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This short book on ancient 'Phallic worship', as the Victorians called it, contains much which is covered in the other entries in this literature. Jennings has a compelling thesis about the role of sexuality in ancient religions and their modern successors which bears careful examination. A tremendous and controversial undertaking for its time, this book unearths some of the most fascinating connections between the world of Christianity and sexual imagery, adventure and exotica. Without missing a beat, Rocco has seen to it that her readers are not only kept fascinated, but that her own theories and precepts remain strong in the reader's mind. It doesn't matter that her words reach out from a past century. Their ring is clear and their message loud, even by today's standards. Rocco moves from an intrinsic philosophy of the cross and its shape and form in theoretical gendering, while leaving no stone unturned in her discussions of the Triad and Vocabulary of the ancients. This woman finds sex in every nook and cranny of history, letting nothing stand in her way to complete sexual discovery. Her writing style remains clear and easy to read, while packed with the most interesting of facts, theories and suggestions.
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This Is A New Release Of The Original 1874 Edition.
Excerpt from The Masculine Cross and Ancient Sex Worship The cross bespeaks evolution in religion. It is the product of time, and the relic of the revered past. It begins with one thing and ends with another. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.