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Edited by Joseph Lewis French, this collection of 9 riddle stories includes ""The Mysterious Card"" and its sequel by Cleveland Moffett, ""The Oblong Box"" by Poe, ""A Terribly Strange Bed"" by Wilkie Collins, ""The Lost Room"" by Fitz-James O'Brien and others selected as masterful examples of the genre by the editor. He says in the forward: ""A distinguished American writer of fiction said to me lately: 'Did you ever think of the vital American way we live? We are always going after mental gymnastics.' Now the mystery story is mental gymnastics. ... The stories of this collection cover a wide range and are the choice of reading in several literatures."" Joseph Lewis French (1858-1936) was a novelist, editor, poet and newspaper man. The New York Times noted in 1925 that he may be ""the most industrious anthologist of his time."" He is known for his popular themed collections, and published over twenty-five books between 1918 and his death in 1936.
"Masterpieces of Mystery in Four Volumes: Riddle Stories" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
"The Best Short Stories of 1921, and the Yearbook of the American Short Story" is an early edition of the most famous short stories of the time picked up and arranged into a collection by Edward Joseph Harrington O'Brien. The selection of O'Brien's stories was trendy among the readers. This issue includes the stores by Sherwood Anderson, Charles J. Finger, Frances Noyes Hart, and others.
I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English writers during the past three years. He asked me a remarkable question, and the answer which I gave him suggested certain contrasts which seemed to me of basic importance for us all. He said: "I have been reading books by Sherwood Anderson, Waldo Frank and Ben Hecht and Konrad Bercovici and Joseph Hergesheimer, and I can see that they are important books, but I feel that the essential point to which all this newly awakened literary consciousness is tending has somehow subtly eluded me. American and English writers both use the same language, and so do Scotch and Irish writers, but I am not puzzled when I read Scotch and Irish books as I am when I read these new American books. Why is it?"