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Architectural massing and articulation conceptually extend the composition into the field while simultaneously integrating views that promote engagement with the outdoors. The residence is composed of two separate gable volumes: a two-story main house and a one-story garage, knitted together with a perpendicular exterior walkway buttressed with an intermittent full-height site wall. Featuring an introduction by the renowned architecture critic Aaron Betsky as well as in-depth analysis, sumptuous photographic documentation and detailed plans and diagrams, this volume explores every stage of the design and building process, from its conception to the stunning end result. It thus offers valuable insight into how an award-winning residence like Field House came into being, showing how brilliant design, thoughtful landscaping and a harmonious philosophy can come together to create a subtle architectural masterpiece.
Sophie is no ordinary house spider. She's an artist and takes great pride in her work. Every web she spins is more wonderous than the one before. But the guests at Beekman's Boardinghouse don't like spiders. Everywhere Sophie goes guests scream and shoo her away. No one there wants anything to do with Sophie and her magnificent creations - no one except the young woman up on the third floor who is busy 'weaving' something herself; and when she runs out of yarn, Sophie knows that the time has finally come to create the masterpiece of a lifetime.
Dense observation of the landscape, climate, culture, and existing uses and patterns of the site were worked out in conversation with the client's mission to mitigate environmental challenges; Faulkner Archi- tects brings together site and home both phenomenologically in the design and technologically through sustainable features and practices. Technically a remodel, the house utilized the footprint of the existing house as a basis for a new floor plan. An existing fireplace was wrapped in concrete to serve as a major structural element anchor- ing the new architecture. This avoided additional grading and left the hillside open and natural. It also placed the new home directly under the shade of the old oaks, in intimate relationship with the trees surrounding it. This award-winning home is located on an eight acre, ex-urban property at the base of the Oakland Hills near San Francisco Bay. Formed of concrete and wrapped with Corten steel panels, the net zero energy res- idence is an elegant, low maintenance re- sponse to its context which is draped in rich green foliage and majestic native oak trees. - A comprehensive examination of the home, including exterior and interior photography, sketches, plans, and process imagery - First ever book published exclusively on the work of Faulkner Architects - Commentary by the architect provides insights into the design and decision-making process - A sustainable, zero-net energy home designed in sympathy with its surrounding - Text contributions by Rick Joy, Renee Chow and Thomas Chastain
This title presents an up-to-the-minute collection of residential work from much-lauded practitioners, proving that architecture can always be re-imagined.
With its pastel green and yellow interior, its dazzling collection of Impressionist paintings, and long, low sofas that look like vintage Cadillac convertibles, Sunnylands was a Versailles for the Space Age. In Palm Springs, the mecca of midcentury modern architecture, this immaculately preserved estate is considered the undisputed masterpiece, envisioned by A. Quincy Jones, one of California's most important architects; and furnished by California's great decorator-to-the-stars, William Haines. Built by media moguls, art collectors, and diplomats Walter and Lenore Annenberg, Sunnylands became a seat of power, where politicians, movie stars, and corporate leaders could meet, relax, reflect, make deals, and run the world - all with nobody watching. For four decades, an invitation to New Year's at Sunnylands was the ultimate social prize. Exquisitely illustrated and with a foreword by Architectural Digest contributor Michael Smith, Sunnylands is a must-have for every fan of midcentury design.
Art, fashion, fame and sex - artist Esther Glass has it all. That is, until a ghost from her past threatens to destroy her perfect life. Trying to cover her tracks, Esther goes for ultimate sensation, selling herself as a living work of art. She takes the international art scene by storm, performing as the female sitters inside seven great paintings. But underneath the surface the cracks start to show as Esther is forced to reconcile a very private history with a very public life. Fast-paced, smart and scintillating, Masterpiece gives the reader a rare glimpse into a closed world.
In this captivating novel, New York Times bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them. For most New Yorkers, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future. It is 1928, and Clara is teaching at the lauded Grand Central School of Art. Though not even the prestige of the school can override the public's disdain for a "woman artist," fiery Clara is single-minded in her quest to achieve every creative success—even while juggling the affections of two very different men. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression...and that even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come. By 1974, the terminal has declined almost as sharply as Virginia Clay's life. Dilapidated and dangerous, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece—an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.
Showcases the bold, innovative, and colorful architectural designs of Alexander Girard. During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard's vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937–53)—encompassing interior and industrial design, exhibition curation, and residential architecture—has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpiecesby Deborah Lubera Kawsky is the first comprehensive study of Girard's exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe. One exciting element of the book is the rediscovery of another Girard masterpiece—the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard's Detroit design work at midcentury. Stunning color photographs capture the unique design elements—including the boldly colored glazed brick walls of the atrium—reminiscent of Girard's role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book. Alexander Girard, Architectis a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.