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Since ancient times, memorable moments of military history have been commemorated with jewelry, medals, and symbolic accessories. In Lest We Forget: Masterpieces of Patriotic Jewelry and Military Decorations, Judith Price illuminates iconic military objects, exploring their origins and documenting their place in history. The dramatic compilation of patriotic jewelry and decorations presented in Price’s sixth book tells a truly dazzling story of Western historical conflict and resolution. Lest We Forget serves as a stunning tribute to our men and women in service both past and present. This book derives its title from the poem “Recessional” by Rudyard Kipling, often used as a tribute in war memorials, while its contents chronicle our military history since the Revolution through 150 iconic artifacts. It showcases such diverse items as the Washington Peace Medals to the Indians, the earliest Medals of Honor, Civil War Corps badges, British military decorations, and historic French treasures. Drawn from leading world museums and private collections such as the British Museum, the West Point Museum, the Musée de l’Armée, and the Imperial War Museum, the objects depicted in this book movingly recall the role of decorations and jewelry in commemorating war and peace.
From the president of the National Jewelry Institute comes the largest collection of the oldest jeweled objects ever assembled. With sparkling photography and history throughout, the book will be supported by a major exhibit of the collection. These gorgeous artifacts—the oldest jeweled armor, weapons, jewelry, household objects, and more, with informative captions and stunning photography on every page—originated in Mesopotamia, Persia, Levant, the Byzantine Empire, and the Islamic world, from 4000 B.C.E. through 700 C.E. Artifacts appearing in the book are being lent to the exhibit by almost every major permanent collection of ancient objects in the world: jeweled treasures from the Louvre, the Berlin Museum, the Islamic collection at the Metropolitan, the Princeton Museum, and the Israeli Museum are shown together for the first time. Also included are interviews with major scholars and curators from around the world, speaking on ancient civilizations and the remaining artifacts that reveal their truly stunning cultures.
Remarkable pieces of French jewelry that mirror America's transformation from frontier nation to industrial power
Reprint of the original, first published in 1876.
Enter into the fascinating world of precious gems through this unique volume that brings together the wonders of mineralogy and masterpieces of jewelry. Both a reference book and an exhibition catalog, Gems unveils the fascinating world of minerals and gems through a dialogue between the prestigious collections of the Muséum national d'histoire naturelle in Paris and the great French jeweler Van Cleef & Arpels. The Muséum national d'histoire naturelle in Paris welcomes the exhibition Gems from September 16, 2020‒May 4, 2021. This beautifully illustrated volume brings together an international team of mineralogists, scientists, and specialists in natural history and in the history of jewelry, under the editorial direction of François Farges, to explore the diversity of the mineral universe through an exceptional selection of geological specimens (some published here for the first time), legendary gems, and exceptional ornaments created throughout history. Raw crystals, cut stones, and jewelry are compared and contrasted, shedding light on both the natural wonders made by the Earth itself and the virtuoso creations of human hands that transform them into works of art.
Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.
Presents a collection of more than one hundred French impressionist paintings found in the Art Institute of Chicago.