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Blair recounts in detail the events that led to his downfall as a journalist for "The New York Times," as well as his personal journey to make sense of the different pieces of the puzzle.
The birthplace of the style writing school of graffiti is New York City. This is the place where young writers first began to transform letters from simple tags on a wall to elaborate masterpieces of colorful and camoflauged letters embellished with characters that depicted friends and heroes alike. By the 1980s the artwork was quickly destroyed by authorities and the artists seeking to preserve some of their works took hold of schoolyards around the city to paint grander works. It was a no-nonsense approach to save their art form and spread their fame to the local kids. The most famous of these schoolyards is located in East Harlem on 106th street and Park Avenue and it became known as the Hall of Fame. At first the Hall of Fame was established to bring together the best artists in the city and have them paint in the same schoolyard supplanting the number 5 train as the showcase place for the best graffiti art in New York. Over the years as the word spread artists from around the city would sneak in and leave their work at night in this unsanctioned museum. From Skeme, Dez, and Daze in the early 1980s to Vulcan, Jon One, and Dome in the late 1980s to Part, Ezo, and TDS rejuvenating the schoolyard with style in the 1990s to TC5 (West, Dash, Psycho, Wane, Cope2, etc.), TDS (Flite, Part, Noc167, Serve, T-Kid170), TATS (Bio, BG183, Nicer, How, Nosm, Sen2) crews tight productions in the 2000s to the writers that travel to New York to paint there today this book documents the exciting art work that was created in a small obscure school in Harlem that became known as the legendary Hall of Fame. Join us on this artistic retrospective of the famous and important New York landmark.
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants. The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey!
In today’s new economy—in which “good” jobs are typically knowledge or technology based—many well-educated and culturally savvy young people are instead choosing to pursue traditionally low-status manual labor occupations as careers. Masters of Craft looks at the renaissance of four such trades: bartending, distilling, barbering, and butchering. In this engaging book, Richard Ocejo takes you into the lives and workplaces of these people to examine how they are transforming once-undesirable jobs into “cool” and highly specialized upscale occupations. He shows how they find meaning in these jobs by enacting a set of “cultural repertoires,” resulting in a new form of elite taste-making. Focusing on cocktail bartenders, craft distillers, upscale men’s barbers, and whole-animal butcher shop workers in Manhattan, Brooklyn, and upstate New York, Masters of Craft provides new insights into the stratification of taste, the spread of gentrification, and the evolving labor market in today’s postindustrial city.
Abstract: This book presents practical information on the conduct of American business and management. The author concentrates on innovation, entrepreneurship, and the development of participative management skills that encourage the use of new ideas arising from within the corporation itself. The organizational structures, corporate cultures, and specifics strategies of several major AMerican companies are examined.
List of Illustrations The Masters Foreword Acknowledgments Introduction: The Masters and the Myth Part One. Adepts Prince Pavel Dolgorukii Prince Aleksandr Golitsyn Albert Rawson Paolos Metamon Agardi Metrovitch Giuseppe Mazzini Louis Maximilien Bimstein Jamal ad-Din "al-Afghani" James Sanua Lydia Pashkov Ooton Liatto Marie, Countess of Caithness Sir Richard Burton Abdelkader Raphael Borg James Peebles Charles Sotheran Mikhail Katkov Illustrations Part Two. Mahatmas Swami Dayananda Sarasvati Shyamaji Krishnavarma Maharaja Ranbir Singh of Kashmir Thakar Singh Sandhanwalia Maharaja Holkar of Indore Bhai Gurmukh Singh Baba Khem Singh Bedi Surendranath Banerjea Dayal Singh Majithia Sumangala Unnanse Sarat Chandra Das Ugyen Gyatso Sengchen Tulku Swami Sankaracharya of Mysore Part Three. Secret Messages Suspicion on Three Continents An Urgent Warning to the Viceroy Who Inspired Hume? The Occult Imprisonment Notes Bibliography Index
A compelling new picture of one of the most important, complex, and misunderstood figures of our time. The name George Soros is recognized around the world. Universally known for his decades of philanthropy, progressive politics, and investment success, he is equally well known as the nemesis of the far right—the target of sustained attacks from nationalists, populists, authoritarian regimes, and anti-Semites—because of his commitment to open society, freedom of the press, and liberal democracy. At age 91, Soros still looms large on the global stage, and yet the man himself is surprisingly little understood. Asking people to describe Soros is likely to elicit different and seemingly contradictory answers. Who is George Soros, really? And why does this question matter? Biographers have attempted to tell the story of George Soros, but no single account of his life can capture his extraordinary, multifaceted character. Now, in this ambitious and revealing new book, Soros's longtime publisher, Peter L. W. Osnos, has assembled an intriguing set of contributors from a variety of different perspectives—public intellectuals (Eva Hoffman, Michael Ignatieff), journalists (Sebastian Mallaby, Orville Schell), scholars (Leon Botstein, Ivan Krastev), and nonprofit leaders (Gara LaMarche, Darren Walker)—to paint a full picture of the man beyond the media portrayals. Some have worked closely with Soros, while others have wrestled with issues and quandaries similar to his in their own endeavors. Their collective expertise shines a new light on Soros's activities and passions and, to the extent possible, the motivation for them and the outcomes that resulted. Through this kaleidoscope of viewpoints emerges a vivid and compelling portrait of this remarkable man's unique and consequential impact. It has truly been a life in full.
SALTZMAN/OLD MASTERS; NEW WORLD
In The New Masters of Capital, Timothy J. Sinclair examines a key aspect of the global economy—the rating agencies. In the global economy, trust is formalized in the daily operations of such firms as Moody's and Standard & Poor's, which continuously monitor the financial health of bond-issuers ranging from private corporations to local and national governments. Their judgments affect unimaginably large sums, approximately $30 trillion in outstanding debt issues, according to a recent Moody's estimate. The difference between an AA and a BB rating may cost millions of dollars in interest payments or determine if a corporation or government can even issue bonds Without bond rating agencies, there would be no standard means to compare risks in the global economy, and international investment would be problematic. Most observers assume that the agencies are neutral and scientific, and that they interpret their role in narrowly economic terms. But these agencies, by their nature, wield extraordinary power and exert massive influence over public policy. Sinclair offers a highly accessible account of these institutions, their origins, and the rating processes they use to judge creditworthiness. Illustrated with a wide range of cases, this book offers a fresh assessment of the role of an often-overlooked institution in the dynamics of modern global capitalism.