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This volume is based on Anthony Trollope's experiences as an editor directing St. Paul's Magazine for three years. The theme of these short stories is that an editor can find himself drawn, against his wiser intentions, into human relationships with struggling writers. These stories describe how a hot-tempered with no literary ability, a scholar sunk by marriage to a drunken woman below his class, and an Irish literary 'madman' or fraud all seek to survive on the narrators to give them an opening in their publications. 'Mary Gresley' tells the story of a lovely young girl with literary ambitions but little ability. She took her stories to the Editor, telling him that she needed to support her family with her writing. The Editor attempted to teach her to write, but with not much success. 'The Turkish Bath' is an account of the Editor's visit to a Turkish bath where one Michael Molloy succeeded in convincing him to read one of his useless manuscripts. The best of the stories in Trollope's view was 'The Spotted Dog.' It's a story of Julius Mackenzie, an educated man, unfortunately, married and destroyed by drink, who requested the Editor for work. The book contains several gripping stories about all sorts of people who appeal to editors for publishing their writings.
"An Editor's Tales" describes a series of encounters between various magazine editors and those who wish to have their works published. While containing some amusing bits, the tales are relatively grim compared to most Trollope stories. In "The Turkish Bath", an editor, upon visiting a Turkish bath, is accosted by an Irish stranger, who, after some conversation, requests to submit a manuscript to the magazine. The editor's reactions to the solicitation and subsequent familiarity with the writer's circumstances forms the frame of the story. Humor arises about the Turkish bath situation and the reluctance of editors to make themselves available to amateur writers. "Mary Gresley" is the rather sad tale of a young girl's giving up her writing career to satisfy the deathbed wish of the curate she was engaged to. The editor in this tale (and also in the next) becomes rather involved emotionally with the girl and wishes her to continue writing. "Josephine de Montmorenci" is actually the proposed pen name of a disabled young lady, who only becomes acquainted with the editor because her attractive sister-in law-initially pretends to be that author. "The Panjandrum" (meaning "appearing to be important") is a magazine proposed by a group of literate but incompatible, inexperienced, would-be writers. The clash of personalities brings about the demise of the venture. "The Spotted Dog" is the story of a writer down on his luck. He and his wife drink excessively. He's well educated and the editor offers him the task of indexing the work of a third person, but his drunken wife destroys the manuscript. "Mrs. Brumby" is the most amusing of the tales. In this one the editor encounters a poor writer who is, unfortunately for him, also a remarkably aggressive and ambitious woman. Anthony Trollope (1815-1882) was one of most succesful British authors of the Victorian era. He has written more than forty novels, as well as many short stories and travelogues. Trollope was also an editor and an active member of the London literary scene. Among his most notable works is the series "The Chronicles of Barsetshire", a series of six novels set in fictional Barsetshire.
Trollope and the Magazines examines the serial publication of several of Trollope's novels in the context of the gendered discourses in a range of Victorian magazines - including Cornhill, Good Words, Saint Pauls , and the Fortnightly Review . It highlights the importance of the periodical press in the literary culture of Victorian Britain, and argues that readers today need to engage with the lively cultural debates in the magazines, in order better to appreciate the complexity of Trollope's popular fiction.
Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narrative representations of literary authorship not only reflect the aesthetic convictions and social conditions of their actual authors or their time; they also take an active part in negotiating and shaping these conditions. The book unfolds the history of such ‘author fictions’ in European and North American texts since the early nineteenth century as a literary history of literary authorship, ranging from the Victorian bildungsroman to contemporary autofiction. It combines rhetorical and sociological approaches to answer the question how literature makes authors. Identifying ‘author fictions’ as narratives that address the fragile material conditions of literary creation in the actual and symbolic economies of production, Ingo Berensmeyer explores how these texts elaborate and manipulate concepts and models of authorship. This book will be relevant to English, American and comparative literary studies and to anyone interested in the topic of literary authorship.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1951. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Popular and prolific, Anthony Trollope wrote 47 novels as well as dozens of short stories that provide fascinating insights into Victorian life, behavior, and morals. A careful observer of people and places, Trollope created realistic, unsentimental depictions of everyday life that offer enduring entertainment as well as vivid reflections of the attitudes of his era. These six stories originally appeared in periodicals, and Trollope may have drawn upon his experiences as an editor in writing "Mary Gresley," concerning a young woman with literary ambitions, and "The Spotted Dog," chronicling a harried scholar's attempts to work in peace. Christmas stories include "The Mistletoe Bough," a tale of a broken engagement, and "Not If I Know It," relating a family falling-out. Courtship and class distinctions receive wry treatments in "The Parson's Daughter of Oxney Colne," in which a well-to-do suitor receives his comeuppance, and "The Two Heroines of Plumplington," a tale of romance stymied by parental snobbery.