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This timely publication ponders the presence of Mary, the Mother of Jesus, in art, and seeks to evoke the affective rationale underlying Mary's centuries old fascination.
Turquoise and silver is an icon of the American Southwest. For generations, people have ogled these gemstones in pawn shops, jewelry shops and antiques stores, looking for a special piece of Native American jewelry that speaks to their heart. Southwest jewelry is now valued and collected around the world. Photographs of collectible pieces reveal what the attraction is about. Whether in shades of pale aqua or deeper aquamarine, blue or jade green, Mary Emmerling reveals that the collector's hunt is about color. And beyond jewelry, the color turquoise appears throughout the Southwest in architecture and decoration. After all, it's the color of calm.
"The founding of New Mexico's famous art colony and its pioneer artists"--Jacket subtitle.
Would you like to learn to pray like a medieval Christian? Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. Mary and the Art of Prayer asks readers to immerse themselves in the experience of believing in and praying to Mary.
Art of the Cross celebrates one of the world's most recognized ancient symbols-the cross. This iconic symbol predates Christianity in cultures around the world, and has been used as a religious symbol and as an ornament from the dawn of civilization. Crosses have been found in almost every part of the old world, from Scandinavia where the Tau cross symbolized the hammer of the God Thor, to India, where the vertical shaft represents the higher, celestial states of being and the horizontal bar represents the lower, earthly states.
Through a unique and stunning collection of paintings, sculpture, rare books, and works on paper, Divine Mirrors examines the complex relationship between sacred imagery and secular identity in the art of the Madonna. This magnificent work--born from a multi-year project that included a museum exhibition, scholarly symposium, and reinstallation of a segment of the permanent collection of the Davis Museum and Cultural Center at Wellesley College--features the work of such renowned artists as Il Pintoricchio, Mantegna, Munch, and Leger, alongside fresh, undiscovered masters and little-known works of art. The book's fifty catalogue entries range from a rare thirteenth-century panel painting to a specially commissioned artwork exploring the intersection of religion and modern life. This volume investigates everything from non-Western perceptions of European religious practices to the Virgin Mary's voice in musical composition. In the opening essay "The Many Names of the Mother of God" noted scholar Robert A. Orsi considers why images of Mary offer contemporary Americans such a powerful visual experience. Unlike paintings and sculptures created solely for aesthetic contemplation, Orsi writes, images of Mary are more than just artistic representations--they become for us an embodiment of the Virgin Mother herself. Then, moving into the historical realm, editor Melissa R. Katz guides us on a twenty-century chronological tour that explores the intersection of art history and world history in representations of Mary. Katz's essay "Regarding Mary: Women's Lives Reflected in the Virgin's Image" takes the elements of Marian iconography most relevant to the study of art and weaves them together to provide a guide for modern audiences to engage with the religious origins of our common artistic legacy. Filled with fascinating information, this important work requires no particular background in art history, religion, or the Bible. Readers of all levels will be rewarded with an in-depth encounter of a remarkable and complex figure."
An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.
In full-color photographs, the book describes adobes, hadiendas, log cabins, ski lodges, ranches, farmhouses, cowboys, Indians, mountain men, and craftsmen of the American Southwest.
Learning to Look at Paintings is an accessible guide to the study and appraisal of paintings, drawings and prints. Mary Acton shows how you can develop visual, analytical and historical skills in learning to look at and understand an image by analysing how it works, what its pictorial elements are and how they relate to each other. This fully revised and updated new edition is illustrated with over 100 images by a wide range of Western European and American artists, ranging from Rembrandt, Van Gogh and Botticelli to Picasso, Matisse and Rothko, and now includes modern and contemporary artists such as Georgia O'Keeffe, Anselm Kiefer, Tacita Dean and Marlene Dumas. In addition, Mary Acton presents new examples highlighting the survival and revival of painting in recent years. A new introduction situates the book in the wider context of recent changes in the approach to Art History. A glossary of critical and technical terms used in the language of Art History is also included, with an updated but still selective reading list.