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A boy and his grandfather hunt for a stolen horse in this novel “evoking William Faulkner and Cormac McCarthy” (Booklist). Longlisted for the American Library Association’s Andrew Carnegie Medal for Excellence in Fiction In the summer of 1995, Jim Falls, a Korean War vet, struggles to raise his sixteen-year-old mixed-race grandson, Quentin, on a farm in southern Indiana. In July, they receive a mysterious gift—a beautiful quarter horse—which upends the balance of their difficult lives. The horse’s appearance catches the attention of a pair of troubled, meth-dealing brothers and, after a violent altercation, the horse is stolen and sold. Grandfather and grandson must travel the landscape of the bleak heartland to reclaim the animal and to confront the ruthless party that has taken possession of it. Along the way, both will be forced to face the misperceptions and tragedies of their past. “A vivid portrait of Heartland America . . . I’ve long been an admirer of Joe Meno’s work, and this is his most ambitious book yet.” —Dan Chaon, New York Times–bestselling author of Ill Will “[Meno] has a knack for giving small happenings emotional weight. . . . Meno knows how to make you love his characters, want what they want. But don’t think he’s going to let things turn out well for them. Marvels and wonders aren’t worth the trouble. Fortunately, this book is.” —The New York Times Book Review “It’s at once a story about two people and an exploration of the past, present, and future of the country. . . . As the fate of the horse, of Jim Falls, of Quentin—of America!—becomes more perilous, the book picks up speed. The story is operating on different levels—as a family story, an epic, and in the end a page-turner—but they remain skillfully balanced.” —Chicago Reader “A wise and touching novel of love, loyalty, courage; an extraordinary book not to be missed.” —Library Journal
Mod myths of might and mystery! This month’s stories are literally out of this world! You won’t want to miss Diana traveling to deep space, going toe-to-toe with a feathered friend from her past, and heading back to the ’60s for an unexpected mod-era tale. All this and more in an issue jam-packed with tales trimmed in Wonder Woman’s signature gold!
This book explores representations of Wonder Woman and Captain Marvel in comics and film, as well as political struggles over these works, to illuminate contemporary cultural concerns about gender, sexuality, race, migration, imperialism, and war. It focuses on the only two female superheroes who have long histories grounded in feminist activism and military service, and who have starred in blockbuster origin films at a time when resurgent progressive activism has been met by an emboldened backlash against movements for equality. Interdisciplinary and intersectional, the book employs insights from political science and political economy, feminist theories, critical race theory, postcolonial theory, and queer theory to explore how these characters' feminism and militarism render them particularly appealing and profitable in contentious times. This is a concise, accessible text suitable for students and scholars in comics studies, media studies, film studies, and women's and gender studies.
A mentally disturbed sniper kills several people, among whom is I-Ching, who dies in Diana Prince’s arms. Diana goes after the killer, but is struck in the head and knocked unconscious.
Explore the groundbreaking history of DC Comics’ Wonder Woman comic covers in this miniature art book. Hold the first part of the complete comic covers history of Wonder Woman in the palm of your hands with DC Comics: Wonder Woman: The Complete Covers Omnibus Vol. 1. Starting from the first comic featuring the Amazonian warrior-princess in 1942, this miniature art book compiles the covers of the first few hundred volumes and issues of Wonder Woman comic history, all bound together at a readable pocket-book size that makes the perfect collector’s item for comic book fans.
The heroine's journey echoes throughout ancient legend. Each young woman combats her dark side and emerges stronger. This quest is also a staple of American comic books. Wonder Woman with semi-divine powers gives us a new female-centered creation story. Batgirl, Batwoman and Black Widow discover their enemy is the dark mother or shadow twin, with the savagery they've rejected in themselves. Supergirl similarly struggles but keeps harmony with her sister. From Jessica Jones and Catwoman to the new superwomen of cutting-edge webcomics, each heroine must go into the dark, to become not a warrior but a savior. Women like Captain Marvel and Storm sacrifice all to join the ranks of superheroes, while their feminine powers and dazzling costumes reflect the most ancient tales.
Collects Modeling With Millie #44; Avengers (1963) #35, #57-58 And #100; Submariner (1968) #8 And #14; Captain Marvel (1968) #19; X-Men (1963) #64; Fantastic Four (1961) #119 And #176; Giant-Size Invaders #1; And Material From Tales Of Suspense (1959) #73; Not Brand Echh #12; Chamber Of Darkness #4; Amazing Adventures (1970) #8; Incredible Hulk (1968) #147; Dracula Lives #1 And Doctor Strange, Sorcerer Supreme #9. Celebrate the career of a true Marvel Visionary! Relive some of Rascally Roy Thomas’ greatest stories as, under his pen, the Fantastic Four confronts racism, social injustice and…the Impossible Man?! Vision joins the Avengers! The Hulk finds his way to “Heaven!” Namor fights Dragon Man! Captain Marvel escapes the Murder Maze! The origin of the Invaders! Doctor Strange’s secrets revealed! Dracula in Salem and the X-Men in Japan! And who is Starr the Slayer? Plus: Rarely seen Silver Age stories of humor and romance!
The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global, and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics, and Graphic Novels. A diverse range of international and interdisciplinary scholars take a closer look at how gender and sexuality have been essential in the evolution of comics, and how gender and sexuality in comics demand that we re-frame and re-view comics history. Chapters cover a wide array of intersectional topics including Queer Underground and Alternative comics, Feminist Autobiography, re-drawing disability, Latina testimony, and re-evaluating the critical whiteness and masculinity of superheroes in this first truly global reference text to gender and sexuality in comics. Comics have always been an important place for the radical exploration of feminist and non-binary sexualities and identities, and the growth of non-normative comic book traditions as a field of inquiry makes this an essential text for upper-level undergraduates, postgraduates, and researchers studying Comics Studies, Women’s and Gender Studies, Literary Studies, and Cultural Studies.
Collects Marvel's The Avengers #1-2, Avengers: Cinematic Infinite Comic #1, Avengers (1963) #57-58, Avengers (1998) #22, Avengers (2010) #12.1.