Download Free Masterworks Of Prose Book in PDF and EPUB Free Download. You can read online Masterworks Of Prose and write the review.

Andrew Plaks reinterprets the great texts of Chinese fiction known as the "Four Masterworks of the Ming Novel" (ssu ta ch'i-shu). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source materials, which reflect the values and intellectual concerns of the literati of the period. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This is a collection of 46 essays by specialists in Asian literature, who offer a wide range of possibilities for introducing Asian literature to English-speaking students. It is intended to help in promoting multicultural education.
A new interpretation of some of the great works of Chinese fiction of the late Ming dynasty In this book, Andrew Plaks reinterprets the great texts of Chinese fiction known as the “Four Masterworks of the Ming Novel” (ssu ta ch'i-shu). Arguing that these are far more than collections of popular narratives, Plaks shows that their fullest critical revisions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source materials, which reflect the values and intellectual concerns of the literati of the period.
In this absorbing exploration of technological creativity throughout the ages, E. E. Lewis, professor of mechanical engineering at Northwestern University, eloquently tells the story of how science and engineering-which had little in common until a few hundred years ago-came together to create the technological world of the 21st century.Today's technology is the product of a fascinating synergy of science's search for comprehension of the material universe and engineering's drive to build things and make them work. In the 20th century this synergy achieved many unprecedented successes, the most spectacular of which is arguably the first moon landing of the Apollo program. Rocket science, now symbolic of humanity's most complex technological endeavors, is the culmination of centuries of achievements by architects of pyramids and cathedrals, medieval craft guilds, and pioneering inventors and scientists from the Renaissance through the Industrial Revolution.Melding his own personal experiences-from visiting Chartres Cathedral to flying aboard a Boeing 777-with vivid historical vignettes, the author skillfully demonstrates the importance of craft tradition, scientific method, production organization, economics, and more to the creation of modern technology. The many topics that Lewis illuminates include the slow evolution of the wheelwright's craft, the background and training of the architect-engineers who undertook the construction of medieval cathedrals, the importance of patronage and venture capitalists in realizing the big ideas of past and present, the increasing use of visualization as seen in Leonardo's notebooks, Galileo's immense contribution of bringing science and engineering together, the increasing importance of basic science as the seedbed of engineering and design innovations, the challenge of attempting unprecedented feats while minimizing risk as exemplified by space flight, and much more.Whether Lewis is discussing the distribution of weight along flying buttresses, the challenges faced by Morse in engineering the telegraph, or the Apollo program's monumental team effort, the author's deep knowledge of and enthusiasm for his subject and his gift for engaging, lively prose make for a fascinating exploration of science and engineering through the ages.E. E. Lewis (Evanston, IL), the former chair of the Department of Mechanical Engineering, is professor of mechanical engineering at the McCormick School of Engineering and Applied Science at Northwestern University. He is the author of three engineering textbooks and numerous journal articles.
In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China’s best known writers of the time and subsequently was published in three major recensions. A 1695 version by Zhang Zhupo became the most widely read and it is this text in particular on which Ding focuses. Challenging the preconceptions of earlier scholarship, she highlights the fundamental misogyny inherent in Jin Ping Mei and demonstrates how traditional biases—particularly masculine biases—continue to inform the concerns of modern criticism and sexual politics. The story of a seductive bondmaid-concubine, sexual opportunism, domestic intrigue, adultery and death, Jin Ping Mei has often been critiqued based on the coherence of the text itself. Concentrating instead on the processes of reading and on the social meaning of this novel, Ding looks at the various ways the tale has been received since its first dissemination, particularly by critiquing the interpretations offered by seventeenth-century Ming literati and by twentieth-century scholars. Confronting the gender politics of this “pornographic” text, she troubles the boundaries between premodern and modern readings by engaging residual and emergent Chinese gender and hierarchic ideologies.
Amid diverse theoretical debates about the canon in the media and in academia, in "English Inside and Out" leading proponents of literary studies take a close look at the discipline and the profession and envisage its future.
Ogyû Sorai (1666–1728) was one of the greatest philosophers of early modern Japan. This volume, a monumental work of scholarship, offers for the first time in any Western language unabridged and fully annotated translations of Sorai’s masterpieces. The Bendô (Distinguishing the Way) and Benmei (Distinguishing Names) are works of political philosophy that define the theoretical foundation for a leadership exercising total power, the best remedy, in Sorai’s view, for a regime in crisis. The translations are based on the 1740 (Genbun 5) woodblock edition, the first major edition of these seminal texts published during the Tokugawa period. In his commentary, John Tucker situates the Bendô and Benmei in relation to Neo-Confucianism via what is known as "philosophical lexicography." This genre, which links Sorai’s thinking with Neo-Confucianism, is traced to the early-thirteenth-century Song dynasty text the Xingli ziyi (The Meanings of Neo-Confucian Terms) by Chen Beixi (1159–1223). Although Sorai was an unrelenting critic the Neo-Confucian formulations of the great Song synthesizer Zhu Xi (1130–1200), his thinking remained, due to its genre, methodology, and conceptual repertory, essentially a radical revision of Neo-Confucian discourse. Tucker’s introduction also examines the reception of Sorai’s two Ben during the remainder of the Tokugawa, calling attention to radical tendencies in later developments of Sorai’s thought as well as to the increasingly scathing critiques of his "Chinese" approach to philosophy, language, and politics. Finally, it traces the vicissitudes of the two Ben in modern Japanese intellectual history and their role in the formation of the ideas of Meiji intellectuals such as Nishi Amane (1829–1897) and Kato Hiroyuki (1836–1916). As before, however, Sorai came under attack—this time for his supposed irreverence toward the throne, the Japanese people, and the imperial nation-state. Though an unpopular philosophy in early twentieth-century Japan, in the postwar years Sorai’s thought was interpreted (by Maruyama Masao and others) as an important modernizing force. While it critiques such ideologically grounded attempts to cast Sorai’s Bendô and Benmei as theoretical contributions to political modernization, Tucker’s study nevertheless acknowledges that Sorai’s masterworks, in their concern for language analysis as the way to solve philosophical problems, share significant common ground with the analytic approach to philosophy pioneered by various twentieth-century Anglo-American philosophers.