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Burton D. Fisher's extremely popular Mini Guides feature Principal Characters in the Opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and an insightful and in depth Commentary and Analysis of the opera.
(Amadeus). This superbly detailed biography examines the life of Jules Massenet (1842-1912), who was at the heart of Parisian musical life during a period of extraordinary artistic vitality.
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
"Born in 1864 in Sacramento, California, to a life of wealth and privilege, Sibyl lived in the opulent luxury of the Victorian age. In her youth, famed operetta composers Gilbert and Sullivan were guests in her father's house. She was courted by potentates, noblemen, and millionaires, including William Randolph Hearst, two Russian czars, and the Crown Prince Baudouin of Belgium. But Sibyl's short life was plagued by onstage breakdowns, unscrupulous managers, personal tragedy, and an ill-fated marriage to the handsome, hedonistic Cuban playboy Antonio Terry.".
A prominent star in both pre-Revolutionary Russia and New York, Lina Cavalieri, described as "the most beautiful woman in the world," was one of the most frequently photographed personalities of her time. The cabaret performer, courtesan, and international star is documented in this, her first English-language biography. Researched from Russian archive sources, the book details her career from her early experiences in cafe-chantant and variety theatre in Paris, London, and St. Petersburg, through a highly successful operatic career in which she sang in many of the world's leading opera houses with such celebrities as Caruso and Ruffo. In 1914, Cavalieri became the first great opera singer to appear in silent movies, making her debut in Manon Lescaut and continuing with a series of successful films. Her life was ended by an Allied air raid in World War II. The book includes excerpts from period reviews, programmes, posters, and many previously unseen photographs. Appendices include a bibliography, filmography, discography, and chronology of stage performances (dates, venues, work, cast, conductor).