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Illustrated from museums across the world, Masterpieces of Indian Art is a rich and stunning portrayal of the most precious treasures of Indian art. ,
The collection includes superb objects from nearly all important American tribes. Presents 100 of the collections finest works.
Gods in Print is the first comprehensive collection of early hand-colored lithographs, multiple-block chromolithographs, and offset print images of India’s world of gods and goddesses. India’s love of gods in print began in the 1870s with the founding of the Calcutta Art Studio and the Chitrashala Press. In 1894, artists Ravi and Raja Varma set up the Ravi Varma Fine Art Lithographic Press outside Bombay. By the early 1900s, these presses had begun selling their prints throughout the subcontinent. Collectors Mark Baron and Elise Boisante have traveled to remote corners of India to document and preserve this fragile and beautiful popular art form. Their diligence in tracking down “God prints” and restoring them to their original brilliance has resulted in the extraordinary and comprehensive collection featured in this volume. For the first time, the full scope of India’s sacred imagery in print can be viewed from its earliest days.
This book journeys through the development and decline of the schools of Indian miniature painting. The represented masterpieces bear testimony to the genius of the painters. Of special interest is the context, portrayed through contemporary literature and chronicles that throw light on the lives of these master artists.
Catalog of an exhibition at the San Diego Museum of Art, Oct. 22, 2005-Jan. 22, 2006; and at the Museum of Fine Arts, Boston, Aug. 6, 2006.
This visually stunning book is a rare example of a volume that offers a panoramic view of Indian art from the pre-historic times to contemporary period.
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
This Catalogue profusely illustrated with over 500 colour plates can be claimed to be a first-hand attempt concentrating mainly on the hitherto unknown and unexplored folk and tribal art objects.