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This collection offers field-defining work from 43 master book artists.
Mystical dreams and grand inventions create a wicked examination of America in a time of reckless Republicans and the fevered tweets of their unsound President. It is a tale that exposes our most visceral horrors and suspicions of the current political miasma. It is a warning, an adventure and a metaphor--yet, just may be a hint at better days to come.
For prospective undergraduate students of Art History, or professionals looking to develop an existing art history career or move into the field, Careers in Art History groups jobs by theme to show the range of careers available within certain sectors and how they interconnect. This edition has also included more potential careers, including less obvious roles such as advertising, heritage tourism and museum retail, and reflected the changing job market with an extended entry on freelance work. This edition also contains new sections with practical information on marketing yourself, writing CVs and finding funding, as well as updated 'further information' sections, accompanying each entry.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
This book is an ideal introduction to classical education written by the headmaster of an established classical academy. It traces the history of classical education and describes its modern renaissance. The book also highlights the distinctive elements of the movement including its emphasis on teaching grammar, logic and rhetoric (the Trivium), and the extraordinary achievements of students who are receiving a classical education. Other sections address the role and benefit of classical language study (Latin and Greek) and integrated learning through a study of the great books of western civilization. The book is written in a colloquial, engaging style, with several anecdotes, diagrams and charts. This book is especially recommended to parents just beginning their examination of classical education. We have priced this booklet (and the Audio CD) very low so that schools and co-ops can affordably distribute it to parents. We encourage homeschoolers to give this booklet to other parents who may wish to consider classical education.
László Moholy-Nagy (1895?1946), painter, photographer, Bauhaus teacher and founder of the?New Bauhaus? and the?School of Design? in Chicago, is one of the most important artist personalities of the modern age. As one of the first artists to work in multiple media, who practised painting, sculpture, photography, film and design as equally valid art genres, he set standards which are still relevant today.00Appointed to the Bauhaus in Weimar by Walter Gropius in 1923, Moholy-Nagy also followed him to Dessau before leaving Nazi Germany in 1933, eventually finding a second home in Chicago in 1937. Both as a teacher and an artist he pursued his revolutionary vision of uniting art and life in order to permit artistic activities to flow over into everyday life. Moholy-Nagy made an important contribution in particular in the recognition of photography, which as a new medium had hitherto not been regarded as art. This volume provides excellent insight into the life and work of the avant-garde artist.
Each number is devoted to one artist and includes bibliography of the artist.
Some of the artists who have won a National Heritage Fellowship between 1982 and 2002: user may click on an index of names, and retrieve biographical information, photographs, voice and music clips, and/or film and video clips on each artist.
Florine Stettheimer (1871-1944) was among the most fascinating artists on the New York arts scene during the first half of the twentieth century, and the painter and poet counted among her fans Andy Warhol and Marcel Duchamp, who organized a retrospective of her work at the Museum of Modern Art. With a longstanding interest in beauty contests and celebrity, Wall Street and consumer culture, Stettheimer anticipated in her work many of the same interests that would later characterize Pop Art, and her synthesis of the arts and urban life remains a source of inspiration for many artists working today. Published to accompany a major retrospective of Stettheimer’s work at the Lenbachhaus in Munich, this well-illustrated book brings together the artist’s paintings and poems, as well as her designs for studio and stage, offering deep insights into Stettheimer’s exceptional life and influence on the artists around her.