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Masaccio's first work for which evidence exists is the Pisa Polyptych, painted for the Carmelite church in Pisa in 1426, but now dismembered and largely lost. His major surviving works are the frescoes in the Brancacci Chapel in Florence. This book reproduces much of Masaccio's work in colour.
In 1440, on the feast of Saints Peter and Paul, Florence unexpectedly defeated Milanese forces near the town of Anghiari in eastern Tuscany. Nicholas A. Eckstein reveals the impact of this celebrated victory on Florentine public life and how it could have triggered the custodians of the Brancacci Chapel, the Carmelite friars, to seek the completion of frescoes by Masolino (c.1383-c.1436) and Masaccio (1401-c.1428). Today, tens of thousands of people visit the Brancacci Chapel annually to gaze at the brilliant frescoes of Saint Peter's life. Universally recognized as a canonical masterpiece of the Florentine Renaissance, these glowing murals span the interior in long panels. The first serious examination to position the frescoes at the heart of Tuscan society and culture, Painted Glories teems with fascinating characters and intrigue. In swiftly paced prose, Eckstein explores the chapel's history, medieval culture, and art patronage, progressively peeling back the story's layers amid the tumultuous politics of the 15th-century Florentine state.
The names of Masaccio (1401-28) and Masolino (1383-1440) are inseparable, and their collaboration is an essential starting point for the study of either artist. Masaccio's Holy Trinity and the recently cleaned collaborative frescos in the Brancacci Chapel in Florence are key works in the development of Western art. Paul Joannides' catalogue raisonné forms a uniquely authoritative and perfectly up-to-date study of the total oeuvre of both artists. Composed with lucidity and richly illustrated, it makes accessible to all lovers of art - from the connoisseur to the casual reader - some of the greatest paintings of the early Renaissance, and most momentous works of Western painting.
Following a long and careful restoration, the breathtaking beauty and drama of the Early Renaissance frescoeds in the Brancacci Chapel of the Church of Santa Mara del Carmine, Florence, have been fully revealed for the first time in centuries.
One of the principal resources for study of Italian Renaissance art and artists, Vasari's Lives offers colorful, detailed portraits of the era's most representative figures. This single-volume edition spotlights 8 prominent artists.
The story behind the timeless Renaissance revealed.
This book is the first English translation of Felice di Michele Brancacci’s diary of his 1422 mission to the court of Sultan Al-Ashraf Seyf-ad-Din Barsbay of Egypt. Following the purchase of Port of Pisa in 1421, and the building of a galley system, Florence went on to assume a more active role in Levant trade, and this rich text recounts the maiden voyage of the Florentine galleys to Egypt. The text portrays the transnational experiences of Brancacci including those between the East and West, Christians and Muslims, and the ancient and modern worlds. The accompanying critical introduction discusses the unexpected motifs in Brancacci’s voyage, as well as tracing the aftershocks of what was a traumatic Egyptian experience for him. It shows that this aftershock was then measured, captured, and memorialized in the iconic image of Tribute Money, the fresco he commissioned from Masaccio, on his return to his own world in Florence.
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
"Rich and engaging. This account of Florentine art tells the story of who commissioned these works, who made them, where they were seen, and how they were experienced and understood by their viewers. Includes a useful timeline, glossary, and series of artists' biographies."--Patricia L. Reilly, Swarthmore College "An extraordinarily useful book, not only for teachers, but also for historically minded travelers interested in an illustrated guide to the art of Renaissance Florence."--Evelyn Lincoln, Brown University "Clear and compelling. The well-chosen illustrations include ground plans and diagrams of key architectural monuments and sculpture. The updated, judicious bibliography is a resource for anyone tackling the vast scholarship on the art of Renaissance Florence."--Cristelle Baskins, editor of The Triumph of Marriage: Painted Cassoni of the Renaissance