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Excerpt from Masters in Music, Vol. 1 Then, my good sir, replied Mozart, I have only to resign myself and die of hunger. And whatever were the causes of his poverty, we can have nothing but admiration for the courage with which he bore the misery and anxiety it entailed; the mental heroism with which, in his work, he held himself above them. He continued composing, from this time on, with unimpeded vigor and fertility. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Masters in Music, Vol. 1 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A Short Course in Music, Vol. 1 The Short Course in Music is embraced in two books, and is designed for use in graded or ungraded schools in which a more complete course is deemed unnecessary or impracticable. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Modern Music and Musicians, Vol. 1: Compositions for Piano It is imperative, in this day of musical advance, that the pianist's education should not be bounded by the keyboard. The lives Of the masters, the birth and growth of different musical schools, the management of the orchestra in compositions that one hears frequently, the com prehension Of the plan or form Of the compositions which one executes, all these things are necessary to the fullest enjoyment and appreciation of Music. It has been my aim to gather as many as possible Of these topics into a single work, properly classified and accessible for constant reference. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This collection presents original works by 21 modern-day composer/guitarists, including both well-known artists and gifted upstarts. Recommended for the intermediate to advanced player, with the exception of a few pieces in alternate tunings, the selections are written in standard notation only. Bio sketches, photos, performance notes and a CD recorded for the most part by the composers themselves complete this musical portrait of the classic guitar in the 21st century.
Excerpt from One Hundred Songs by Ten Masters, Vol. 1: Schubert (1797-1828); Schumann (1810-1856); Franz (1815-1892); Rubinstein (1830-1894); Jensen (1837-1879); For High Voice In the realm of song, in particular, there is a superabundance of good things which is appal ling; and, as usual, the good is the enemy of the best. The time has come when we can preserve only the very best. The merely good is doomed to disappear, together with the mediocre. No singer has either time or inclination to mas ter all the songs of even the greatest of compos ers. Schubert alone produced five hundred and thirty-eight Lieder; and while he was the most recklessly prodigal of them all, there is hardly one composer who can be acquitted of the charge of having written so many songs that the best of them are in danger of being lost in the multitude. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.