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Contains ten interpretive essays that discuss classical works of non-Western world literature including the poetry of Li Po, the "Epic of Gilgamesh," and "The Tale of Genji."
World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchú's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.
Why was Thomas Hardy's first novel never published? What happened to the manuscript of the long promised 'magnum opus' that Truman Capote never delivered? Why did Heinrich Böll abandon his Paradise Lost? These and many other intriguing mysteries are uncovered in this comprehensive guide to literature's lost and unfinished masterpieces. From a creative crisis to a dissatisfied editor, and from a bizarre twist of fate to an untimely death, behind each unpublished book lies a unique and compelling story. One of the giants of modern literature, Ernest Hemingway, saw three years of work, including a novel and several short stories, vanish when his wife's suitcase was stolen in the Gare de Lyon in Paris. Evelyn Waugh, on the other hand, burned the manuscript of his first novel and attempted to drown himself after a friend gave it a bad review. Covering an eclectic range of international authors, both living and dead, The Greatest Books You'll Never Read unearths an alternative literary history that is fascinating and heartbreaking in equal measure. Each ill-fated book, from Karl Marx's comic novel Scorpion and Felix to Stephenie Meyer's Twilight spin-off Midnight Sun, is examined in an in-depth essay, with selected entries featuring manuscript extracts. Specially commissioned covers by acclaimed designers illustrate each entry, bringing to life these lost literary wonders. At once entertaining and enlightening, The Greatest Books You'll Never Read will be loved by bookworms everywhere. Erica Jarnes worked as an editor at Bloomsbury for eight years before becoming Literature Programmer at the South Bank Centre. She is involved in organizing Port Eliot Festival, a prestigious literary gathering that attracts authors from around the globe, and is passionate about promoting translated fiction. She lives in London.
Contains detailed plot summaries of 510 famous novels, plays, and epics.