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Master Fancher's Light unto Our Path, is a story of tragedy and triumph, as an English boy faces his father's death at the tender age of six. Unable to provide for himself, he spends time in houses of refuge until signing as a servant to a master in the Colony of Virginia. After his servitude, he returns to England where he learns the craft of weaving, before returning to Virginia as a landowner. Triumphs and tragedies continue as he and his wife sell their land and go meandering throughout New England. There they resort to a transient lifestyle highlighted by years of hardships and humiliations. "Wm Fancy owned it as his sin his oft drinking..." William's lack of vision, magnified by his lifelong trend of non-channeled self-sufficiency plus his drinking, led to Katherine's humiliating propositions as she worked as a handmaid. In search of their place in life, the couple's wanderings heaped humiliations upon them, until triumph revisited when the two finally began to prosper in Brookhaven, L.I., N.Y.
In the spring of 1621, Plymouth Colony sent STEPHEN HOPKINS to make the first visit to Wampanoag sachem Massasoit to present a red horseman’s coat as a gift and sign of friendship. For most ordinary Englishmen, venturing off into the depths of unexplored America would have been a once in a lifetime adventure: but not for Stephen. By the time he turned forty, he had already survived a hurricane, been shipwrecked in the Bermuda Triangle, been written into a Shakespearean play, witnessed the famine and abandonment of Jamestown Colony, and participated in the marriage of Pocahontas. He was once even sentenced to death! He got himself and his family onto the Pilgrims’ Mayflower, and helped found Plymouth Colony. He signed the Mayflower Compact, lodged the famous Squanto in his house, participated in the legendary Thanksgiving, and helped guide and govern the early colonists. Yet Stephen was just an ordinary man, with a wife, three sons, seven daughters, a small house, some farmland for his corn, and cows named Motley, Sympkins, Curled, and Red. These are the extraordinary adventures of an ordinary man.
Preface; 1. Introduction; 2. The Office before the Civil War; 3. Office Work after the Civil War; 4. Women Enter the Office; 5. The Ideological Debate; 6. Scientific Management in the Office; 7. The Private Secretary; 8. Conclusion; Appendix; Notes; Index.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Between 1870 and 1920, the clerical sector of the U.S. economy grew more rapidly than any other. As the development of large corporations affected both the scale and the content of office work, the accompanying sexual stratification of the clerical workforce blurred the relationship between the new clerical work and earlier perceptions of white-collar status. Sons and Daughters of Labor reassesses the existence and significance of the "collar line" between white-collar and blue-collar occupations during this period of clerical work's greatest expansion and the beginning of its feminization.
'Not tonight, darling, I've got a headache...' An estimated one in three couples suffer from problems associated with one partner having a higher libido than the other. Marriage therapist Michele Weiner Davis has written THE SEX-STARVED MARRIAGE to help couples come to terms with this problem. Weiner Davis shows you how to address pyschological factors like depression, poor body image and communication problems that affect sexual desire. With separate chapters for the spouse that's ready for action and the spouse that's ready for sleep, THE SEX-STARVED MARRIAGE will help you re-spark your passion and stop you fighting about sex. Weiner Davis is renowned for her straight-talking style and here she puts it to great use to let you know you're not alone in having marital sex problems. Bitterness or complacency about ho-hum sex can ruin a marriage, breaking the emotional tie of good sex.