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Mary Carleton, commonly known as the German Princess, was a scandalous celebrity in Restoration London. Her notoriety arose from her 1663 trial and acquittal for bigamy, which became the occasion of the publication of The Case of Madam Mary Carleton. Here she narrates her version of her life as a 'German Princess', the daughter of the Earl of Cologne, though by most accounts she was born Mary Moders, the daughter of a Canterbury fiddler who married first a Canterbury shoemaker, Thomas Steadman, and then a surgeon, Thomas Day. Within her own time, Carleton was the subject of more than twenty-six pamphlets published in 1663 and 1673; this volume reprints Carleton's own The Case of Madam Mary Carleton along with representative selections of pamphlets written about her. Her trial produced its own 'pamphlet war' between Mary and her husband John and her story inspired a play and a mock epic, which significantly responded to Carleton's own emphasis on performance and epic romance in fashioning her aristocratic identity.
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This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England
This collection studies eighteenth-century British literature as enmeshed within a dynamic intercultural traffic, participating in the import and export of literary and cultural forms. Eighteenth-Century Transplantations places this transcultural circulation at the centre of attention and presents its products in a unique configuration. Literary transplants into the British context, out of it, and their transmedial afterlives are set together in order to showcase the mechanisms of such cultural commerce. The term 'transplantation', borrowed from medical and horticultural discourses and evocative of eighteenth-century experiments in gardening, is offered here as a useful kinetic model to conceptualize the diverse practices involved in relocating a literary text into a new cultural environment.
Elucidates early modern attitudes toward women's public display. This title presents a cultural study that draws on a range of literary and non-literary texts from 1650-1700 to revisit the sites where women appeared most prominently: the playhouse, the park, and the New Exchange (a shopping arcade in the Strand).
Reprint of the original, first published in 1876.
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.