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Grab a teammate and strap in for adventure, Avengers-style! Six action-packed stories featuring unlikely superhero pairs joining forces to thwart the plans of outrageous villains! First, in order to stop Loki's newest scheme, Thor and Ant-Man go...antiquing? Then, while visiting an elementary school, Captain America runs into the nefarious Trapster! With scores of children in peril, Cap must rely on the aid of none other than Squirrel Girl! And, after Thor and Cap's difficulties, find out what the rest of the Avengers are up to on their day off! Chaos reigns as a fiendish villain makes off with one of Dr. Strange's most powerful artifacts! All this, plus adventures with Iron Man, the incredible Hulk, and more! The Marvel Action line from IDW makes the world's most popular superheroes accessible to middle-grade readers through stories that emphasize humor and fun just as much as action and superpowered heroics. Collects the first six issues of the new ongoing comic series starting in 2020.
Collects Ultimate Spider-Man (2000) #91-94, Heroes Reborn: Remnants #1, Exiles (2001) #5-6, 12-13, 66-68, Venom/Deadpool: What If?, 5 Ronin #1-5, Marvel Adventures Super Heroes (2010) #4, Marvel Universe Ultimate Spider-Man: Web Warriors #8 and material from J2 #11, Secret Wars: Battleworld #3, Secret Wars, Too #1. Meet the Deadpool of the Ultimate Universe - and a few other Multiversal mercs for good measure! When Ultimate Spider-Man visits the X-Mansion, he fi nds it's been taken over by his world's Wadey Wilson -and the Reavers! Will other realities have more delightful Deadpools? Find out in a tour across dimensions that showcases animated Deadpool, MC2 Deadpool, samurai Deadpool and more! But who is the Deadpool of Counter-Earth? And what happens when the Venom symbiote possesses Deadpool?!
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Copyright Vigilantes: Intellectual Property and the Hollywood Superhero explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain’s attempt to copy the superhero's unique powers. In this volume, author Ezra Claverie explains this fixation as a symptom of the films’ mode of production. Since the 1930s, the dominant American comics publishers have treated the creations of artists and writers as work for hire, such that stories and characters become company property. Thus, publishers avoided sharing the profits both from magazine sales and from licensing characters into other media. For decades, creators have challenged this regime, demanding either shares of profits or outright ownership of their creations. Now that the duopoly rents, licenses, and adapts superheroes for increasingly expensive franchises, and for growing international audiences, any challenge to intellectual property relations threatens a production regime worth billions of dollars. Duopoly movies, therefore, present any attempt to break the superhero’s monopoly on their powers as the scheme of terrorists, mad scientists, or space Nazis—assuaging studio anxieties and revealing the fears of those who benefit most from the real-world ownership of superheroes. Weaving together legal analysis, Marxist political economy, and close readings of movies, Copyright Vigilantes explains the preoccupations of Hollywood’s leading genre.
Collecting Cable (1993) #32-39, X-Force (1991) #57-61, Incredible Hulk (1968) #444, X-Man #18-19 And X-Force/Cable Annual ’96. Onslaught has struck — and now Cable and X-Force must strike back! Cable is on the hunt for the monstrous menace’s true identity, but standing in the way is the Incredible Hulk! Meanwhile, X-Force tries to protect Cable’s “brother,” X-Man, from Onslaught — but Mister Sinister wants him too! And to strike at Onslaught, Cable must team up with his mortal enemy: Apocalypse! In the war’s aftermath, Cable’s techno-virus is out of control, and his life hangs in the balance. Can he pull himself together in time to help Domino save their old “friends” Garrison Kane and Copycat from the maddening Psycho-Man? Elsewhere, X-Force must survive the madness of Mojoworld — and unravel the mystery of Shatterstar’s true identity!
Collects Avengers (1963) #217-226, Annual (1967) #11; Vision and the Scarlet Witch (1982) #1-4; material from Marvel Fanfare (1982) #3. Avengers storytelling doesn't get much more dramatic than the tales in this Marvel Masterworks as the disgraced Yellowjacket reaches rock bottom! Meanwhile, Earth's Mightiest Heroes join the Defenders to take on Nebula, and then team with Drax the Destroyer in battle against - Thor and Moondragon?! Two new members join the team (spoiler: it's She-Hulk and Hawkeye!), and the blustery bowman gets right into the action in a classic team-up with Scott Lang, the Ant-Man, against the Taskmaster! And the Black Knight shows up for a stirring two-part tale! Capping off this volume is the classic VISION AND THE SCARLET WITCH limited series, in which Vizh and Wanda's attempts at suburban bliss are rocked by deep revelations - including the identity of Wanda's father!
The Ultimate Spider-Man super-team of Bendis and Bagley reunite - and just in time for the Avengers' biggest problem ever! A Venom virus hits the city of New York, turning its inhabitants symbiote! Plus, Wonder Man gets a much needed makeover. All this and Tony Stark gets himself a green-skinned present in a body bag. Collects Mighty Avengers #7-11.
A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction.
A Brief History of Comic Book Movies traces the meteoric rise of the hybrid art form of the comic book film. These films trace their origins back to the early 1940s, when the first Batman and Superman serials were made. The serials, and later television shows in the 1950s and 60s, were for the most part designed for children. But today, with the continuing rise of Comic-Con, they seem to be more a part of the mainstream than ever, appealing to adults as well as younger fans. This book examines comic book movies from the past and present, exploring how these films shaped American culture from the post-World War II era to the present day, and how they adapted to the changing tastes and mores of succeeding generations.