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Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
In this wide-ranging history of the African diaspora and slavery in Arabia in the nineteenth and early twentieth centuries, Matthew S. Hopper examines the interconnected themes of enslavement, globalization, and empire and challenges previously held conventions regarding Middle Eastern slavery and British imperialism. Whereas conventional historiography regards the Indian Ocean slave trade as fundamentally different from its Atlantic counterpart, Hopper’s study argues that both systems were influenced by global economic forces. The author goes on to dispute the triumphalist antislavery narrative that attributes the end of the slave trade between East Africa and the Persian Gulf to the efforts of the British Royal Navy, arguing instead that Great Britain allowed the inhuman practice to continue because it was vital to the Gulf economy and therefore vital to British interests in the region. Hopper’s book links the personal stories of enslaved Africans to the impersonal global commodity chains their labor enabled, demonstrating how the growing demand for workers created by a global demand for Persian Gulf products compelled the enslavement of these people and their transportation to eastern Arabia. His provocative and deeply researched history fills a salient gap in the literature on the African diaspora.
After Noah's Flood the earth and its climate were undergoing drastic changes. The stage has been set for the Great Ice Age. Noah's descendants had to learn how to survive in a strange often hostile land. In part one of Life in the Great Ice Age, we'll spend summer with Jabeth and his family as they survive a saber-toothed tiger attack, battler cave bear, and go on a woolly mammoth hunt.Part two explains the scientific reasons for the Ice Age: what caused it, and how long it lasted. It answers the question, "Will there be another Ice Age?" Archaeological and fossil finds are also discussed in detail in this exciting book that explains the Great Ice Age from a Biblical perspective.
"Er zijn maar liefst 35.000 exemplaren van 'Rijks, Masters of the Golden Age' verkocht. Wegens het grote succes van deze uitgave is het tijd voor een nieuwe druk, en wel de 5e druk! Aan de 4e druk werden de twee beroemde huwelijksportretten van Marten Soolmans en Oopjen Coppit (Rembrandt - 1634) toegevoegd. De 5e druk bevat opnieuw extra pagina's. Na een tournee door de 12 provincies van Nederland, zal het imposante portret 'De Vaandeldrager' (Rembrandt - c. 1636) vanaf 2023 permanent worden opgenomen in de Eregalerij van het Rijksmuseum. Uiteraard verdient ook dit meesterwerk het te worden opgenomen in 'Rijks, Masters of the Golden Age'. 'Rijks, Masters of the Golden Age' brengt ons oog in oog met de iconische schilderijen uit de prestigieuze Eregalerij van het Rijksmuseum. Met de prachtige details van de kunstwerken en de commentaren van hedendaagse kritische denkers zoals Erwin Olaf, David Allen, Angela Missoni en Jimmy Nelson, is dit boek een waar eerbetoon aan de 17e-eeuwse Nederlandse meesterstukken."-- Provided by publisher.
The latest in Victoria Lansford's internationally acclaimed instructional series provides clear and concise instructions for eight fused chain patterns, with endless variations. With more than 150 full-color process photographs, the easy to follow instructions will have even the novice metalsmith weaving and creating ancient and modern design chains. Over 50 photographs of work incorporating all of the chains will further inspire you to advance your own creations. 4 Ancient Mediterranean chain patterns 1-Direction Single-Weave 1-Direction Double-Weave 2-Directional Double-Weave 3-Directional Single-Weave 4 Contemporary chain patters, created by Victoria Lansford Undulating Mesh Vertebrate Side Weave Mesh Crossed Link Victoria's instructional series Metal Techniques of Bronze Age Masters, including Russian Filigree (DVD, 2006) and Rings (DVD, 2008) has sold throughout the world. The series is part of her continuing commitment to make the techniques of ancient artists accessible to modern metalsmiths.
This book examines the story of America during J. Edgar Hoover's reign as head of the FBI.
"For a long time, we humans have excelled in mimicking nature with the goal of exploiting it. Now, with the existential threat of global climate change on the horizon, the ever-provocative Michael Taussig asks what it would take to change ourselves so as to save our world. Acknowledging the possibility of collapse and our all-too-human impotence in the face of accelerating disaster, this book is not solely a reflection on our tragic condition but also a theoretical effort to reckon with those human faculties that have fed our ambition for dominance over nature. At stake is an ultimate undoing of our sense of control--a "mastery of non-mastery." Animated by the urgency of a planet approaching meltdown, Taussig captures our moment, and all its attendant mythologies, with luminescent clarity"--
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly