed, and administered (parts of) realms as a transcultural and transimperial class while representing the polity’s universal or at least cosmopolitan aspirations at court or on diplomatic and military missions. Case studies of foreign militaries with a focus on their diasporic elements include the Achaemenid Empire, Ptolemaic Egypt, and the Roman Empire in the ancient world. These are followed by chapters on the Sassanid and Islamic occupation of Egypt, Byzantium, the Latin Aegean (Catalan Company) to Iberian Christian noblemen serving North African Islamic rulers, Mamluks and Italian Stradiots, followed by chapters on military diasporas in Hungary, the Teutonic Order including the Sword Brethren, and the Swiss military. The volume thus covers a broad band of military diasporic experiences and highlights aspects of their role in the building of state and empire from Antiquity to the late Middle Ages and from Persia via Egypt to the Baltic. With a broad chronological and geographic range, this volume is the ideal resource for upper-level undergraduates, postgraduates, and scholars interested in the history of war and warfare from Antiquity to the sixteenth century.
Forgotten Queens in Medieval and Early Modern Europe examines queens dowager and queens consort who have disappeared from history or have been deeply misunderstood in modern historical treatment. Divided into eleven chapters, this book covers queenship from 1016 to 1800, demonstrating the influence of queens in different aspects of monarchy over eight centuries and furthering our knowledge of the roles and challenges that they faced. It also promotes a deeper understanding of the methods of power and patronage for women who were not queens, many of which have since become mythologized into what historians have wanted them to be. The chronological organisation of the book, meanwhile, allows the reader to see more clearly how these forgotten queens are related by the power, agency, and patronage they displayed, despite the mythologization to which they have all been subjected. Offering a broad geographical coverage and providing a comparison of queenship across a range of disciplines, such as religious history, art history, and literature, Forgotten Queens in Medieval and Early Modern Europe is ideal for students and scholars of pre-modern queenship and of medieval and early modern history courses more generally.