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Based on images of disguise in literature, theater, and opera, this short-story cycle explores themes of identity and subterfuge in a fictional fugue that ranges from comic to poignant. Into the librettos of Don Giovanni, Tosca, Rigoletto, and other operas, Green weaves the authentic biographies of their singers and composers, modern-day settings, and his own imaginative twists. Throughout Voices in a Mask, characters obscure and reveal themselves as art mimics life and life, art. Ultimately the very acts of masking and projecting reveal a truth about the power of art and its inherent deceptions.
Long ago Cherokee dancers would dance, and through dancing tell stories about the tribe. The wrapped themselves in colorful blankets and wore masks to represent people, feelings, and animals that shared their world. The masks had exaggerated features such as extra-long noses, big bushy eyebrows, or horns to represent characters in the stories. The most popular Cherokee masks are represented here for children to color and do lessons in matching, mazes, completing sentences, connecting dots, counting, spelling, and more. For children age 5-8 years.
Music and the Aging Brain describes brain functioning in aging and addresses the power of music to protect the brain from loss of function and how to cope with the ravages of brain diseases that accompany aging. By studying the power of music in aging through the lens of neuroscience, behavioral, and clinical science, the book explains brain organization and function. Written for those researching the brain and aging, the book provides solid examples of research fundamentals, including rigorous standards for sample selection, control groups, description of intervention activities, measures of health outcomes, statistical methods, and logically stated conclusions. - Summarizes brain structures supporting music perception and cognition - Examines and explains music as neuroprotective in normal aging - Addresses the association of hearing loss to dementia - Promotes a neurological approach for research in music as therapy - Proposes questions for future research in music and aging
The aim of this book is to explore the phenomenon of the electrified voice through interdisciplinary approaches such as media and technology studies, social history, and comparative cultural studies. The book focuses on three problem clusters: reflections on the societal level about the task of electronic voice transmission; the mediation of gender- and occupation-specific vocal stereotypes in audio and audio-visual formats; and the genesis of such vocal stereotypes in national radio and film cultures. Such a historicizing approach to societal experience in the field of voice mediation, including the use and interpretation of voice media, is today of great relevance in light of the collective learning processes currently triggered by rapid advances in technology.
W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse—and in some instances, little-known—range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance—such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.
Using real cases, narratives, and biographical material, this text examines issues related to the mental health intersect with race and ethnicity. It draws on the experiences of ethnic minority therapists.
An examination of the conventions and techniques of the Greek theatre of Menander and subsequent Roman theatre.
Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera’s decisive attribute—voice—as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists—Erik Satie, Bertolt Brecht and Kurt Weill—as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author’s staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.
In conversation with Patrick O’Kane, eleven experienced actors who have made a living, a life, in theatre, television and film, share their process, comment on their experiences and consider their role as theatre artists within the broader spectrum of Art and Culture. Contributors, who have worked across a range of forms from mainstream theatre to experimental performance practice, include: Claire Price, Ruairi Conaghan, Mojisola Adebayo, Tim Crouch, Olwen Fouéré, Gerrard McArthur, Gabriel Gawin, Selina Cadell, Simon Russell Beale, Paterson Joseph and Jim Norton. A book that actors can mine for tips on craftsmanship and the business. A book that reveals to directors which approaches enable actors and which block them. A book that calls the UK industry to attention: actors should be embraced as primary creators along with the writer, director and designer of any production.
"This volume examines the multiple narrative perspectives Donoso presents and traces a transformation in Donoso's works from complex stage performance to political forum. Studying fiction as grotesque, mannered theater or as a transparent screen through which social and political concerns are scrutinized, Gonzalez Mandri illuminates another constant in Donoso's work: a weaving of feminine and masculine aspects of artistic voice as they incorporate the idioms of drama, radio, film, and television."--BOOK JACKET.