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An authorized account of the Civil War, drawn from the diaries of a Southern aristocrat, records the disintegration and final destruction of the Confederacy
In her diary, Mary Boykin Chesnut, the wife of a Confederate general and aid to president Jefferson Davis, James Chestnut, Jr., presents an eyewitness account of the Civil War.
Pulitzer Prize-winning historian C. Vann Woodward and Chesnut's biographer Elisabeth Muhlenfeld present here the previously unpublished Civil War diaries of Mary Boykin Chesnut. The ideal diarist, Mary Chesnut was at the right place at the right time with the right connections. Daughter of one senator from South Carolina and wife of another, she had kin and friends all over the Confederacy and knew intimately its political and military leaders. At Montgomery when the new nation was founded, at Charleston when the war started, and at Richmond during many crises, she traveled extensively during the war. She watched a world "literally kicked to pieces" and left the most vivid account we have of the death throes of a society. The diaries, filled with personal revelations and indiscretions, are indispensable to an appreciation of our most famous Southern literary insight into the Civil War experience.
Born into the plantation gentry of South Carolina, granted the advantages of wealth, social position, and education by virtue of her family and her marriage to another prominent South Carolina family, Mary Chesnut has emerged as one of the key figures in American history, but not because of a career, her family, or her involvement in a humanitarian cause. Rather, Chesnut's significance comes from her extensive diary. Her commentary and reminiscences about the era provide an excellent window into the life and death of the Confederate nation. Her keen insight into political, economic, and social developments makes her an excellent source to understand the Southern homefront during the American Civil War. Professor Mary DeCredico uses Chesnut's life to address the role of women in the South; the ideology and leadership of the Southern white elite; and how Southern women in general, and Chesnut in particular, viewed the institution of slavery. Furthermore, DeCredico shows how Mary Chesnut's privileged position gave her an ideal perspective for observing and commenting on the events of the Confederacy during the Civil War.
A genteel southern intellectual, saloniste, and wife to a prominent colonel in Jefferson Davis’s inner circle, Mary Chesnut today is remembered best for her penetrating Civil War diary. Composed between 1861 and 1865 and revised thoroughly from the late 1870s until Chesnut’s death in 1886, the diary was published first in 1905, again in 1949, and later, to great acclaim, in 1981. This complicated literary history and the questions that attend it—which edition represents the real Chesnut? To what genre does this text belong?—may explain why the document largely has, until now, been overlooked in literary studies. Julia A. Stern’s critical analysis returns Chesnut to her rightful place among American writers. In Mary Chesnut’s Civil War Epic, Stern argues that the revised diary offers the most trenchant literary account of race and slavery until the work of Faulkner and that, along with his Yoknapatawpha novels, it constitutes one of the two great Civil War epics of the American canon. By restoring Chesnut’s 1880s revision to its complex, multidecade cultural context, Stern argues both for Chesnut’s reinsertion into the pantheon of nineteenth-century American letters and for her centrality to the literary history of women’s writing as it evolved from sentimental to tragic to realist forms.
These short, unfinished novels address a wide range of subjects related to women and serve as an extension of the valuable source material found in the diaries, revealing much about southern history and culture, gender roles, slave-mistress relations, childhood, education, the experiences of westward migration, and the impact of the Civil War on private lives and relationships.".
"The Wartime Journal of a Georgia Girl" is Eliza Frances Andrews' diary in which she describes in detail the situation in Georgia during the last year of the Civil War. Andrews wrote about the anger and despair of Confederate citizens, caused by the General Sherman's devastation.
Regarded by many critics as Edmund Wilson's greatest book, Patriotic Gore brilliantly portrays the vast political, spiritual, and material crisis of the Civil War as reflected in the lives and writings of some thirty representative Americans.
In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women’s contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts. Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton’s telling, a far more balanced and vivid understanding of women’s roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women’s overt and covert participation in activities designed to challenge the rebellion and on white women’s roles in reshaping the war’s legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men’s roles—including those few who gained notoriety as spies, scouts, or soldiers during the war. As Clinton’s work demonstrates, the larger questions of women’s wartime contributions remain important correctives to our understanding of the war’s impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War.