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Learn the science and art of creating a one-of-a-kind bamboo fly rod. Fly fishing has a long and storied history. While many flyfishermen will find and purchase their favorite fly rod, there are those who desire to go a step further. For those discerning flyfishermen and women, simply buying a rod is not enough—they must build one. And just as fly fishing is an art, so is the creation of the bamboo fly rod. Many people believe that the best-feeling rods, particularly for trout fishing, are made from bamboo, and today’s bamboo rod-making tradition is particularly indebted to one man: Everett E. Garrison. Using principles he learned as an engineering student, Garrison created an exacting method of building rod—a method that for decades was a well-kept secret. These techniques are presented to the reader in A Master’s Guide to Building a Bamboo Fly Rod, a classic volume written by Hoagy B. Carmichael to honor and maintain Garrison’s legacy. Completely illustrated with black-and-white drawings and over three hundred and sixty black-and-white photographs, along with copious notes on the mathematical and engineering principles that underlie Garrison’s unique rod-making technique, this book will guide you through each step of creating a classic bamboo fly rod. Skyhorse Publishing is proud to publish a broad range of books for fishermen. Our books for anglers include titles that focus on fly fishing, bait fishing, fly-casting, spin casting, deep sea fishing, and surf fishing. Our books offer both practical advice on tackle, techniques, knots, and more, as well as lyrical prose on fishing for bass, trout, salmon, crappie, baitfish, catfish, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
Works by artists of the Japan Craft Arts Association, the Nitten World, and independent artists.
This title celebrates contemporary Japanese bamboo masters whose imaginative new works are changing the definition of basketry.
Goldberg reveals how to creatively bring bamboo home, teaching readers how to live with it indoors and outdoors--even how to grow their own bamboo. Her book includes bamboo projects, from a simple ladle to a more complex pergola for the garden. 150 color photos. Copyright © Libri GmbH. All rights reserved.
* New monograph on bamboo artist Tanabe Chiku'unsai IV* Reveres the long tradition of bamboo art in Japan* A detailed exploration of Chiku'unsai IV's life and motivations* Exclusive insights into the working methods of a master craftsman* Chiku'unsai IV has exhibited at TAI Modern, Mingei Gallery and the Metropolitan, among many moreThe bamboo: tall, strong and flexible. This fast-growing shoot has been used as a construction material, a foodstuff and fuel for millennia, from India to Japan. Tanabe Chiku'unsai IV's art elevates bamboo to new heights. By weaving together small pieces of fibrous stalk, he creates vast, detailed sculptures without the use of rivets or adhesives. Under Chiku'unsai IV's skilled craftsmanship, bamboo is more than a functional tool: it is modern art, a unifying symbol of Japanese culture. His sculptures revere traditional workmanship, while conveying important contemporary messages - the codependence of nature and man, and the importance of protecting our environment. Part autobiography, part introduction to the craft, this monograph follows Chiku'unsai IV's growth from a child marveling at his grandfather's mastery of bamboo, to a maestro in his own right. Bamboo weaves his past to his present, providing a sturdy foundation on which his art continues to build. "Love bamboos, live with bamboos," says Chiku'unsai IV. As this book demonstrates, he has done precisely that.
Whatever your climate, there is a suitable species of bamboo for your garden. More than 300 bamboos are described, from tropical and subtropical species to hardy species with information on size, native range, and landscape use.
This collection offers field-defining work from 43 master book artists.
Once neglected in the West, Japanese basketry now claims a loyal following among art lovers, collectors, and craftspeople in the United States and Europe. Japanese Basketry acknowledges this growing interest by presenting a stunning array of the best baskets to come out of Japan in the last 150 years....[and] frames the pieces in a wealth of original material, beginning with a preface by pioneer collector Lloyd Cotsen -- from book jacket.
From trusted to tainted, an examination of the shifting perceived reputation of overseers of enslaved people during the eighteenth century. In the antebellum southern United States, major landowners typically hired overseers to manage their plantations. In addition to cultivating crops, managing slaves, and dispensing punishment, overseers were expected to maximize profits through increased productivity—often achieved through violence and cruelty. In Masters of Violence, Tristan Stubbs offers the first book-length examination of the overseers—from recruitment and dismissal to their relationships with landowners and enslaved people, as well as their changing reputations, which devolved from reliable to untrustworthy and incompetent. At the beginning of the eighteenth century, slave owners regarded overseers as reliable enforcers of authority; by the end of the century, particularly after the American Revolution, plantation owners viewed them as incompetent and morally degenerate, as well as a threat to their power. Through a careful reading of plantation records, diaries, contemporary newspaper articles, and many other sources, Stubbs uncovers the ideological shift responsible for tarnishing overseers’ reputations. In this book, Stubbs argues that this shift in opinion grew out of far-reaching ideological and structural transformations to slave societies in Virginia, South Carolina, and Georgia throughout the Revolutionary era. Seeking to portray slavery as positive and yet simultaneously distance themselves from it, plantation owners blamed overseers as incompetent managers and vilified them as violent brutalizers of enslaved people. “A solid work of scholarship, and even specialists in the field of colonial slavery will derive considerable benefit from reading it.” —Journal of Southern History “A major achievement, restoring the issue of class to societies riven by racial conflict.” —Trevor Burnard, University of Melbourne “Based on a detailed reading of overseers’ letters and diaries, plantation journals, employer’s letters, and newspapers, Tristan Stubbs has traced the evolution of the position of the overseer from the colonial planter’s partner to his most despised employee. This deeply researched volume helps to reframe our understanding of class in the colonial and antebellum South.” —Tim Lockley, University of Warwick
Since the early seventeenth century when the secret of porcelain was first carried from China to Japan by Korean potters, Japan has produced some of the world's most exquisite porcelains. The Kakiemon masters in Arita on the island of Kyushu gained particular renown for the quality of their colourful overglaze enamels and artistic designs. Through exports Kakiemon ware had a profound impact on the development of European porcelain in the eighteenth and nineteenth centuries, inspiring ceramic manufacturers in both continental Europe and England to reach new levels of technical and artistic achievement. Dragons, Tigers and Bamboo highlights 170 masterpieces from the Bill and Molly Anne Macdonald Collection at the Gardiner Museum of Ceramic Art in Toronto, Canada. This extraordinary collection illustrates many different aspects of the historical interaction between Japanese and European porcelain during the seventeenth, eighteenth and nineteenth centuries. It is unquestionably the best cross-cultural porcelain collection in Canada and is among the best of its kind in the world. Illustrated with more than 160 full-colour photographs commissioned for this volume, Dragons, Tigers and Bamboo for the first time makes the Macdonald Collection accessible to an international audience.