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An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book.
"The preeminent collector Norton Simon amassed more than 100 Italian paintings during his 35-year career, and today they stand among the treasures of the Norton Simon Museum. In this catalogue noted art historian Sir Nicholas Penny pairs 47 paintings from the 17th and 18th centuries with in-depth commentary, skillfully interweaving tales from the artists' lives, observations on the artists' influences and patronage, and technical notes"--
A Living Work of Art: The Norton Simon Museum Sculpture Garden tells the fascinating story of the evolution of the Museum property into the lush and inspiring garden it is today. After a rich history as a California landmark and art institution, the Museum and garden underwent a major renovation in the late 1990s under the direction of architect Frank Gehry. As part of the Museum's renovation, landscape designer Nancy Goslee Power reimagined the property, transforming it into a verdant park inspired by Monet's garden at Giverny. The spectacular pond and year-round palette of color delight visitors, as do the monumental sculptures that greet visitors at the entrance, and then surprise those exploring the meandering paths in the main garden: works by Aristide Maillol, Auguste Rodin, Henry Moore, Barbara Hepworth, Robert Rauschenberg, and others. The lower garden, with Indian and Cambodian sculptures, provides a contemplative backdrop for the Museum's South and Southeast Asian collection. Contents: Acknowledgments; Foreword; Introduction by Sally A. Swaney; The Garden by Nancy Goslee Power; American and European Sculpture by Leah Lehmbeck, Tom Norris and Gloria Williams Sander; Indian and Southeast Asian Sculpture by Melody Rod-ari; Selected Bibliography; Index; Image Credits and Permissions.
Edited by Ingrid Mussinger, Beate Ritter and Kerstin Drechsel, Essays by Johannes M. Fox, Norman Mailer, Pierre Daix, Amanda Vail and John Richardson.
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.
"The greatest painting collection in the Western United States" was the Los Angeles Times Magazine's accolade for the Norton Simon Museum, a stunning group of masterpieces assembled by one man in the brief span of thirty-five years. -- A brilliant businessman with a keen mind and remarkable instincts, Norton Simon built a consumer conglomerate that included Hunt-Wesson Foods, McCall Publishing, Canada Dry Corporation, May Factor cosmetics, and Avis Car Rental, When his interests turned to art, he used his business acumen, inquisitive intellect, and aggressive style to pursue and purchase more than 8,000 works of art, For Hunt Foods, Norton Simon adopted the advertising slogan, "Hunt for the Best". The catchphrase also came to symbolize Simon's zealous pursuit of impeccable artworks as he built one of the greatest art collections of the twentieth century. -- Collector Without Wall is a concise and complete illustrated history of Norton Simon's odyssey, Chronicling his acquisitions from his first $300 purchase through more than 1700 separate transactions. The reader glimpses Simon's intriguing and charismatic personality and gains insight into the collector and his collection. A fully-illustrated catalogue of all of Simon's acquisitions and deaccessions provides an invaluable tool for scholars. -- The book draws from the extensive Norton Simon Museum archives and dozens of interviews with his friends, colleagues, art dealers, and museum professionals, as well as unpublished conversations with, and writings by, Norton Simon. --Book Jacket.