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An intimate look into the private collection of the legendary MoMA curator This volume documents the art collection of MoMA curator William Rubin (1927-2006) and his impact on modern art in the US. Renowned as Director of Painting and Sculpture at the Museum of Modern Art from 1967 to 1988, Rubin was recognized for his unprecedented acquisitions for MoMA's collection and the groundbreaking exhibitions that showcased them, which were accompanied by monographs that have become essential art historical reading. This publication focuses on Rubin's private collection, providing rare insights into how he lived, what he wrote and the objects with which he surrounded himself. This 400-page book accompanies a traveling international exhibition of the collection and is sumptuously illustrated with full-page plates and details.
The landmark memoir of the pioneering curator who built MoMA's world-famous collections of painting and sculpture. A brilliant curator, critic, collector, and teacher, William Rubin was tenacious, energetic, and extraordinarily successful at acquiring masterpieces of modern painting and sculpture and mounting such exhibitions as the fabled Picasso: A Retrospective during his tenure as Head of the Department of Painting and Sculpture at MoMA. This memoir, magnificently illustrated with colour plates of nearly 250 of Rubin's most famous acquisitions, is a testament to that achievement. From Cezanne, Van Gogh, Picasso and Matisse, to Pollock, de Kooning and Rothko, the range and depth of the works made an undeniable impact on the Museum and the world of modern art itself. Alongside the images is Rubin's memoir of his life as a collector and curator, his apprenticeship under Alfred Barr, the organizing of MoMA's groundbreaking exhibitions, the acquisitions of such masterpieces as Picasso's 'Guitar' and Jackson Pollock's 'One' and his relationships with top collectors Sidney Janis and Ronald Lauder. The book concludes with his erudite art history lectures presented at Sotheby's in 1997-8. For anyone interested in the history and world of modern art, in connoisseurship and collecting and in art scholarship, this book is truly an event and utterly indispensable.
"William S. Paley, founder of CBS, Inc., and a towering figure in the development of entertainment and communications industries, was also a committed collector and patron of modern art. This book catalogues the highly personal collection of paintings, sculptures, prints and drawings, by such artists as [Paul] Cézanne, [Paul] Gauguin, [Henri] Matisse, [Pablo] Picasso, and others, that he bequeathed to the Museum of Modern Art. ..."--Back cover.
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
A study of Picasso's depictions of the artist's studio in paintings, drawings and prints throughout his career, showing how he found there a profound expression of the creative focus. Most of the book analyzes relevant paintings and drawings, and there is an essay on the painting "La Vie."
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.