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Mary Moody Emerson has long been a New England legend, the "eccentric Calvinist aunt" of Ralph Waldo Emerson, wearing a death-shroud as her daily garment. This exciting new study, based on the first reading of all her known letters and diaries, reveals a complex human voice and powerful forerunner of American Transcendentalism. From the years of her famous nephew's infancy, in both private and published writings, she celebrated independence, solitude in nature, and inward communion with God. Mary Moody Emerson inherited both resources and constraints from her family, a lineage of Massachusetts ministers who had earlier practiced spiritual awakening and political resistance against England. Cole discovers a previously unexamined Emerson tradition of fervent piety in the ancestors' own writing and Mary's preservation of their memory. She also examines the position of a woman in this patriarchal family. Barred from the pulpit and university by her sex, she also refused marriage to become a reader, writer, and religious seeker. Cole's biography explores this reading and writing as both a woman's vocation and a gift to Ralph Waldo Emerson. Helping to raise her nephews after their father's death, Mary Moody Emerson urged Waldo the college student to seek solitude in nature and become a divine poet. Cole's pioneering study, tracing crucial lines of influence from Mary Emerson's heretofore unknown texts to her nephew's major works, establishes a fresh and vital source for a central American literary tradition.
The "eccentric Calvinist aunt" of 19th-century intellectual Ralph Waldo Emerson, Mary Moody Emerson has long been a New England legend. Barred from the pulpit and university by her sex, she refused marriage to become a reader, writer, and religious seeker. This exciting new study, based on her known letters and diaries, reveals a complex human voice and powerful forerunner of American Transcendentalism. Photos.
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
Traditional histories of the American transcendentalist movement begin in Ralph Waldo Emerson’s terms: describing a rejection of college books and church pulpits in favor of the individual power of “Man Thinking.” This essay collection asks how women who lacked the privileges of both college and clergy rose to thought. For them, reading alone and conversing together were the primary means of growth, necessarily in private and informal spaces both overlapping with those of the men and apart from them. But these were means to achieving literary, aesthetic, and political authority—indeed, to claiming utopian possibility for women as a whole. Toward a Female Genealogy of Transcendentalism is a project of both archaeology and reinterpretation. Many of its seventeen distinguished and rising scholars work from newly recovered archives, and all offer fresh readings of understudied topics and texts. First quickened by the 2010 bicentennial of Margaret Fuller’s birth, the project reaches beyond Fuller to her female predecessors, contemporaries, and successors throughout the nineteenth century who contributed to or grew from the transcendentalist movement. Geographic scope also widens—from the New England base to national and transatlantic spheres. A shared goal is to understand this “genealogy” within a larger history of American women writers; no absolute boundaries divide idealism from sentiment, romantics from realists, or white discourse from black. Primary-text interludes invite readers into the ongoing task of discovering and interpreting transcendentally affiliated women. This collection recognizes the vibrant contributions women made to a major literary movement and will appeal to both scholars and general readers.
The Oxford Handbook of Transcendentalism offers an ecclectic, comprehensive interdisciplinary approach to the immense cultural impact of the movement that encompassed literature, art, architecture, science, and politics.
Scholars have long recognized that Mary Moody Emerson (1774-1863) had a vital influence on the intellectual development of her nephew, Ralph Waldo Emerson, during his most formative years. The extent of that influence--and the quality of Mary Emerson's own mind--are apparent, however, only through her extensive correspondence spanning seventy years. The Selected Letters of Mary Moody Emerson makes available for the first time this important collection of letters within the Emerson family papers and firmly establishes Mary Emerson as a woman of strong and independent mind. Moreover, as Emerson himself realized, his aunt's letters reveal much about the political, social, and religious concerns that dominated her age--the critical period from the American Revolution to the Civil War. Mary Emerson rejoiced in what she called a "period of wonderfull revolutions" and through her correspondence engaged actively in the disputes of the time. During these years the new Constitution was tried and tested, most severely by slavery and the Civil War but also by the War of 1812, the rapid expansion westward, and the increasingly materialistic and capitalistic pursuits of the American people. These letters contain wide references to the people, events, and controversies of the period. They also reveal the impact of changing conditions on an individual woman--a woman of curiosity and self-reliance who sought to define herself in a patriarchal culture. Ralph Waldo Emerson once commented that in her "prime" Mary Emerson was the "best writer in New England". The letter became her art form, and she managed to transform it into a vehicle for free discussion. Her many correspondents--fifty-five in all--included her Emerson nephews William, Waldo, Edward, and Charles, as well as Charles's fiancee, Elizabeth Hoar, and Sarah Alden Bradford Ripley. For this edition, Nancy Simmons has chosen some 333 letters that represent the contours of Mary Emerson's life and thought. A valuable contribution to literary, historical, religious, and feminist scholarship, The Selected Letters of Mary Moody Emerson recovers from the footnotes of literary history a woman of considerable intellectual influence.
Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earliest works; it was she who prodded these newly minted Transcendentalists away from Emerson’s individualism and toward a greater connection to others. Middle sister Mary Peabody was a passionate reformer who finally found her soul mate in the great educator Horace Mann. And the frail Sophia, an admired painter among the preeminent society artists of the day, married Nathaniel Hawthorne—but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Casting new light on a legendary American era, and on three sisters who made an indelible mark on history, Marshall’s unprecedented research uncovers thousands of never-before-seen letters as well as other previously unmined original sources. “A massive enterprise,” The Peabody Sisters is an event in American biography (The New York Times Book Review). “Marshall’s book is a grand story . . . where male and female minds and sensibilities were in free, fruitful communion, even if men could exploit this cultural richness far more easily than women.” —The Washington Post “Marshall has greatly increased our understanding of these women and their times in one of the best literary biographies to come along in years.” —New England Quarterly
When nineteen-year-old Harriett Gold, from a prominent white family in Cornwall, Connecticut, announced in 1825 her intention to marry a Cherokee man, her shocked family initiated a spirited correspondence debating her decision to marry an Indian. Eventually, Gold's family members reconciled themselves to her wishes, and she married Elias Boudinot in 1826. After the marriage, she returned with Boudinot to the Cherokee Nation, where he went on to become a controversial political figure and editor of the first Native American newspaper. Providing rare firsthand documentation of race relations in the early nineteenth-century United States, this volume collects the Gold family correspondence during the engagement period as well as letters the young couple sent to the family describing their experiences in New Echota (capital of the Cherokee Nation) during the years prior to the Cherokee Removal. In an introduction providing historical and social contexts, Theresa Strouth Gaul offers a literary reading of the correspondence, highlighting the value of the epistolary form and the gender and racial dynamics of the exchange. As Gaul demonstrates, the correspondence provides a factual accompaniment to the many fictionalized accounts of contacts between Native Americans and Euroamericans and supports an increasing recognition that letters form an important category of literature.
Essays, poems, photographs, and letters explore the link between Buddhism and the Beats--with previously unpublished material from several beat writers, including Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, and Diane diPrima.
Annotation An extraordinary recovered text. ... Kilcup brings Lorenza Berbineau before readers as a woman, domestic servant, traveler, and diarist, thereby advancing our understanding of all four variables in American cultural studies more broadly." Phyllis Cole, author of Mary Moody Emerson and the Origins of Transcendentalism: A Family HistoryBecause prior studies of American women's travel writing have focused exclusively on middle-class and wealthy travelers, it has been difficult to assess the genre and its participants in a holistic fashion. One of the very few surviving working-class travel diaries, Lorenza Stevens Berbineau's account provides readers with a unique perspective of a domestic servant in the wealthy Lowell family in Boston. Staying in luxurious hotels and caring for her young charge Eddie during her six-month grand tour, Berbineau wrote detailed and insightful entries about the people and places she saw. Contributing to the traditions of women's, diary, and travel literature from the perspective of a domestic servant, Berbineau's narrative reveals an arresting and intimate outlook on both her own life and the activities, places, and people she encounters. For example, she carefully records Europeans' religious practices, working people and their behavior, and each region's aesthetic qualities. Clearly writing in haste and with a pleasing freedom from the constraints of orthographic and stylistic convention, Berbineau offers a distinctive voice and a discerning perspective. Alert to nuances of social class, her narrative is as appealing and informative to today's readers as it no doubt was to her fellow domestics in the Lowell household. Unobtrusively edited to retain as much as possible the individuality and texture of the author's original manuscript, From Beacon Hill to the Crystal Palace offers readers brief framing summaries, informative endnotes, and a valuable introduction that analyzes Berbineau's narrative in relation to gender and class issues and compares it to the published travel writing of her famous contemporary, Harriet Beecher Stowe. Karen Kilcup is professor of American literature, University of North Carolina at Greensboro. Named a U.S. National Distinguished Teacher in 1987, she was recently the Davidson Eminent Scholar Chair at Florida International University. She is the editor of Soft Canons: American Women Writers and Masculine Tradition (University of Iowa, 1999) and Nineteenth-Century American Women Writers: An Anthology and the author of Robert Frost and Feminine Literary Tradition.