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Lara Croft battles the power-hungry D'Arseine for the Medusa Mask, which legend says was worn by Medusa herself and grants the wearer powers such as the "Gaze of Death."
Little Medusa comes from a long line of snake-loving, serpentine-wearing Gorgons. When she receives her very first snake, Little Medusa discovers that having a snake slither and slide through her hair isn't so great after all. And to make matters more difficult, she begins questioning if she really wants to scare her friends to stone with her new forever friend. Using her imagination and heart, Little Medusa tries her best to please her family, her best-pet snake, and herself. Based on Greek Mythology, Little Medusa features Common Core Connections and explores the universal themes of following family tradition and staying true to oneself.
This sci-fit thriller about a rogue starship servant has “mysteries around every corner. . . . the end product is just as fantastic as one would hope” (Los Angeles Times). My name is Oichi Angelis, and I am a worm. They see me every day. They consider me harmless. And that’s the trick, isn’t it? A generation starship can hide many secrets. When an Executive clan suspects Oichi of insurgency and discreetly shoves her out an airlock, one of those secrets finds and rescues her. Officially dead, Oichi begins to rebalance power one assassination at a time and uncovers the shocking truth behind the generation starship and the Executive clans. “Readers will be riveted.” —Publishers Weekly, starred review “The first book in the Medusa Cycle does not disappoint.” —RT Book Reviews “A chilling tale of class warfare in deep space.” —Booklist “An enticing start to a new space opera .” —Library Journal “One of the best generation starship novels.” —SF Revu “The worlds . . . both physical and virtual, are richly detailed and gorgeously imagined.” —Kirkus Reviews “Disturbing, exciting, and frankly kind of mind-blowing.” —Annalee Newitz, author of Autonomous
Anyone interested in the intersection of theory and practice in architecture will appreciate the insight offered by Hejduk's Chronotope. With essays by Stan Allen, Peggy Deamer, K. Michael Hays, Catherine Ingraham, Detlef Mertins, Edward Mitchell, and Robert Somol, the volume examines today's tendency towards theoretical production, as exemplified by John Hejduk, known for his ventures outside the realm of the practical. Hejduk, the Dean of the School of Architecture at The Cooper Union, has created a unique body of theoretical work: publications such as Mask of Medusa; and small-scale constructions such as his compelling "masques,"structures that fall between architecture, scenography, sculpture, and poetry. Additionally, Hejduk has several built works to his name—housing in Berlin and a renovation of The Cooper Union—which display the same themes and tectonics as his theoretical creations.
Niarmit has, for the moment, escaped the curse of the Great Helm and the grasp of the Dark Lord. Accepting at last a destiny which she never sought, her hopes of uniting the Salved people now rest on the uncertain loyalty of Prince Rugan and his army. Dema the Medusa broods in the captured fortress of Listcairn consumed by a rage for glory, to the consternation of friend and enemy alike. Hepdida strives to live up to Niarmit's expectations but finds that old nightmares can still haunt her days and that a palace can hold more peril than a battlefield. And through it all, Maelgrum weaves his malice as the guilty and the innocent are driven to fulfil his millennium long wait for revenge. *** The Medusa's hood was down and her mask was off as she carved, bit and stoned her way towards Rugan's standard. Even her allies gave her and her steed a wide birth as, at the peak of her powers and the crest of her rage, she swept all before her. A silver soldier, braver than the rest, dared to ride near and catch her sword with his. Their blades both wet with blood of different hues, slid down until they were locked hilt to hilt. "Major, no," a voice called. "Leave this abomination to me." Too late, the soldier's eyes met the Medusa's sparkling gaze and with an inward breath he turned to overbalanced stone. His mount buckled beneath the weight and the leaning statue of the rider toppled against Dema's palfrey. As the horse slid and skittered its way free of the falling new formed masonry, Dema slipped from the listing saddle and turned to face the owner of the voice.
The coldly methodical and unrelenting Iron Hands Space Marine Chapter clash with the cybernetic soldiers of the Adeptus Mechanicus over control of the world of Thennos. Ever since the dark days of the Great Heresy, the Iron Hands have a long and tortured history. Their years of suffering and war has left them hardened and believing in a brutal tenet: the flesh is weak. Heavily cybernetic, their flesh extensively altered, these warriors of the Imperium are more machine than man, cold in aspect as well as demeanour. Their methods of recruitment are harsh, their rituals arcane, their pride unshakable. So when a world under the protection of the Chapter falls foul of insurrection, the Iron Hands answer with fire and cold retribution. It matters not that Thennos is considered sovereign territory by the Adeptus Mechanicus - the Iron Hands' campaign is one of extermination. But there is something dark lurking within Thennos, a horror that defies the purity of cold logic and the machine, and threatens something more, something ruinous...
'Exquisite Corpse' was a game played by the surrealists in which someone drew on a piece of paper, folded it and passed it to the next person to draw on until, finally, the sheet was opened to reveal a calculated yet random composition. In this entertaining and provocative book, Michael Sorkin suggests that cities are similarly assembled by many players acting with varying autonomy in a complicit framework. An unfolding terrain of invention, the city is also a means of accommodating disparity, of contextualizing sometimes startling juxtapositions. Sorkin's aim is to widen the debate about the creation of buildings beyond the immediate issues of technology and design. He discusses the politics and culture of architecture with daring, often devastating, observations about the institutions and personalities who have dominated the profession over the past decade. Their preoccupation with the empty style of 'beach houses and Disneyland' has consistently trivialized the full constructive scope of contemporary architecture's possibilities. Sorkin's interventions range from the development scandals of New York where 'skyscrapers stand at the intersection between grid and greed', through the deconstructivist architectural culture of Los Angeles, to the work and ideas of architects, developers and critics such as Alvar Aalto, Norman Foster, Paul Goldberger, Michael Graves, Coop Himmelblau, Philip Johnson, Leon Krier, Frank Lloyd Wright, Richard Rogers, Carlo Scarpa, James Stirling, Donald Trump, Tom Wolfe and Lebbeus Woods. Throughout Sorkin combines stinging polemic with a powerful call for a rebirth of architecture that is visionary and experimental--a recuperated 'dreamy science'
Ranging from classical times to pop culture, this collection will appeal to art historians, feminists, classicists, cultural critics, and anyone interested in mythology.
This book traces the development of John Hejduk’s architectural career, using the idea of "exorcism" to uncover his thought process when examining architectural designs. His work encouraged profound questioning on what, why and how we build, which allowed for more open discourse and enhance the phenomenology found in architectural experiences. Three distinct eras in his architectural career are applied to analogies of outlines, apparitions and angels throughout the book across seven chapters. Using these thematic examples, the author investigates the progression of thought and depth inside the architect’s imagination by studying key projects such as the Texas houses, Wall House, Architectural Masques and his final works. Featuring comments by Gloria Fiorentino Hejduk, Stanley Tigerman, Steven Holl, Zaha Hadid, Charles Jencks, Phyllis Lambert, Juhani Pallasmaa, Toshiko Mori and others, this book brings to life the intricacies in the mind of John Hejduk, and would be beneficial for those interested in architecture and design in the 20th century.