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The Hambletons’ story is America’s story. At the dawn of the seventeenth century, immigrants to this country arrived with dreams of conquering a new frontier. Families were willing to embrace a life of strife and hardship but with great hopes of achieving prominence and wealth. Such is the case with the Hambleton family. From William Hambleton’s arrival on the Eastern Shore in 1657 and through every major conflict on land, sea, and air since, a member of the Hambleton clan has participated and made a lasting contribution to this nation. Their achievements are not only in war but in civic leadership as well. Among its members are bankers, business leaders, government officials, and visionaries. Not only is the Hambleton family extraordinary by American standards, it is also remarkable in that their base for four centuries has been and continues to be Maryland. The blood of the Hambletons is also the blood of Maryland, a rich land stretching from the shores of the Atlantic Ocean to the tidal basins of the mighty Chesapeake to the mountains of the west, a poetic framework that illuminates one truly American family that continues its legacy of building new generations of strong Americans.
Melanie would love to believe in fairytales. She'd love, in fact, to believe in anything. The twenty-three-year-old college dropout is stuck - stuck in a dead-end waitress job, stuck in her hometown of Ellicott City, Maryland, and stuck with a boyfriend who likes to play dress-up as a vampire. Vampires. Her world and her reality are turned upside down when she encounters the real thing. Along the way, she meets Lucas, the would-be vampire slayer, his father the sheriff, and ultimately the vampire himself. Melanie learns that fairytales can come true, and evil isn't always where you expect to find it.
Historians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. “Maryland, My Maryland” was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminates the incongruities underlying this Civil War anthem and what they reveal about patriotism during the war. The geographic specificity of the song’s lyrics allowed the contest between regional and national loyalties to be fought on bandstands as well as battlefields and enabled “Maryland, My Maryland” to contribute to the shift in patriotic allegiance from a specific, localized, and material place to an ambiguous, inclusive, and imagined space. Musical patriotism, it turns out, was easy to perform but hard to define for Civil War–era Americans.
This volume discusses the current state of the nation's blood supply--including studies of blood availability, ways of enhancing blood collection and distribution, frozen red cell technology, logistical concerns in prepositioning frozen blood, extended liquid storage of red cells, and blood substitutes.
Winner of the Cundill History Prize Winner of the Frederick Douglass Book Prize Named One of the Best Books of the Year by NPR A breathtakingly original work of history that uncovers a massive enslaved persons' revolt that almost changed the face of the Americas Named one of the best books of the year by NPR, Blood on the River also won two of the highest honors for works of history, capturing both the Frederick Douglass Prize and the Cundill History Prize in 2021. A book with profound relevance for our own time, Blood on the River “fundamentally alters what we know about revolutionary change” according to Cundill Prize juror and NYU history professor Jennifer Morgan. Nearly two hundred sixty years ago, on Sunday, February 27, 1763, thousands of slaves in the Dutch colony of Berbice—in present-day Guyana—launched a rebellion that came amazingly close to succeeding. Blood on the River is the explosive story of this little-known revolution, one that almost changed the face of the Americas. Michael Ignatieff, chair of the Cundill Prize jury, declared that Blood on the River “tells a story so dramatic, so compelling that no reader will be able to put the book down.” Drawing on nine hundred interrogation transcripts collected by the Dutch when the rebellion collapsed, and which were subsequently buried in Dutch archives, historian Marjoleine Kars has constructed what Pulitzer Prize–winning historian Eric Foner calls “a gripping narrative that brings to life a forgotten world.”