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Addressing the relationship between masculinity, war, and violence, this book covers these themes broadly and across different disciplines. These analyses are located at different levels: public policies at the macro level; resistance and independence movements at the meso level; and masculine subjectivities, processes of mobilization, and radicalization at the micro level. The ten contributions encompass four recurring themes: violent masculinities and how contemporary societies and regimes cope with traditional violent rituals and extreme violence against women; popular written and visual fiction about war and masculine rationalities; gender relations in social movements of rebellion and national transformation; and masculinity in civil society under conditions of war and post-war. Taking into account different geographical contexts, the book emphasizes the relationship between the local and the global as well as the importance of understanding gender and masculinity in their intersectional interrelations with religion, race, ethnicity, class, and locality. This book was originally published as a special issue of NORMA: International Journal for Masculinity Studies.
Making Gender, Making War is a unique interdisciplinary edited collection which explores the social construction of gender, war-making and peacekeeping. It highlights the institutions and processes involved in the making of gender in terms of both men and women, masculinity and femininity. The "war question for feminism" marks a thematic red thread throughout; it is a call to students and scholars of feminism to take seriously and engage with the task of analyzing war. Contributors analyze how war-making is intertwined with the making of gender in a diversity of empirical case studies, organized around four themes: gender, violence and militarism; how the making of gender is connected to a (re)making of the nation through military practices; UN SCR 1325 and gender mainstreaming in institutional practices; and gender subjectivities in the organization of violence, exploring the notion of violent women and non-violent men.
This book advances the claims of feminist international relations scholars that the social construction of masculinities is key to resolving the scourges of militarism, sexual violence and international insecurity. More than two decades of feminist research has charted the dynamic relationship between warfare and masculinity, but there has yet to be a detailed account of the role of masculinity in structuring the range of volatile civil conflicts which emerged in the Global South after the end of the Cold War. By bridging feminist scholarship on international relations with the scholarship of masculinities, Duriesmith advances both bodies of scholarship through detailed case study analysis. By challenging the concept of ‘new war’, he suggests that a new model for understanding the gendered dynamics of civil conflict is needed, and proposes that the power dynamics between groups of men based on age difference, ethnicity, location and class form an important and often overlooked causal component to these civil conflicts. Exploring the role of masculinities through two case studies, the civil war in Sierra Leone (1991–2002) and the Second Sudanese Civil War (1983–2005), this book will be of great interest to postgraduate students, practitioners and academics working in the fields of gender and security studies.
The ebook edition of this title is Open Access, thanks to Knowledge Unlatched funding, and freely available to read online.Drawing on historical and contemporary case studies, this book delves into visual and text-based materials to unpack gender-based violence(s) perpetrated and experienced by both sexes within and beyond the conflict zone.
The book explores patterns of wartime sexual violence against men, and presents survivors', but also perpetrators' stories.
In this text, the author explores what she argues is an indissoluble link between war and sexuality. She explores the connections among sexuality, war, nationalism, pacifism, violence, love and power as they relate to the body, the partner, the family, political ideologies and religion.
War is a highly complex and dynamic form of social conflict. This new book demonstrates the importance of using sociological tools to understand the changing character of war and organised violence. The author offers an original analysis of the historical and contemporary impact that coercion and warfare have on the transformation of social life, and vice versa. Although war and violence were decisive components in the formation of modernity most analyses tend to shy away from the sociological study of the gory origins of contemporary social life. In contrast, this book brings the study of organised violence to the fore by providing a wide-ranging sociological analysis that links classical and contemporary theories with specific historical and geographical contexts. Topics covered include violence before modernity, warfare in the modern age, nationalism and war, war propaganda, battlefield solidarity, war and social stratification, gender and organised violence, and the new wars debate.
Since 1940, Captain America has battled his enemies in the name of American values, and as those values have changed over time, so has Captain America’s character. Because the comic book world fosters a close fan–creator dialogue, creators must consider their ever-changing readership. Comic book artists must carefully balance storyline continuity with cultural relevance. Captain America’s seventy-year existence spans from World War II through the Cold War to the American War on Terror; beginning as a soldier unopposed to offensive attacks against foreign threats, he later becomes known as a defender whose only weapon is his iconic shield. In this way, Captain America reflects America’s need to renegotiate its social contract and reinvent its national myths and cultural identity, all the while telling stories proclaiming an eternal and unchanging spirit of America. In Captain America, Masculinity, and Violence, Stevens reveals how the comic book hero has evolved to maintain relevance to America’s fluctuating ideas of masculinity, patriotism, and violence. Stevens outlines the history of Captain America’s adventures and places the unfolding storyline in dialogue with the comic book industry as well as America’s varying political culture. Stevens shows that Captain America represents the ultimate American story: permanent enough to survive for nearly seventy years with a history fluid enough to be constantly reinterpreted to meet the needs of an ever-changing culture.
Gender roles are nowhere more prominent than in war. Yet contentious debates, and the scattering of scholarship across academic disciplines, have obscured understanding of how gender affects war and vice versa. In this authoritative and lively review of our state of knowledge, Joshua Goldstein assesses the possible explanations for the near-total exclusion of women from combat forces, through history and across cultures. Topics covered include the history of women who did fight and fought well, the complex role of testosterone in men's social behaviours, and the construction of masculinity and femininity in the shadow of war. Goldstein concludes that killing in war does not come naturally for either gender, and that gender norms often shape men, women, and children to the needs of the war system. lllustrated with photographs, drawings, and graphics, and drawing from scholarship spanning six academic disciplines, this book provides a unique study of a fascinating issue.
Cases of sexual violence against men have been documented in a great number of conflicts and wars, both ancient and contemporary. Despite this growing empirical evidence, there is still a dearth of analyses on this type of violence, which stands in stark contrast with the abundant literature dealing with sexual violence against women. Based on a fieldwork conducted primarily in the Great Lakes Region of Africa, this book proposes to look at wartime sexual violence against men as a performative gendered act that, stemming from the same logic underpinning sexual violence against women, (re-)affirms a gendered social hierarchy. The book explores patterns of wartime sexual violence against men, and presents survivors’, but also perpetrators’ stories. The book proceeds to analysing the context in which this type of violence can be understood, narrated, but also addressed, either through support programs for survivors, or through legal means.