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Maps are a window into the past for both family and local historians. They provide an essential tool in the search for locations connected with the lives of our ancestors. For local historians, too, they are of crucial interest, in particular those undertaking research for villages and other histories. Maps help us to make sense of how and where o
A Newbery Honor Book - from the author of The White Stag Jancsi is overjoyed to hear that his cousin from Budapest is coming to spend the summer on his father’s ranch on the Hungarian plains. But their summer proves more adventurous than he had hoped when headstrong Kate arrives, as together they share horseback races across the plains, country fairs and festivals, and a dangerous run-in with the gypsies. In vividly detailed scenes and beautiful illustrations, this Newbery Award-winning author presents an unforgettable world and characters who will be remembered forever. “A genuinely joyous and beautiful book.”—The New York Times
Reproduction of the original: The Ingoldsby Country by Charles G. Harper
Contains the 4th session of the 28th Parliament through the 1st session of the 48th Parliament.
A Slave's Place, A Master's World, based on original field research, evaluates the transition from slave to free labour in rural Brazil, highlighting the ways in which slaves, free farmers, freedmen and planters shaped the labour markets of an agrarian economy. Documentation from two areas in the Rio de Janeiro hinterland provides the foundation for comparisons between slavery in Vassouras, a highland town where coffee was produced for the export market, and Rio Bonito, a lowland town where coffee and foodstuffs were marketed regionally. The book examines the settlement processes in both towns, the marginalization of indigenous tribes, the onset of slave labour, and the de facto and de jure claims to land, as planters, small producers and slaves forged the bases of rural society. A feature of the book is the detailed study of the link with the African past during the transition process, when African languages, customs and religion, and social and work-related networks were increasingly juxtaposed with 'master class' practices on the fazendas.
Approaching the subject of pastoral landscapes with his typical verve, beloved instructor Terry Harrison guides beginning watercolor artists through five country scenes in this step-by-step guide. From a country estate beyond an open gate to a small church nestled among a bluebell wood, each scene is carefully selected to give new artists confidence and offer intermediate artists a handful of satisfying challenges. All projects are accompanied by pull-out tracing paper that easily transfers each scene onto watercolor paper - artists need only a soft graphite pencil and a rubbing tool to achieve the transfer - eliminating the need for prerequisite drawing abilities. Additional scenes include a snowy winter pasture and a small footbridge crossing a ford among autumn leaves.
People active in regional environmental crises discuss the destruction, conservation, and creation of the countryside.
Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.
The opportunity for slaves to produce goods, for their own use or for sale, facilitated the development of a domestic economy largely independent of their masters and the wider white community. Drawing from a range of primary sources, In their efforts to protect the integrity of their families they became primary actors in their preparation for freedom. Selected and revised for publication, this collection of essays stems from the University of Rochester conference, "African-American Work and Culture in the 18th and 19th Centuries." Contributors: Josephine A. Beoku Betts, Kenneth L. Brown, John Campbell, Cheryll Ann Cody, Mary Beth Corrigan, Stanley, L. Engerman, Sharon Ann Holt, Larry E. Hudson Jr, Robert Olwell, Lorena S. Walsh