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"Masterpieces of American Furniture, edited by Anna Tobin D'Ambrosio, the Curator of Decorative Arts since 1989 at Munson-Williams-Proctor Institute Museum of Art, offers concise, engaging text accompanied by exquisite photography. Essays on more than 65 finely crafted examples of American furniture encompass nearly every nineteenth-century style and explore the careers of America's preeminent cabinetmakers and shops including Charles Baudouine, Hugh and John Finlay, Edward Hutchings, John Henry Belter, Herter Brothers, R. J. Horner & Co., Kimbel and Cabus, Kilian Brothers, J. and J. W. Meeks, Anthony Quervelle, and M. & H. Schrenkeisen Mfg. Co. Each footnoted essay offers perceptive new research into historical antecedents, stylistic preferences, manufacturing techniques, and the complex nature of the nineteenth-century furniture trade."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Masterpieces of American Furniture, edited by Anna Tobin D'Ambrosio, the Curator of Decorative Arts since 1989 at Munson-Williams-Proctor Institute Museum of Art, offers concise, engaging text accompanied by exquisite photography. Essays on more than 65 finely crafted examples of American furniture encompass nearly every nineteenth-century style and explore the careers of America's preeminent cabinetmakers and shops including Charles Baudouine, Hugh and John Finlay, Edward Hutchings, John Henry Belter, Herter Brothers, R. J. Horner & Co., Kimbel and Cabus, Kilian Brothers, J. and J. W. Meeks, Anthony Quervelle, and M. & H. Schrenkeisen Mfg. Co. Each footnoted essay offers perceptive new research into historical antecedents, stylistic preferences, manufacturing techniques, and the complex nature of the nineteenth-century furniture trade."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.
An annual publication forging a link between social history, American studies, and the decorative arts.
In a comprehensive listing of entries from "Aalto, Hugo Alvar Henrik" to "Zui Weng Yi," Boyce illuminates readers about furniture styles, construction details, terminology, furniture designers, and design movements throughout history and throughout the world. Styles covered include European-inspired classical, baroque, pop, rococo, and modernist. This extensive guide will be helpful for furniture enthusiasts, historians, and those interested in redecorating their homes.
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Answers questions about when, where, how, & even why a piece of furniture was made, covering three centuries of changing styles.
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR