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This book was the inspiration for the ITV drama Dark Angel. As one of the UK’s leading commentators, David Wilson shows how some serial killers stay in the headlines whilst others rapidly become invisible - or “unseen”. Yet Mary Ann Cotton is not just the first but perhaps the 1st’s most prolific female serial killer, with more victims than Myra Hindley, Rosemary West, Beverly Allit or male predators such as Jack the Ripper and Dennis Nilsen. But her own north east of England (and criminologists) apart, she remains largely forgotten, despite poisoning to death up to 21 victims in Britain’s ‘arsenic century’. Exploding myths that every serial killer is a ‘monster’, the author draws attention to Cotton’s charms, allure, capability, skill and ambition - drawing parallels or contrasting the methods and lifestyles of other serial killers from Victorian to modern times. He also shows how events cannot be separated from their social context – here the industrial revolution, growing mobility, women’s emancipation and greater assertiveness. And concerning the reticence of ‘human nature’, like Dr Harold Shipman, Cotton was allowed to go on killing despite reasons to suspect her. The book contains other resonances to aid understanding of how serial murderers can go undiscovered despite such things as coincidence, gossip, whispers or motives that become more obvious with the benefit of hindsight. It is also a detective story in which the persistence of a single individual saw Cotton tried and executed, events analysed first-hand from the archives and location visits as the author fills the gaps in a remarkable story. By a leading expert on serial killers; Meticulously researched and highly readable; Fresh interpretations mean this book is destined to be the definitive title on Mary Ann Cotton. ‘An enthralling read David Wilson does not write generic ‘true crime’, but history of the highest order’: Judith Flanders, best-selling author, journalist and historian. David Wilson is Professor of Criminology and Director of the Centre for Applied Criminology at Birmingham City University. An ex-prison governor he has broadcast for the BBC, Channel 4, Sky and Channel 5 (where he presents ‘Killers Behind Bars’). His books include Serial Killers: Hunting Britons and Their Victims 1960-2006 (2007) and Looking for Laura: Public Criminology and Hot News (2011).
A true crime account of the life, trial, death, and aftermath of Britain’s first female serial killer. A female thief, with four husbands, a lover and, reportedly, over twelve children, is arrested and tried for the murder of her stepson in 1872, turning the small village of West Auckland in County Durham upside down. Other bodies are exhumed and when they are found to contain arsenic, she is suspected of their murder as well. The perpetrator, Mary Ann Cotton, was tried and found guilty and later hanged on 24 March 1873 in Durham Gaol. It is claimed she murdered over twenty people and was the first female serial killer in England. With location photographs and a blow-by-blow account of the trial, this book challenges the claim that Mary Ann Cotton was the “The West Auckland Borgia,” a title given to her at the time. It sets out her life, trial, death, and the aftermath and also questions the legal system used to convict her by looking at contemporary evidence from the time and offering another explanation for the deaths. The book also covers the lives of those left behind, including the daughter born to Mary Ann Cotton in Durham Gaol. Mary Ann Cotton’s crimes were the subject of the 2016 ITV drama, Dark Angel, starring Joanne Froggatt. Praise for Mary Ann Cotton, Dark Angel Recommended as one of the Evening Standard’s “Best biographies and memoirs to read in 2016” “For true crime historians, fans of intriguing crime tales, and those interested in how criminal justice operated in the Victorian era, this is a well-presented book on a complex case. Furthermore, it is a book which explores all the evidence available and questions whether or not the conviction and execution of Mary Ann Cotton in 1873 was the correct outcome.” —Crime Traveller
A native of County Durham, Mary Ann Cotton is regarded as the most prolific female serial killer in British history. This book from Simon Webb and Miranda Brown re-tells her story, re-examines the evidence and includes a startling new theory about the so-called West Auckland Poisoner.
Since its original publication in 1987, Like a Family has become a classic in the study of American labor history. Basing their research on a series of extraordinary interviews, letters, and articles from the trade press, the authors uncover the voices and experiences of workers in the Southern cotton mill industry during the 1920s and 1930s. Now with a new afterword, this edition stands as an invaluable contribution to American social history. "The genius of Like a Family lies in its effortless integration of the history of the family--particularly women--into the history of the cotton-mill world.--Ira Berlin, New York Times Book Review "Like a Family is history, folklore, and storytelling all rolled into one. It is a living, revelatory chronicle of life rarely observed by the academe. A powerhouse.--Studs Terkel "Here is labor history in intensely human terms. Neither great impersonal forces nor deadening statistics are allowed to get in the way of people. If students of the New South want both the dimensions and the feel of life and labor in the textile industry, this book will be immensely satisfying.--Choice
To date, approaches to understanding serial murder have focused on individual cases rather than the social context in which they occurred. Written by leading criminologists and world experts on serial murder, this book marks a departure by situating nineteenth century serial killer Mary Ann Cotton within the broader social structure. Using archival records of her court appearances, local histories and newspaper articles, it uniquely explores how institutions such as the family, economy and religion shaped the environment she inhabited and her social integration through the roles of wife, mother, worker and criminal. Acknowledging that it takes a particular type of individual to commit serial murder, the book shows that it also takes a particular type of society to enable that murderer to go unseen. As the first work to analyse serial murder through the theoretical framework of institutional criminology and institutional anomie theory, it will equip criminologists with a methodological toolkit for performing institutional analysis.
A superbly targeted resource for those learning about serial killings. Serial Killers and the Phenomenon of Serial Murder examines and analyses some of the best known (as well as lesser) cases from English criminal history, ancient and modern. It looks at the lifestyles, backgrounds and activities of those who become serial killers and identifies clear categories of individuals into which most serial killers fall. Led by Professor David Wilson the authors are all experts and teachers concerning the ever-intriguing subject of serial killing: why, when and how it happens and whether it can be predicted. Taking some of the leading cases from English law and abroad they demonstrate the patterns that emerge in the lives and backgrounds of those who kill a number of times over a period. The book is designed for those studying the topic at advanced level, whether as an academic discipline on one of the many courses now run by universities and colleges or as a private quest for understanding. It contains notes on key terms and explanations of topics such as co-activation, Munchausen syndrome, cooling-off period, psychopathy checklist, social construction, case linkage, family annihilation, activity space, rational choice theory, medicalisation and rendezvous discipline. As the first textbook of its kind it will be an invaluable resource for teachers and students of serious crime.
Records the tragic circumstances which led to one man committing a sequence of vicious sexual assaults through to the murders of Rachel Nickell and Samantha and Jazmine Bisset. It has taken Alan Jackaman over 25 years to come to terms with what he experienced, but he now tells of his part in the downfall of serial killer Robert Napper. Reveals for the first time information not until now in the public domain and tells of the author’s tenacity as a lower-ranking officer in the face of dwindling resources and sometimes disparagement by more senior investigators. A straightforward account of the solving of heinous and complex crimes, it also delves into media fascination with serious offences and shows how the press may latch on to one murder whilst ignoring another, even more horrific, one. The author was an investigator on the Bisset case from day one through to seeing that case linked to London’s Green Chain Walk rapes and the discovery that Napper also killed Rachel Nickell on Wimbledon Common. The book tells for the first time the behind the scenes story of how the misguided targeting of Colin Stagg and rebuffing of the Bisset team’s suspicions allowed Napper to escape justice for 15 years. The book also looks at the mind of Robert Napper, his bizarre behaviour, family history and ‘doodlings’ (some reproduced in this book) and the fact that sheer ‘chance’ allowed him to remain free for so long. By the detective who arrested Napper. Looks at the emergence of criminal profiling. Enters the mind of a psychotic killer. Shows how media ‘obsession’ can hinder justice. Contains previously unpublished material. Extract: ‘To be able to properly investigate the murders of Samantha and Jazmine it was necessary to research the sequence of Green Chain Walk rapes. At first glance the string of offences bore the classic hallmarks of a psychopath who grew ever more cunning, yet reckless, but more importantly ever more violent. Studies of this type of offender clearly show they learn as they progress in their offending…’
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." —Publishers Weekly (starred review) Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison. England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never—ever—return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton—England’s first female serial killer—accused of poisoning nearly twenty people, including her husbands and children. Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry’s intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor—and perhaps accomplice—in Clara’s struggle to protect her money, her freedom, and her life.
Here is a valuable, and fascinating, piece of social history. Watson sheds new light on a macabre yet frequently misunderstood subject.