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This Monograph, First Of Its Kind, Surveys The Female Sculptures Created By Indian Artists Through Centuries, From An Ancient Era Of Indus Valley Civilization To Medieval Times. Archaeological Data Is Interpretd In The Light Of Literary And Cultural Traditions Of India. Various Images The Sculptors Conceived Of Her As Mother Doddess, Yakshi, Devangana And Surasundari, Lover Par Excellemce, One As Fond Of Wine , Dance And Musaic, Shrinagara Nayika, Paragon Of Beauty And Inerllect And Also Embodiment Of Forces Of Death And Destruction, And Made Into Sculptures, Are Described Here In Very Lucid Language, To Give The Readers An Insight Into Indian Art.
Catalogue of an exhibition held at National Museum, New Delhi during 14th March to 7th June 2014.
The status and position of Indian women have undergone many changes since the high status they enjoyed in the Vedic era yielded to forced suicide during the dark ages, female infanticide, purdah, child marriages and the denial of property and political rights. This book, first published in 1985, provides a comprehensive annotated bibliography to hose years, and the years that followed of the relentless liberation struggle by women on the socio-political and legal fronts.
"For hundreds of years, Indian women have passed to their daughters the knowledge of the ritual wall and ground paintings and decorations of the home that function as messages to the deities for the health and well-being of Indian families. Some ground paintings are daily rituals, made every morning at dawn, while wall paintings and mud bas-reliefs are often made for special festivals to honor the deities and attract their benevolent attentions. It is the women of India who are responsible for communication with the gods on behalf of their families, governing the activities of family members, and maintaining the sanctity and order of the home." "Painted Prayers is a fascinating account of the centuries-old artistic traditions of women in village India, set forth in 170 full-color photographs that evoke the women's rich artistic heritage, and the pride and pleasure with which they regard their creative responsibilities. The knowledgeable text details the traditions, rituals, and beliefs behind this little-known art form and places this art in the context of contemporary Indian women's lives and the social realities of India today." "This book is a splendid gallery of this diverse aspect of Indian art and a pictorial tour of the India travelers rarely see. Designs vary between the representational and the purely graphic: painted and sculpted images such as mounds of rice are drawn from local iconography, while elephants, peacocks and lotus blooms are symbols of the deities. Colors ranging from earth tones to reds, blues, yellow, green, and white make the designs stand out from the mud-covered walls and dusty streets, a vibrant testament to centuries of Indian women's artistic voices."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Written by some of India's best-known critics and scholars of contemporary art, including Tapati Guha-Thakurta, Geeta Kapur, Yashodhara Dalmia, Rupika Chawla and Geeti Sen, this volume traces the significant contribution of women on the Indian art scene from the early presence of Amrita Sher-Gil in the 1930s to the artists of the 1990s.
Set against feminist discourse, this title looks at the iconography of the Indian woman. Traced over the century these images suggest an extraordinary transformation in imaging the Indian woman, as manifested in painting, photography, popular posters and classical cinema.