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The artist-makers represented here come from every region of the United States, making this book a compilation of many native traditions as well as modern styles. Exciting background ideas are expressed in the details of these works, so their study and appreciation is quite fascinating. Over 50 living jewelry masters of Native American heritage are featured in this lavish new book. Their dynamic work includes many pieces that were awarded at recent juried shows. Tufa casting, stone cutting, engraving, metalsmithing, and other technical skills that are highly refined and personalized are evident, demonstrating the work of true Masters in this evolving field. See and be inspired by new designs in bead necklaces, silver bracelets, pendants, pins, earrings, belts, and rings, as well as sculpture that ranks as wearable art. Marvel at the new pieces by top masters living today.
Contemporary Southwestern Jewelry reveals the captivating history of the art of American Indian jewelry making, uncovering the ancient techniques, tools, and materials that have made contemporary southwestern jewelry what it is today. Revolutionists such as Hopi artist Charles Loloma, Navajo silversmith Kenneth Begay, Mexican/Mission jeweler Preston Monongye, and other jewelers began using varied materials and techniques traditionally unknown to the southwest. Pardue has researched the history and contemporary forms of metalworking, gems, stone patterning, and more, plus has dedicated a portion of the book to emerging artists whose work is capturing attention today. As you explore Contemporary Southwestern Jewelry's stunning photography, let the art speak to you of how it came to be and what it represents, echoing a similar message still told by traditional Native American jewelry
The jewelry of Jesse Monongya is fully described and each piece tells a story that combinnes authentic concepts from his culture with cutting edge materials and techniques. 142 colour & 30 b/w illustrations
« Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest celebrates the timeless beauty and power of the jewelry of the American Southwest and Northwest Coast, two regions with distinguished traditions of visual creation whose contemporary artists continue to work in the best of those traditions while expanding upon them to make jewelry an art form expressive of individual vision and creativity." "Lavishly illustrated, both with historical photographs and a wealth of new photography commissioned for this publication, Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest will be an important resource for students, scholars, designers, and indeed for anyone who loves beautiful and well-made objects. 185 illustrations, including 150 plates in full color. »--Résumé de l'éditeur.
Text and photographs detail the lives and art of contemporary Native American artists working in painting, sculpture, pottery, jewelry, and clothing.
Jewelry's Shining Stars is a celebration of a generation of independent fine jewelry designers/artists who are shaping today's collectibles and tomorrow's heirlooms. With a foreword by renowned designer Stephen Webster, this book features 38 talents who cross the boundaries of art, function and wearability to form a distinctive imprint on contemporary jewelry. As the current and future influencers, they shine brightly and are evolving with time and perseverance, while bringing out the collector in a new age of women. In this four-color elegant coffee table book, Beth Bernstein historian, writer and connoisseur of precious jewels gives us an informative, vivid and lively insider s peek into the imaginations, sensibilities and personalities of each designer through quotes, anecdotes and tales of inspiration. From Todd Reed's pioneering, rough and raw diamonds into coveted one-of-a-kind pieces to K. Brunini's introduction of organic forms and non-precious materials into precious jewelry to Arman Sarkisyan's intricate, award-winning and sometimes ironic museum-quality works, these are just a few of the diverse talents featured in this book. The jewelry showcased is meant to be worn and treasured by women who understand and relate to the hearts, souls and boundless imagination of these individual artists all of whom are carving out an enduring role in jewelry's timeline and have earned their place in this art form s rich history.
Since time immemorial, India has lured those in quest of spices, gold and precious gems. Spanning 5,000 years of this glorious legacy, 'Indian Jewellery: the Golden Smile of India', takes an ethnographic approach to the subject, weaving factual information and sumptuous images with the fascinating stories of ancient travellers to India.
From the late eighteenth century through the end of the Civil War, Choctaw and Chickasaw Indians bought, sold, and owned Africans and African Americans as slaves, a fact that persisted after the tribes' removal from the Deep South to Indian Territory. The tribes formulated racial and gender ideologies that justified this practice and marginalized free black people in the Indian nations well after the Civil War and slavery had ended. Through the end of the nineteenth century, ongoing conflicts among Choctaw, Chickasaw, and U.S. lawmakers left untold numbers of former slaves and their descendants in the two Indian nations without citizenship in either the Indian nations or the United States. In this groundbreaking study, Barbara Krauthamer rewrites the history of southern slavery, emancipation, race, and citizenship to reveal the centrality of Native American slaveholders and the black people they enslaved. Krauthamer's examination of slavery and emancipation highlights the ways Indian women's gender roles changed with the arrival of slavery and changed again after emancipation and reveals complex dynamics of race that shaped the lives of black people and Indians both before and after removal.
A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.