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Sumptuously illustrated, engaging, and insightful, Mary Wilson’s book charts the glittering story of The Supremes, as it showcases their glamorous and iconic ensembles. As Motown’s leading act in the 1960s, The Supremes became synonymous with glamorous, elegant, coordinated ensembles. Supreme Glamour presents founding member Mary Wilson’s unparalleled collection, showcasing thirty-two of the group’s most eye-catching gowns, meticulously reassembled and photographed on the Grammy Museum stage. Detailed captions accompany each photograph, providing information about the design, fabric, and embellishments of each ensemble, as well as the occasion on which each was first worn. In addition to the fashion history of The Supremes, the book chronicles the evolution of the group and celebrates the cultural icons they became. Engaging and insightful narrative text by Mary Wilson and close personal friend Mark Bego is interspersed among hundreds of archival photos. Packed with anecdotes and insights, Mary Wilson tells the complete story of The Supremes, both on- and off- stage, from their founding in Detroit in 1959 as The Primettes to their 1964 breakthrough hit, “Where Did Our Love Go,” and from the departure of Diana Ross to The Supremes’ disco hits of the 1970s. Supreme Glamour builds a complete picture of the charm, sophistication, and magic of The Supremes.
More than 40 years ago, three girls from the Detroit projects made the world 'Stop!' and take notice of their fresh harmonies and classy style. Cultivated by the Motown star machine, Mary Wilson, Diana Ross, and Florence Ballard popped onto the charts with hits like "Baby Love" and "Where Did Our Love Go" and made the Supremes not only a household name, but rock and roll legends. The story of their journey to fame is one that fairy tales are made of—complete with battles, tragedies, and triumphs. It's a story that only one of the founders of this talented trio is able or willing to share with the world. In Dreamgirls & Supreme Faith: My Life as a Supreme, Supremes' co-founder Mary Wilson boldly brings to life all the intimate details of the group's struggle to top the charts. This is the first book to tell the complete story of Mary's courageous life from childhood through the height of the Supremes, to the turn of the century. This beautiful paperback edition combines the best-selling Dreamgirls with the sequel, Supreme Faith: Someday We'll Be Together, for the first time in one volume. The new afterword brings Mary's intriguing story up to date with details on. . . · The tragic car accident that claimed her son's life · The death of her mother, Johnnie Mae, and her dear friend, Mary Wells · Becoming a grandmother · Making her peace with Berry Gordy and Diana Ross · Being inducted into the Rock and Roll Hall of Fame and receiving a star on the Hollywood Walk of Fame The Supremes wonderful music isn't the only thing to remain in the public's mind. Diana Ross' push for dominance in the trio has become legendary. Mary Wilson speaks candidly about Ross' tactics to latch onto Berry Gordy, and force her will on the group's activities. For example, while on the early tours, Diana would threaten to call Gordy from the road if the men on the bus didn't behave to her approval. She also openly pushed for Flo's removal from the group. Wilson also openly shares her thoughts on . . .The group's never-ending b
In 1874, an amazing event took place--the American Society for the Prevention of Cruelty to Animals (ASPCA) initiated the rescue of a severely abused child named Mary Ellen Wilson. Her rescue initiated the beginning of true child protection in this country, and eventually, the first child protection agency in America was formed.
In this “delightful mash-up of Little House on the Prairie and The Spiderwick Chronicles” (SLJ), experience life on the prairie—with one fantastical twist! Louisa Brody’s life on the Colorado prairie is not at all what she expected. Her dear Pa, accused of thievery, is locked thirty miles away in jail. She’s living with the awful Smirches, her closest neighbors and the very family that accused her Pa of the horrendous crime. And now she’s discovered one very cantankerous—and magical—secret beneath the hazel grove. With her life flipped upside-down, it’s up to Louisa, her sassy friend Jessamine, and that cranky secret to save Pa from a guilty verdict. Ten bold illustrations from Erwin Madrid accompany seasoned storyteller Melissa Wiley’s vibrant and enchanting tale of life on the prairie—with one magical twist.
The unabashedly funny and forthright memoir by the Tony Award winner for Grey Gardens, detailing the singular life and career of one of our most admired and acclaimed stage actors
King Abdullah played an active role in the partition of Palestine and, as a result, has always been viewed as one of the most controversial figures in modern Middle East history. This book is the first in-depth study of the historical and personal circumstances that made him so. Born in Mecca in 1882 of a family that traced its lineage to the Prophet Muhammad, Abdullah belonged to the Ottoman ruling elite. He grew up in Istanbul and returned to Mecca when his father was appointed Sharif in 1908. During the First World War he earned nationalist credentials as a leader of the Arab revolt against the Ottoman Empire. Owing to his alliance with Britain in the revolt, he emerged afterwards as a contender for power in a Middle East now dominated by Britain. Despite grandiose ambitions, Abdullah ended up as Britain's client in the mandated territory of Transjordan. His dependence on Britain was exacerbated by his situation in Transjordan, an artificial creation with no significant cities, no natural resources, and little meaning beyond its importance to British strategy. Within the constraints of British interests, it was left to Abdullah to make something of his position, and he spent the remainder of his life looking beyond Transjordan's borders for a role, a clientele, or a stable balance of interests which would allow him a future independent of British fortunes. He found all three after 1948 when, in conjunction with the creation of Israel, he came to rule the portion of Palestine known as the West Bank.
Alabama is famous for its rowdy sports fans, scholarly rocket scientists, and more good-eatin' restaurants than you can shake a stick at. Whether you were humming Hank Williams tunes before you could walk, or you're just now making your visit to the Yellowhammer State, you'll discover new treasures in 100 Things to Do in Alabama Before You Die. Visit hallowed grounds including the Coon Dog Memorial Graveyard near Tuscumbia, Bryant-Denny Stadium in Tuscaloosa, Jordan-Hare Stadium in Auburn and the Shrine of the Most Blessed Sacrament in Hanceville. Or search for spirits in the ghost towns of St. Stephens and Cahawba. If that's not enough to creep you out, head to the city of Phil Campbell and Dismals Canyon at dusk to discover creepy, crawly, glowing insects. And don't forget the Boll Weevil Monument in Enterprise, the world's first monument honoring an insect. Get insider's tips for dining in Alabama, like the best places to sample the fruits of farmers' labors, from satsumas in Mobile County to Chilton County peaches. If you need something more substantial, enjoy a stick-to-your-ribs meal at The Chicken Shack in Luverne or a more refined meal at Acre in Auburn from James Beard Award semifinalist chef David Bancroft. Local author and history buff Mary Johns has criss-crossed Alabama, from its majestic mountains to its beautiful beaches to help craft the most interesting itineraries for visitors and Alabamans alike. The result is this thoughtful guide chock-full of tidbits that's sure to make your Alabama experiences special and memorable.
This unique guidebook and reference will enable physicians to develop an informed differential diagnosis of patients who have lived or traveled in other countries or who have had exposures that could lead to infections with unusual or unfamiliar pathogens. It draws together information from many diverse sources in an accessible format that will foster a logical clinical method. The first section of the book outlines a systematic approach to the patient's history, analyzing factors that affect probability of infection, with an evaluation of clinical findings. The second section presents a profile of infectious diseases for every major geographic area of the world, giving supplemental information for each country discussed. The third part describes key features, including epidemiology, clinicopathologic findings, diagnosis, and management of 235 infections. Valuable appendix materials define important terms and give practical information on incubation periods, vectors, transmission via blood transfusion and pathogens in foods.
In The Labors of Modernism, Mary Wilson analyzes the unrecognized role of domestic servants in the experimental forms and narratives of Modernist fiction by Virginia Woolf, Gertrude Stein, Nella Larsen, and Jean Rhys. Examining issues of class, gender, and race in a transatlantic Modernist context, Wilson brings attention to the place where servants enter literature: the threshold. In tracking their movements across the architectural borders separating indoors and outdoors and across the physical doorways between rooms, Wilson illuminates the ways in which the servants who open doors symbolize larger social limits and exclusions, as well as states of consciousness. The relationship between female servants and their female employers is of particular importance in the work of female authors, for whom the home and the novel are especially interconnected sites of authorization and domestication. Modernist fiction, Wilson shows, uses domestic service to tame and interrogate not only issues of class, but also the overlapping distinctions of racial and ethnic identities. As Woolf, Stein, Larsen, and Rhys use the novel to interrogate the limitations of gendered domestic ideologies, they find they must deploy these same ideologies to manage the servant characters whose labor maintains the domestic spaces they find limiting. Thus the position of servants in these texts forces the reader to recognize servants not just as characters, but as conditions for the production of literature and of the homes in which literature is created.