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Now back in print, Perry's cult-classic Matador series picks up where "The Man Who Never Missed" left off. At Matador Villa, the training center for the best fighters in the galaxy, a dangerous drifter, a dark-skinned beauty named Dirisha Zuri, draws attention. The school wants her talents--and the galaxy desperately needs her deadly skills. Reissue.
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Brief history of Hereford cattle: v. 1, p. 359-375.
Mosaic Fictions is the first book-length critical analysis of Canadian Spanish Civil War literature. Exploring published and archival writings, the book focuses on the extensive contributions of Jewish Canadian authors as they articulate the stakes of the Spanish Civil War (1936–9) in the language of a nascent North American multiculturalism. Placing Jewish Canadian writers within overlapping North American networks of Jewish, Black, immigrant, female, and queer writers challenges the national distinctions that dominate current critical approaches to Anglophone Spanish Civil War literature. Reframing the narrative of Spain’s noble but tragic struggle against fascism in the Spanish Civil War, the book demonstrates how marginalized North American supporters of the Spanish Republic crafted narratives of inclusive citizenship amidst a national crisis not entirely their own. Mosaic Fictions examines texts composed between the war’s outbreak and the present to illuminate the integral connections between Canada’s developing national identity and global leftist action.
Set in Spain and Mexico during the 1930s, Matadora tells the story of Luna Caballero Garcia, an impoverished and intrepid servant attempting to make her name in the bullring at a time when it was illegal for a girl to do so. Matadora carries readers from bohemian artistic circles in Mexico City and Andalusia to Norman Bethune's mobile blood transfusions on the Madrid front. Against a backdrop of rising fascism and the Spanish Civil War, Elizabeth Ruth has created a powerful and compelling exploration of love, art, and politics, and an intelligent mirror for our times. Boldly sensual, with a cast of unforgettable characters and a plot that will keep readers on the edge of their seats, Matadora is easily one of the most original books of the year.
Rant. Chant. Chisme. is the debut collection of poetry by south Texas native Amalia Ortiz, featuring writing from the first decade of her career. Readers will get a taste of life on the border from the perspective of a young woman of color struggling to write herself into existence. These poems introduce a unique new transcultural feminist viewpoint as the poems call for social and political change along the borderlands. Ortiz, an award-winning performance poet known for her dynamic delivery style, relinquishes control of her writing to the reader, but not without first imparting the theatrical stage directions stated in the book's title, which commands readers to recite these poems aloud in a spoken word celebration exploring culture, music, and place while encouraging the reader to embrace diversity and find their own storytelling voice.
ELLEgirl, the international style bible for girls who dare to be different, is published by Hachette Filipacchi Media U.S., Inc., and is accessible on the web at ellegirl.elle.com/. ELLEgirl provides young women with insider information on fashion, beauty, service and pop culture in a voice that, while maintaining authority on the subject, includes and amuses them.
In a timely contribution to current debates over the psychology of boys and the construction of their social lives, On My Honor explores the folk customs of adolescent males in the Boy Scouts of America during a summer encampment in California's Sierra Nevada. Drawing on more than twenty years of research and extensive visits and interviews with members of the troop, Mechling uncovers the key rituals and play events through which the Boy Scouts shapes boys into men. He describes the campfire songs, initiation rites, games, and activities that are used to mold the Scouts into responsible adults. The themes of honor and character alternate in this new study as we witness troop leaders offering examples in structure, discipline, and guidance, and teaching scouts the difficult balance between freedom and self-control. What results is a probing look into the inner lives of boys in our culture and their rocky transition into manhood. On My Honor provides a provocative, sometimes shocking glimpse into the sexual awakening and moral development of young men coming to grips with their nascent desires, their innate aggressions, their inclination toward peer pressure and violence, and their social acculturation. On My Honor ultimately shows how the Boy Scouts of America continues to edify and mentor young men against the backdrop of controversies over freedom of religious expression, homosexuality, and the proposed inclusion of female members. While the organization's bureaucracy has taken an unyielding stance against gay men and atheists, real live Scouts are often more open to plurality than we might assume. In their embrace of tolerance, acceptance, and understanding, troop leaders at the local level have the power to shape boys into emotionally mature men.
Vol. 1 includes "Organization number," published Nov. 1917.
The bestselling author of The Orchid Thief and The Library Book is back with this delightfully entertaining collection of her best and brightest profiles. Acclaimed New Yorker writer Susan Orlean brings her wry sensibility, exuberant voice, and peculiar curiosities to a fascinating range of subjects—from the well known (Bill Blass) to the unknown (a typical ten-year-old boy) to the formerly known (the 1960s girl group the Shaggs). Passionate people. Famous people. Short people. And one championship show dog named Biff, who from a certain angle looks a lot like Bill Clinton. Orlean transports us into the lives of eccentric and extraordinary characters—like Cristina Sánchez, the eponymous bullfighter, the first female matador of Spain—and writes with such insight and candor that readers will feel as if they’ve met each and every one of them. The result is a luminous and joyful tour of the human condition as seen through the eyes of the writer heralded by the Chicago Tribune as a “journalist dynamo.”