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The story of New England's own Mary Cassatt Revolutionary artist Mary Rogers Williams (1857—1907), a baker's daughter from Hartford, Connecticut, biked and hiked from the Arctic Circle to Naples, exhibited from Paris to Indianapolis, trained at the Art Students League, chafed against art world rules that favored men, wrote thousands of pages about her travels and work, taught at Smith College for nearly two decades, but sadly ended up almost totally obscure. The book reproduces her unpublished artworks that capture pensive gowned women, Norwegian slopes reflected in icy waters, saw-tooth rooflines on French chateaus, and incense hazes in Italian chapels, and it offers a vivid portrayal of an adventurer, defying her era's expectations.
This work, a verbatim transcription of the three successful charters defining the scope and authority of the Virginia Company and listing its stockholders in England and Virginia, is an important companion work to Professor Craven's booklet above. The text of the three charters is taken from a contemporary copy discovered among the Chancery Rolls of the Public Record Office in London shortly before this work's original publication. The accompanying documents serve to illustrate some of the practical issues pertaining to the administration of the colony, and, taken together, this collection may be construed as the Virginia "constitution" for the colony's first fifteen years of existence.