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This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists. This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists.
Masterpieces Up Close is back in print! Once again readers can explore great works of art from the Middle Ages to the twentieth century in exquisite large-format detail. Captioned, full-color reproductions of more than twenty paintings provide informative and challenging treasure hunts involving more than one-hundred close-up details. Don't worry, if you can't find one of them, lift-the-flap copies of each painting can be found in the back of the book highlighting each detail. Brief biographical sketches offer information about the artists.
"Designed for children ages nine to twelve, Art in action 2 is the second of a two-volume set. The companion volume, Art in action 1, presents more elementary projects that are suitable for children ages five through eight." - book cover.
A former director of the Metropolitan Museum of Art in New York chooses the 111 works of art--culled from the entire history of Western civilization--that have influenced him most, reproduced in full-color and complemented by his interpretations. Tour.
With fresh insight into what the great works meant when they were created and why they appeal to us now, here is a vivid tour of painting, sculpture, and architecture, past and present. "Illuminating . . . a notable accomplishment".--The New York Times. Illustrated.
Covering over nine centuries of paintings in the western world, this book which is organised alphabetically focuses on world famous works by artists such as Michelangelo, Leonardo and Turner. Sister Wendy focuses on subject matter, technique and other key elements of each major work. Many artists are represented by two paintings on double-page spreads. A featured works section gives the reader the location of each masterpiece.
Between birth and death, many of life's most critical moments occur in hospital, and they deserve to take place in surroundings that match their significance. In this spirit, from the early Renaissance through to the modern period, artists have made immensely powerful work in hospitals across the western world, enhancing the environments where patients and medical staff strive towards better health. Distinguished art historian Richard Cork became fascinated by the extraordinary richness of art produced in hospitals, encompassing work by many of the great masters - Piero della Francesca, Rogier van der Weyden, El Greco, William Hogarth, Jacques-Louis David, Vincent van Gogh, Frida Kahlo and Diego Rivera, Fernand Leger, Marc Chagall and Naum Gabo. Cork's brilliant survey discovers the astonishing variety of images found in medical settings, ranging from dramatic confrontations with suffering (Matthias Grunewald at Isenheim) to the most sublime celebrations of heavenly ecstasy (Giovanni Battista Tiepolo in Venice).In the process, he reveals art's prodigious ability to humanize our hospitals, alleviate their clinical bleakness and leave a profound, lasting impression on patients, staff and visitors. -- Publisher's blurb.
Edouard Manet's controversial painting "Le Déjeuner sur l'herbe" is one of the best known images in French art. The subject of critical analysis for more than a century, it still defies singular interpretations. These essays, written specially for this volume by the leading scholars of French modern art, therefore offer six different readings of the painting, incorporating close examinations of its radical style and novel subject, relevant historical developments and archival material, as well as biographical evidence that prompts psychological inquiries.
Raphael's "School of Athens" examines one of the masterpieces of the Italian Renaissance and the artist's best known work. Commissioned by Pope Julius II to decorate the walls of his private library, the fresco represents the gathering of the philosophers of the ancient world around the central figures of Plato and Aristotle. Presented in this volume are the early criticism of the fresco along with new interpretations of its iconography in relation to the other frescoes in the Stanza and in the context of the humanism and rhetorical tradition of the papal court.