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Mary Elizabeth Braddon, journal editor and bestselling author of more than eighty novels during the late nineteenth and early twentieth centuries, was a key figure in the Victorian literary scene. This volume brings together new essays from a variety of perspectives that illuminate both the richness of Braddon's oeuvre and the variety of critical approaches to it. Best known as the author of Lady Audley's Secret and Aurora Floyd, Braddon also wrote penny dreadfuls, realist novels, plays, short stories, reviews, and articles. The contributors move beyond her two most famous works and reflect a range of current issues and approaches, including gender, genre, imperialism, colonial reception, commodity culture, and publishing history. Contributors include Jennifer Carnell, Jeni Curtis, Pamela K. Gilbert, Lauren Goodlad, Aeron Haynie, Heidi Holder, Gail Turley Houston, Heidi H. Johnson, Toni Johnson-Woods, James R. Kincaid, Elizabeth Langland, Eve Lynch, Graham Law, Katherine Montweiler, Lillian Nayder, Lyn Pykett, and Tabitha Sparks, and Marlene Tromp.
Sir John Penlyon is a long widowed old man who lives alone with no close family left, after he disowned his daughter for marrying beneath herself. He is spending Christmas with his friend Thomas Danby and his niece Adela who points out that Christmas is quite dull without children and Sir John, otherwise a grim old man, agrees. Hearing that, Danby takes on himself to hire some children in order to bring up the atmosphere in the old house and cheer up his friend. He finds and brings three siblings, sweet and endearing children, who do indeed enliven the holiday. The youngest of them, little girl named Moppet, in particular, charms Sir John and endears herself to him. However, after some time spent in Sir John's mention Moppet, falls dangerously ill and Sir John begins to regret opening his heart. Yet, it is the time of miracles and Sir John is about to make sure of it.
An important figure in the development of crime fiction, Mary Elizabeth Braddon (1835-1915) wrote more than 80 novels, numerous plays, poems, essays and short stories, and edited two magazines during her 55-year literary career. Her bestselling Lady Audley's Secret secured her reputation as a leading "sensation novelist." Though critics called her work immoral, Braddon's novels influenced the detective fiction of the late Victorian period. With entries on all her published writing, characters, relationships and influences, and themes and contexts, as well as numerous illustrations, a career chronology, and a chronological and alphabetical listing of all of her works, this companion to Braddon's mystery fiction is the definitive reference on this provocative but overlooked writer.
Mary Elizabeth Braddon, one of the most prolific authors of the Victorian period, remains best known for her sensation fiction, but over the course of a long career contributed to a multitude of literary genres, working as a journalist, short story writer and editor, as well as authoring more than eighty novels. This exciting new collection of essays reappraises Braddon’s work and offers a series of new perspectives on her literary productions. The volume is divided into two parts: the first considers Braddon’s seminal sensation novel, Lady Audley’s Secret; the second examines some of her lesser known fiction, including her first published novel, The Trail of the Serpent, as well as some of her twentieth-century fiction. The first collection of essays on Braddon to appear since 1999, this volume sheds new light on the ‘Queen of the circulating libraries’.
The Shadow in the Corner' is a gothic short story, written by Mary Elizabeth Braddon, and first published in 1879. It tells the story of Michael Bascom, a reclusive scientist, who lives in an old mansion called Wildheath Grange. His man servant informs him that they need a girl to help his wife around the house. An orphan girl takes the role, but informs Bascom that she is very uncomfortable with her lodgings. She says she sees a mysterious shadow in her room at night. The house is rumoured to be haunted, but the scientist doesn't believe her, that is, until he experiences it himself. To compliment the republication of this work, a specially commissioned new introductory biography of the author has been added.