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This book is the sequel and includes advanced techniques in fused glass enamel painting beyond the fundamentals. It is a workbook style format that allows the user to open the book in their workspace while creating the practice projects included.
Mosaic artist Martin Cheek provides a practical mental tool kit to assist the reader in making fused glass mosaics. Growing out of 5-day master glass, this book begins by exploring creative influences and the development of a design and continues through the execution, with an in-depth exploration of the uses of color and texture in glass mosaic art. Illustrated with more than 300 color images and driven by an engaging text, each chapter offers techniques and examples, and concludes with a challenge designed to expand the reader's artistic and practical abilities, like making a subtle mosaic using analogous colors or making a piece inspired by a favorite artist, and learning the techniques for using a glass fusing kiln. While written for seasoned mosaicist, there is something for glass artisans at all skill levels. A gallery of the authors works provides ideas for the reader's own creations.
A guide for the fused glass enamel artist with application techniques and tips, supplies and materials used, firing processes and practice design patterns.
Originally published as Inspirations in kiln-formed glass, London: A. & C. Black, 2009.
This 'multi-tasking' book provides 18 art glass designs including birds, flowers, geometric, southwest and oceanscape motifs. Each of these designs is shown in colour, accompanied with 4 illustrations revealing alternative shapes and configurations. But the innovation doesn't stop there! A 7-page instruction section includes headings such as: Customising Your Patterns; Colour Decisions; Pattern Making; and Pattern Enlarging (5 methods). Plus crafters are offered basic training on using the designs for Fused Glass applications as well as systematic instruction for traditional Mosaic assembly techniques. Clear directions, step-by-step photographs, and a variety of alternatives for each design combine to make this book a top value for every glass craft enthusiast, no matter where their interests may be located.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
This book will serve you well if: You're new to traditional stained glass painting and are uncertain which brushes, paints and tools to buy - this book will tell you what you want to know. The accompanying 12 free videos will also introduce you to the key techniques. You've painted stained glass for a while but still worry "Is it my lack of skill which is the problem, or is it my brushes, paints and tools which stop me achieving the results I want?" - this book will guide you to the answer. And the 23 free designs will give you an excellent resource with which to practise. You're a teacher who wants your students to experience the joy of mastering this wonderful craft - this book will show you the smallest, most effective set of brushes, paints and tools to place before them so they can triumph. From designers and painters Williams & Byrne, and featuring entries from the journal of the forgotten Victorian craftsman Nathaniel Somers, this book will demonstrate how few possessions you really need to paint stained glass. This is Book 1 of The Glass Painter's Method.
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
A new monograph on gifted glassworks artist Frederick Birkhill Features the lavish photography of Henry Leutwyler, offering readers an opportunity to examine the complex details and artistic mastery of Birkhill's oeuvre Includes a glossary of glass-art terms, a detailed chronology of the artist's life, his extensive exhibition history, and a list of the numerous awards he has received Birkhill's works appear in numerous museum collections, including The Corning Museum of Glass, the Museum of Arts and Design, the Mint Museum, the Detroit Institute of Arts, and the Smithsonian Glass as an art form has an ancient tradition; the archaeological record suggests that artisans in Egypt and Mesopotamia were fabricating glass vessels and ornaments during the fourth millennium BCE. Its durable nature, range of colors, malleability, and most of all, its optical transparency are qualities that have made glass a premiere art medium. Over a lifetime, Frederick Birkhill has explored the unique qualities of glass and the numerous techniques and intricacies of working with it. The result of these decades of study is a body of work that is extraordinary in scope, technical expertise, and sheer virtuosity. This book, from The Artist Book Foundation honors this gifted artist. From his time in England at Burleighfield House, the studio of stained-glass artist Patrick Reyntiens, to his unprecedented visit to Lauscha, the village in East Germany famous for both its art and scientific glass production, and his subsequent career as an explorer, teacher, and master of the glass arts, Birkhill has devoted himself to furthering the appreciation of the medium and sharing his vast experience with colleagues, collectors, and students. His works appear in numerous museum collections, including those of The Corning Museum of Glass, the Museum of Arts and Design, the Mint Museum, the Detroit Institute of Arts, and the Smithsonian. Complementing the scholarly contributions by authors with significant backgrounds in the glass arts, the book features in its extensive plate section the lavish photography of Henry Leutwyler, which offers readers an opportunity to examine the complex details and artistic mastery of Birkhill's oeuvre. In addition, the monograph offers a glossary of glass-art terms, a detailed chronology of the artist's life, his extensive exhibition history, and a list of the numerous awards he has received. For those who are passionate about the glass arts, this monograph will be a feast for the eyes.
An international bestseller. A remarkable true story of one woman's courage. In 1993, Judith and Michael Sleavin and their two children set out to sail around the world. Three years into their incredible journey, a nearby freighter altered its course by a mere ten degrees-and everything changed... After forty-four hours in the icy water clinging to an overturned dinghy, her back broken and paralyzed below the waist, Judith miraculously survived, winding up in a small community on the New Zealand coast. Gripping, unbelievable yet true, Judith's story of courage, survival, and retribution is alternately heartrending and uplifting. It's also a story of unbreakable bonds, of shattering loss, and of one woman reborn through the strength of friendship and the profound love of strangers who became family.