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Anyone interested in the intersection of theory and practice in architecture will appreciate the insight offered by Hejduk's Chronotope. With essays by Stan Allen, Peggy Deamer, K. Michael Hays, Catherine Ingraham, Detlef Mertins, Edward Mitchell, and Robert Somol, the volume examines today's tendency towards theoretical production, as exemplified by John Hejduk, known for his ventures outside the realm of the practical. Hejduk, the Dean of the School of Architecture at The Cooper Union, has created a unique body of theoretical work: publications such as Mask of Medusa; and small-scale constructions such as his compelling "masques,"structures that fall between architecture, scenography, sculpture, and poetry. Additionally, Hejduk has several built works to his name—housing in Berlin and a renovation of The Cooper Union—which display the same themes and tectonics as his theoretical creations.
This sci-fit thriller about a rogue starship servant has “mysteries around every corner. . . . the end product is just as fantastic as one would hope” (Los Angeles Times). My name is Oichi Angelis, and I am a worm. They see me every day. They consider me harmless. And that’s the trick, isn’t it? A generation starship can hide many secrets. When an Executive clan suspects Oichi of insurgency and discreetly shoves her out an airlock, one of those secrets finds and rescues her. Officially dead, Oichi begins to rebalance power one assassination at a time and uncovers the shocking truth behind the generation starship and the Executive clans. “Readers will be riveted.” —Publishers Weekly, starred review “The first book in the Medusa Cycle does not disappoint.” —RT Book Reviews “A chilling tale of class warfare in deep space.” —Booklist “An enticing start to a new space opera .” —Library Journal “One of the best generation starship novels.” —SF Revu “The worlds . . . both physical and virtual, are richly detailed and gorgeously imagined.” —Kirkus Reviews “Disturbing, exciting, and frankly kind of mind-blowing.” —Annalee Newitz, author of Autonomous
Lara Croft battles the power-hungry D'Arseine for the Medusa Mask, which legend says was worn by Medusa herself and grants the wearer powers such as the "Gaze of Death."
This project studies the patterns in which the Medusa myth shapes, constructs, and transforms new meanings of women today, correlating portrayals in ancient Greek myth, nineteenth- century Symbolist painting, and new, controversial, visions of women in contemporary art. The myth of the Medusa has long been the ultimate symbol of woman as monster. With her roots in classical mythology, Medusa has appeared time and again throughout history and culture and this book studies the patterns in which the Medusa myth shapes, constructs, and transforms new meanings of women today. Hedgecock presents an interdisciplinary and broad historical “cultural reflections” of the modern Medusa, including the work of Maria Callas, Nan Goldin, the Symbolist painters and twentieth-century poets. This timely and necessary work will be key reading for students and researchers specializing in mythology or gender studies across a variety of fields, touching on interdisciplinary research in feminist theory, art history and theory, cultural studies, and psychology.
Enter the world of the Others in the first novel in New York Times bestselling author Anne Bishop’s thrilling fantasy series: a place where unearthly entities—vampires and shape-shifters among them—rule the Earth and prey on the human race. As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. Meg’s Controller keeps her enslaved so he can have full access to her visions. But when she escapes, the only safe place Meg can hide is at the Lakeside Courtyard—a business district operated by the Others. Shape-shifter Simon Wolfgard is reluctant to hire the stranger who inquires about the Human Liaison job. First, he senses she’s keeping a secret, and second, she doesn’t smell like human prey. Yet a stronger instinct propels him to give Meg the job. And when he learns the truth about Meg and that she’s wanted by the government, he’ll have to decide if she’s worth the fight between humans and the Others that will surely follow.
Niarmit has, for the moment, escaped the curse of the Great Helm and the grasp of the Dark Lord. Accepting at last a destiny which she never sought, her hopes of uniting the Salved people now rest on the uncertain loyalty of Prince Rugan and his army. Dema the Medusa broods in the captured fortress of Listcairn consumed by a rage for glory, to the consternation of friend and enemy alike. Hepdida strives to live up to Niarmit's expectations but finds that old nightmares can still haunt her days and that a palace can hold more peril than a battlefield. And through it all, Maelgrum weaves his malice as the guilty and the innocent are driven to fulfil his millennium long wait for revenge. *** The Medusa's hood was down and her mask was off as she carved, bit and stoned her way towards Rugan's standard. Even her allies gave her and her steed a wide birth as, at the peak of her powers and the crest of her rage, she swept all before her. A silver soldier, braver than the rest, dared to ride near and catch her sword with his. Their blades both wet with blood of different hues, slid down until they were locked hilt to hilt. "Major, no," a voice called. "Leave this abomination to me." Too late, the soldier's eyes met the Medusa's sparkling gaze and with an inward breath he turned to overbalanced stone. His mount buckled beneath the weight and the leaning statue of the rider toppled against Dema's palfrey. As the horse slid and skittered its way free of the falling new formed masonry, Dema slipped from the listing saddle and turned to face the owner of the voice.
An erotic murder mystery, set in rhyme. It is narrated by a lesbian PI searching for a missing girl. The locale is Sydney, Australia, and the protagonists include a seductive female poetry professor and two male poets, the girl's idols. A sample: "The girl is missing, her parents anxious; her professor smiling; her idols nervous. / The girl is dead; her parents shattered; her myth exploding; the killer waiting."
The 73 poems in Lines are a construction by an architect who seeks out the complex relationships of mother and son, of angels and their mysterious flights, of mental landscapes on the earth and in the sea; it is an entire book of idiosyncratic prayer, sustaining an almost unbearable tone of directness and suffering.
Edited by Patrick Remy. Essay by Jacqueline Goy.