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When a young Peter Parker is given the fantastic powers of an arachnid, he must also deal with the fantastic pressures of an everyday teenager. Check out these stories of spectacular web-slinging adventure from Spidey's very beginning, including the tragic origin that started it all, the first appearances of the Daily Bugle, J. Jonah Jameson, Doctor Octopus, the Sandman, the Vulture, Electro, and guest-star nods by the Fantastic Four and Human Torch. Collects Amazing Spider-Man (1963) #1-10.
Collects Amazing Spider-Man (1963) #1-10, material from Amazing Fantasy (1962) #15. The stories that built the Marvel Universe, from the brilliant minds of legendary creators — now available in a new lineof Mighty Marvel Masterworks! The stories that built the Marvel Universe, from the brilliant minds of legendary creators — now available in an accessible new format the whole family can enjoy! When young Peter Parker gains remarkable abilities from a radioactive spider, he must step up and try to become a hero — while also dealing with the fantastic pressures of an everyday teenager! For with great power, there must also come great responsibility! Enjoy these stories of spectacular web-slinging adventure from Spidey’s very beginning — including the tragic origin that started it all; the first appearances of the Daily Bugle, J. Jonah Jameson, Doctor Octopus, the Sandman, the Vulture and Electro and guest-star nods from the Fantastic Four and Human Torch! Relive the foundation of every amazing arachnid adventure that followed!
In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.
A collection of Spider-Man issues from the Stan Lee era.
Through the combination of text and images, comic books offer a unique opportunity to explore deep questions about aesthetics, ethics, and epistemology in nontraditional ways. The essays in this collection focus on a wide variety of genres, from mainstream superhero comics, to graphic novels of social realism, to European adventure classics. Included among the contributions are essays on existentialism in Daniel Clowes's graphic novel "Ghost World," ecocriticism in Paul Chadwick's long-running "Concrete" series, and political philosophies in Herge's perennially popular "The Adventures of Tintin." Modern political concerns inform Terry Kading's discussion of how superhero comics have responded to 9/11 and how the genre reflects the anxieties of the contemporary world. Essayists also explore the issues surrounding the development and appreciation of comics. Amy Kiste Nyberg examines the rise of the Comics Code, using it as a springboard for discussing the ethics of censorship and child protection in America. Stanford W. Carpenter uses interviews to analyze how a team of Marvel artists and writers reimagined the origin of one of Marvel's most iconic superheroes, Captain America. Throughout, essayists in Comics as Philosophy show how well the form can be used by its artists and its interpreters as a means of philosophical inquiry. Jeff McLaughlin is assistant professor of philosophy at Thompson Rivers University in Kamloops, British Columbia."
The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.