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This exceptional compilation contains more than fifty short stories, novellas and poems, both classic and modern, by some of the most distinguished writers of all time. Masterful works by Bram Stoker, H.P. Lovecroft, Mary Shelley, Sheridan LeFanu, Isaac Bashevis Singer, Tennessee Williams, Isaac Asimov, J.R.R. Tolkien, in addition to little-known masterpieces of fantasy and terror by such authors as Stanley Ellin, Patricia Highsmith, John Dickson Carr and Damon Runyon, make this one of the most wide-ranging, outstanding collections of its kind. Marvin Kaye provides fascinating prefatory notes to each selection and an annotated bibliography of other recommended reading, as well as an Introduction and Afterword providing further insights into the genres of terror and the supernatural.
This exceptional compilation contains more than 50 short stories, novellas and poems, both classic and modern, by some of the most distinguished writers of all time. Masterful works by Bram Stoker, H.P. Lovecraft, Mary Shelley, Sheridan LeFanu, Isaac Bashevis Singer, Tennessee Williams, Isaac Asimov, and J.R.R. Tolkien, in addition to little-known masterpieces by such authors as Stanley Ellin, Patricia Highsmith, John Dickson Carr and Damon Runyon, make this one of the most wide-ranging and outstanding collections of its kind. Kay provides fascinating prefatory notes to each selection and an annotated bibliography of other recommended reading, as well as an Introduction and Afterword providing further insights into the genres of terror and the supernatural.
Fifty tales of terror and horror by masters of the genre. They range from Bianca's Hands, by Theodore Sturgeon, in which a man becomes obsessed with a girl's hands, to Jack Snow's Midnight, the story of an occultist who is attacked by demons.
Selected by Marvin Kaye and Saralee Kaye.
Offers horror stories by Poe, Stoker, Wells, Bierce, Lovecraft, Faulkner, and modern writers such as King, Sheckley, and Joyce Carol Oates
While the numinous and heavily psychological aspects of the Gothic have received serious attention, studies do not tend to examine the relation of the Gothic supernatural to the very different backgrounds of 18th-century and Victorian belief. This study examines the rise of the form, the artistic difficulties experienced by its early practitioners, and the transformation of the original problem-ridden Gothic works into the successful Victorian tales of unearthly terror. In doing so, this study makes a distinct contribution to our grasp of the Gothic and of the links between literature and religion.