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The House of Guise was one of the greatest princely families of the sixteenth century, or indeed of any age. Today they are best remembered through the tragic life of one family member, Mary Queen of Scots. But the story of her Guise uncles, aunts and cousins is if anything more gripping - and certainly of greater significance in the history of Europe. The Guise family rose to prominence as the greatest enemy of the House of Habsburg and had dreams of a great dynastic empire that included the British Isles and southern Italy. They were among the staunchest opponents of the Reformation, played a major role in re-fashioning Catholicism at the Council of Trent before plunging France into a bloody civil war that culminated in the infamous St Bartholomew's Day Massacre. They protected English Catholic refugees, plotted to invade England and overthrow Elizabeth I, and ended the century by unleashing Europe's first religious revolution, before succumbing in a counter-revolution that made them martyrs for the Catholic cause. Martyrs and Murderers is the first comprehensive modern biography of the Guise family in any language. In it Stuart Carroll unravels the legends which cast them either as heroes or as villains of the Reformation, weaving a remarkable story that challenges traditional assumptions about one of Europe's most turbulent and formative eras.
A spell-binding account of an appalling miscarriage of justice. Charged with the "Cranborne Road murder" of Wavertree widow Alice Rimmer, two Manchester youths were hastily condemned by a Liverpool jury on the police-orchestrated lies of a criminal and two malleable young prostitutes. George Skelly's detailed account of the warped trial, predictable appeal result courtesy of 'hanging judge' Lord Goddard and the whitewash secret inquiry will enrage all who believe in justice. And if the men's prison letters (including from the condemned cells) sometimes make you laugh, they will make you weep far longer. Following his masterful expose of injustice in the Cameo Cinema murder case in 1950s Liverpool described in his book The Cameo Conspiracy, George Skelly now reveals a second police conspiracy-two years later in the same city involving the same senior detective-which this time led to the execution of two young men. In 2011, faced with countless proven contradictions and errors plus substantial previously undisclosed evidence, the Criminal Cases Review Commission unbelievably side-stepped the opportunity to refer this gross injustice to the Court of Appeal. So until justice is finally done, Teddy Devlin and Alfie Burns still lie together beneath the staff car park at Walton Prison, their only trace a tiny plaque numbered 55. 'A very powerful case of a miscarriage of justice': Former Attorney General Lord Goldsmith PC QC As featured in the Liverpool Echo. Author George Skelly is also the author of The Cameo Conspiracy (3rd edition Waterside Press, 2011) about an equally disturbing case where an innocent man was hanged in a famous miscarriage of justice.
' This incredible book is very, very important'. Damien Dempsey In November 2008, Tomás Mac Conmara sat with a 105 five-year-old woman at a nursing home in Clare. While gently moving through her memories, he asked the east Clare native; 'Do you remember the time that four lads were killed on the Bridge of Killaloe?'. Almost immediately, the woman's countenance changed to deep outward sadness. Her recollection took him back to 17th November 1920, when news of the brutal death of four men, who became known as the Scariff Martyrs, was revealed to the local community. Late the previous night, on the bridge of Killaloe they were shot by British Forces, who claimed they had attempted to escape. Locals insisted they were murdered. A story remembered for 100 years is now fully told. This incident presents a remarkable confluence of dimensions. The young rebels committed to a cause. Their betrayal by a spy, their torture and evident refusal to betray comrades, the loneliness and liminal nature of their site of death on a bridge. The withholding of their dead bodies and their collective burial. All these dimensions bequeath a moment which carries an enduring quality that has reverberated across the generations and continues to strike a deep chord within the local landscape of memory in East Clare and beyond.
In the late fall of 1597, Guale Indians murdered five Franciscan friars stationed in their territory and razed their missions to the ground. The 1597 Guale Uprising, or Juanillo's Revolt as it is often called, brought the missionization of Guale to an abrupt end and threatened Florida's new governor with the most significant crisis of his term. To date, interpretations of the uprising emphasize the primacy of a young Indian from Tolomato named Juanillo, the heir to Guale's paramount chieftaincy. According to most versions of the uprising story, Tolomato's resident friar publicly reprimanded Juanillo for practicing polygamy. In his anger, Juanillo gathered his forces and launched a series of violent assaults on all five of Guale territory's Franciscan missions, leaving all but one of the province's friars dead. Through a series of newly translated primary sources, many of which have never appeared in print, this volume presents the most comprehensive examination of the 1597 uprising and its aftermath. It seeks to move beyond the two central questions that have dominated the historiography of the uprising, namely who killed the five friars and why, neither of which can be answered with any certainty. Instead, this work aims to use the episode as the background for a detailed examination of Spanish Florida at the turn of the 17th century. Viewed collectively, these sources not only challenge current representations of the uprising, they also shed light on the complex nature of Spanish-Indian relations in early colonial Florida.
Adam Lankford looks at the motivation of suicide bombers and other rampage killers.
"The Rue Morgue Murders" is a pioneering tale in the mystery genre, in which detective Auguste Dupin uses his acute observation and logic to solve a brutal double murder in Paris, revealing a surprising and unusual outcome.
Martyrdom is a controversial topic, with a long history of provoking fierce debate. In this Very Short Introduction Jolyon Mitchell provides a historical analysis to understand the contemporary debates surrounding martyrdom. Using examples from a variety of contexts around the world, he explores how it has evolved, and what it means today.
An expert on early Christianity reveals how the early church invented stories of Christian martyrs—and how this persecution myth persists today. According to church tradition and popular belief, early Christians were systematically persecuted by a brutal Roman Empire intent on their destruction. As the story goes, vast numbers of believers were thrown to the lions, tortured, or burned alive because they refused to renounce Christ. But as Candida Moss reveals in The Myth of Persecution, the “Age of Martyrs” is a fiction. There was no sustained 300-year-long effort by the Romans to persecute Christians. Instead, these stories were pious exaggerations; highly stylized rewritings of Jewish, Greek, and Roman noble death traditions; and even forgeries designed to marginalize heretics, inspire the faithful, and fund churches. The traditional story of persecution is still invoked by church leaders, politicians, and media pundits who insist that Christians were—and always will be—persecuted by a hostile, secular world. While violence against Christians does occur in select parts of the world today, the rhetoric of persecution is both misleading and rooted in an inaccurate history of the early church. By shedding light on the historical record, Moss urges modern Christians to abandon the conspiratorial assumption that the world is out to get them.
T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times
A haunting, prophetic collection of writings by the six Jesuit priests of the Central American University massacred by Salvadoran soldiers in November, 1989. In a moving memoir Jon Sobrino recalls years of work with each of the priests and celebrates the ideals they embodied.