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Gathers hundreds of photographs, including portraits, nudes, still lifes, landscapes, and abstracts, taken between 1839 and the present, and offers brief profiles of each photographer
In The invented eye Edward Lucie-Smith surveys, from an art critic's point of view, the pioneer period of photography. Against the cultural and artistic background of the 19th century world he discusses the broad implications of early photography and many of its most important practitioners. Taking as it does an art-critical point of view, The invented eye is not a technical book (though there is a brief section explaining the major techniques of early photography). Its emphasis is on understanding the photographs as visual images. More than 150 photographs provide a magnificent complement to the lucid and perceptive text, and make The invented eye a journey through time, to the beginnings of "a new way of seeing the world."
Why are some photographs so much more effective and powerful than others? What Makes Great Photography showcases 80 outstanding photographs from the first daguerrotypes to today’s digital masterpieces and by photographers as diverse as Alfred Stieglitz, Diane Arbus, Ernst Haas and Don McCullin. Val Williams highlights the elements of each photograph that distinguishes it from its peers, such as composition, colour, texture and fidelity to subject, explaining just what it is that makes it so great. Her insightful text will open your eyes to the defining qualities of the key photographs of every period and genre, from portraiture to landscape and from photojournalism to the nude.
A tribute to a major photographic genre's success in capturing in permanent form the most ephemeral of the arts. Over 200 reproduced duotone plates reveal dance in all its aspects - from many countries and periods, from classical ballet to rock and roll - photographed wherever dancers waltz, tango, tap-dance, pirouette, stomp, jive or kick up their heels for joy. The great dancers are here - Nijinsky, Fred Astaire, Pavlova, Fonteyn and Isadora Duncan among other immortals; but so too are the anonymous, captured in a Parisian nightclub or at the Roxy, New York, an Amsterdam street cafe or simply dancing alone by the seashore. The wide range of photographers include Gordon Anthony, Barbara Morgan, Beaton, Degas, Genthe, Steichen, Horst, Man Ray and Helmut Newton. Introductions to each chapter and detailed notes on the photographs provide essential background about the dancers and photographers.
Filled with high-quality colour and black and white images taken by the leading names in photography, this celebration of the female form is a best-seller. The popularity of erotic photography since the invention of the camera is undeniable and this book is an excellent guide to the techniques and fashions in erotic photography since the mid-19th century. Focussing on the greatest photographers in this field, Erotique is an indispensable reference work for the informed or the lay audience. The arena of erotic photography is a popular and controversial one and in recent years its demand and the surrounding furore have increased dramatically. That it should still induce moral outrage in such liberal days as these is proof that the naked form, a subject for artists for 2000 years, confounds people and poses more questions than answers. Erotique celebrates the beauty of the naked female form with a collection of the most exciting and significant photographs in this field.
Surveys the work of the master photographers who have shaped the consciousness of the state of California and the nation for more than 150 years.
"Learn how to consistently create high-quality black-and-white digital prints from one of the best in the field. Author George DeWolfe has studied with Ansel Adams and is one of the creators of Adobe Lightroom, the state-of-the-art image-processing software. He takes you through the entire process, from seeing tonal values in a scene the way the masters do, to optimizing images using Lightroom, to making gallery-quality prints. DeWolfe's stunning images throughout the book provide instructional examples and inspiration"--Back cover.
Femmes provides a comprehensive review of erotic photography over the last century. It is a celebration of the female nude; featuring female couples in images that have been selected to highlight the erotic charge when two women are photographed together, between the women themselves, between models and photographer, and between the photograph and the viewer. Erotic photography is now at the forefront of fashion, and Femmes focuses on one of the most exciting and perennially popular subjects, bringing together a collection of the most significant work in this field. This photographic celebration is wonderfully illustrated with 190 outstanding color, duotone, and black-and-white photographs, including those by Michael Childers, Bob Carlos Clarke, Wolfgang Eichler, Nan Goldin, James & James, Pierre et Gilles, Housk Randall, Wolfgang Tillmans, and Trevor Watson.
A stunning survey of an international movement that dramatically transformed the art of photography. The hauntingly beautiful works of the Pictorialist movement are among the most spectacular photographs ever created. Beginning in the late 19th century, Pictorialist artists sought to elevate photography -- until then seen largely as a scientific tool for documentation -- to an art form equal to painting. Adopting a soft-focus approach and utilizing dramatic effects of light, richly coloured tones and bold technical experimentation, they opened up a new world of visual expression in photography. More than a hundred years later, their aesthetic remains highly influential. TruthBeauty contains 121 stunning works by the form's renowned artists, including Julia Margaret Cameron, Alvin Langdon Coburn, Robert Demachy, Peter Henry Emerson, Gertrude Kasebier, Heinrich Kuhn, Edward Steichen and Alfred Stieglitz. Together, the collected works trace the evolution of Pictorialism over the three decades in which it predominated. This marks the first time that Pictorialist photographs by artists from North America, the United Kingdom, continental Europe, Japan and Australia are collected in a single publication. Scholarly essays, and a selection of historic texts by Pictoralist artists, complete this rich overview of the first truly international art movement. This book was published in partnership with the Vancouver Art Gallery.