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The 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.
"Throughout this study, idleness is shown to be a key element of self-presentation beginning with the figure of the idle aristocrat. The extravagant display of a life of leisure made Gilles de Rais the icon of aristocratic idleness. But even the hardworking humanist was anxious to assume a studied posture of idleness. If both figures were eager to display idleness, it was because oisivete was an important source of what modern theorists have termed symbolic capital. Finally, the Renaissance also saw the birth of a new figure of the "idler": the consumer of leisure. For it was leisure itself along with chivalric and amorous adventure that was consumed by the readers of the popular Amadis series. At once a commodity and form of capital, idleness (otium) clearly belonged to the realm of social exchanges ostensibly reserved for affairs (negotium)."--BOOK JACKET.
With his birth itself a monumental exploit in itself, it is clear that the giant Pantagruel is destined to great things, and the novel that bears his name chronicles his the remarkable life of the exuberant youth: from his voracious reading habits to his escapades with the knave Panurge and his prowess in battle. The second work in this volume deals with the history of his father Gargantua, whose biography is equally if not more outlandish and larger than life.But these bawdy and boisterous tales, with their fixation on food and faeces, are not just entertaining yarns, as Francois Rabelais, one of the foremost humanists of the sixteenth century, parodies medieval learning, lambasts the established church authority and develops his own ideal visions for the ordering of society.
This book,contains now several HTML tables of contents The first table of contents lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC. This 1st volume of "100 Books You Must Read Before You Die" contains the following 50 works, arranged alphabetically by authors' last names: Alcott, Louisa May: Little Women Austen, Jane: Pride and Prejudice, Emma Balzac, Honoré de: Father Goriot Brontë, Anne: The Tenant of Wildfell Hall Brontë, Charlotte: Jane Eyre Brontë, Emily: Wuthering Heights Burroughs, Edgar Rice: Tarzan of the Apes Butler, Samuel: The Way of All Flesh Carroll, Lewis: Alice's Adventures in Wonderland Cather, Willa: My Ántonia Cervantes, Miguel de: Don Quixote Chopin, Kate: The Awakening Cleland, John: Fanny Hill Collins, Wilkie: The Moonstone Conrad, Joseph: Heart of Darkness, Nostromo Cooper, James Fenimore: The Last of the Mohicans Cummings, E. E: The Enormous Room Defoe, Daniel: Robinson Crusoe, Moll Flanders Dickens, Charles: Bleak House, Great Expectations Dostoyevsky, Fyodor: Crime and Punishment, The Idiot Doyle, Arthur Conan: The Hound of the Baskervilles Dreiser, Theodore: Sister Carrie Dumas, Alexandre: The Three Musketeers, The Count of Monte Cristo Eliot, George: Middlemarch Fielding, Henry: Tom Jones Flaubert, Gustave: Madame Bovary, Sentimental Education Ford, Ford Madox: The Good Soldier Forster, E. M.: A Room With a View, Howards End Gaskell, Elizabeth: North and South Goethe, Johann Wolfgang von: The Sorrows of Young Werther Gogol, Nikolai: Dead Souls Gorky, Maxim: The Mother Haggard, H. Rider: King Solomon's Mines Hardy, Thomas: Tess of the D'Urbervilles Hawthorne, Nathaniel: The Scarlet Letter Homer: The Iliad & The Odyssey Hugo, Victor: The Hunchback of Notre Dame, Les Misérables Huxley, Aldous: Crome Yellow James, Henry: The Portrait of a Lady Lovecraf H.P: The Call of Cthulhu Shelley Mary: Frankenstein
Panorama of Paris offers English-language readers an introduction to one of the forgotten masterpieces of French literature, Louis-Sébastien Mercier's twelve-volume Le Tableau de Paris (published from 1781 to 1788), an important and original work that helped shape many kinds of French writing. Colorfully written, the text provides a fascinating portrait of everyday life in Paris on the eve of the French Revolution, describing the interactions of workers, street peddlers, prostitutes, police spies, actresses, noblemen, parish priests, servants, and criminals. Based on Helen Simpson's lively 1933 abridged translation, this edition includes seven newly translated chapters and an introduction by Jeremy D. Popkin. Earlier authors had described Paris's monuments and the lives of its wealthy elites, but Mercier was the first to try to capture in words the texture of its everyday life. His text, contemporary with Rousseau's Confessions, is the first attempt to write the autobiography of a unique urban community. His writing deeply influenced Balzac and other nineteenth-century French novelists and continues to serve as a major source of social and cultural history for French historians. Panorama of Paris will fascinate all lovers of Paris and its history. It should be of special interest to students of French literature and history, and to anyone interested in the origins of modern attitudes toward city life.
Marvin lives with his family under the kitchen sink in the Pompadays' apartment. He is very much a beetle. James Pompaday lives with his family in New York City. He is very much an eleven-year-old boy.After James gets a pen-and-ink set for his birthday, Marvin surprises him by creating an elaborate miniature drawing. James gets all the credit for the picture and before these unlikely friends know it they are caught up in a staged art heist at the Metropolitan Museum of Art that could help recover a famous drawing by Albrecht Dürer. But James can't go through with the plan without Marvin's help. And that's where things get really complicated (and interesting!). This fast-paced mystery will have young readers on the edge of their seats as they root for boy and beetle. In Shakespeare's Secret Elise Broach showed her keen ability to weave storytelling with history and suspense, and Masterpiece is yet another example of her talent. This time around it's an irresistible miniature world, fascinating art history, all wrapped up in a special friendship— something for everyone to enjoy. Masterpiece is a 2009 Bank Street - Best Children's Book of the Year.