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"Masters of Contemporary Fine Art" is the first edition of an annual publication dedicated to the promotion and dissemination of high quality Contemporary Art. Painting, Sculpture, Drawing and Digital Art are the categories that we have chosen to publish in this art book. The vast range of expressive techniques and also the different styles in each category add value, depict fascinating rhythm and captivate diversity. The book is also a powerful tool for research, consultation or study for Artists, Collectors, Galleries, Art Dealers and Art Lovers.
Publication accompanies the inaugural exhibition at the new Frost Collection, Florida, which looks at the rise to prominence of the New York art scene in the two decades following the Second World War
Modern art, filled with complex themes and subtle characteristics, is a wonder to view, but can be intimidating for the casual observer to comprehend. In this accessible, practical guide, author and instructor Jon Thompson explores more than 200 works, helping readers to unlock each painting's meaning. Beginning with the Barbizon school and the Realist movement of the mid-19th century and continuing through the 1980s avant-garde, artists including Bonnard, Basquiat, Van Gogh, Picasso, Degas, Warhol, and Whistler are featured. Thompson describes each artist's use of media and symbolism and provides insightful biographical information. A natural companion to Abrams' "How to Read a Painting," this book is a vibrant, informative trip through one of art history's most compelling periods.
An engaging and informative guide to all the significant "isms"—schools and movements—that have shaped modern and contemporary art from Impressionism to the present. Following on the heels of the bestselling Isms: Understanding Modern Art comes this handy small-format guide to the history and development of modern art since the Impressionist era. Loaded with reproductions of key artworks and rounded out with a glossary and index of names, this guide is the best single-volume concise introduction to modern art for beginners, as well as an engaging new way of conceptualizing modern art for aficionados and collectors. ...isms: Understanding Modern Art sorts art into a chronological sequence of more than 55 movements and schools, or "isms." Beginning with Impressionism, Neo-Impressionism, and Symbolism, it progresses through all the major and minor art movements of the twentieth century (Fauvism, German Expressionism, Futurism, Dadaism, and Social Realism among others) through the postwar era up to the present. Featuring 110 beautiful full-color reproductions of key artworks illustrating the important concepts of each artistic movement, ...isms: Understanding Modern Art is like a virtual gallery of the finest modern masters. Included are a glossary, a list of principal names (artists, collectors, patrons), a gazetteer, and a chronology, making this the best single-volume guide to modern art for beginners while also offering cognoscenti an intriguing new way of conceptualizing the visual arts of the modern era.
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
Kunstmuseum Bern, the oldest museum in Switzerland, turns its gaze toward its own acquisition history in this lavish book that features artistic masterpieces considered worthless by the Nazis, and the stories of how they came to Switzerland. As a result of the Nazi regime's scorn for modern art, virtually all non-traditional art between 1933 and 1945 was banned in Germany on the grounds that it was un-German, Jewish, or Communist in nature. Those identified as "degenerate" artists were dismissed from teaching positions and forbidden to exhibit or to sell their works. This book sheds light on the historical significance and provenance of nearly 525 works by modernist greats, such as Picasso, Chagall, and Kandinsky, which were acquired by the Kunstmuseum Bern through a combination of auctions and private donations. The book traces the fates of artists who suffered under the Nazi regime and who had connections to Switzerland, including Kirchner, Klee and Dix, and contrasts the cultural policies of the Third Reich with those of Switzerland in the same period. Finally, it details the dramatic events and unprecedented efforts that went into preserving invaluable works of art.
A group of internationally acclaimed wildlife painters share their ideas and insights. Included in this illustrated book are the works and teachings of Robert Bateman, Allen Blagden, Ken Carlson, Raymond Ching, Guy Coheleach, Don R. Eckelberry, Lars Jonsson, Bob Kuhn, Roger Tory Peterson, Thomas Quinn, and John Serrey-Lester. Wildlife Painting features sections on solving such painting problems as how to achieve a feeling of depth in fur, or detail in plumage; how to convey action; how to paint effective camouflage; and how to capture the essence of grasses or trees or reflection in water. With styles ranging from realism to impressionism. Wildlife Painting includes finished works in oil, watercolour, acrylic, tempera, gouache, colored pencil, pastel and mixed media. Also included are sketches, studies, step-by-step demonstrations, and tips from the artists on animal behaviour.