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A New York Times Notable Book of 2015 “A tour-de-force reimagining of Camus’s The Stranger, from the point of view of the mute Arab victims.” —The New Yorker He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.
In the first book-length study of Valerie Martin's fiction, Veronica Makowsky explores the work of this lauded, but often overlooked, contemporary novelist. Winner of the Orange Prize for her novel Property (2003), Martin also won the Kafka Prize for Mary Reilly (1990), which was then translated into sixteen languages and made into a popular film. Despite these successes, her critically acclaimed novels and stories have yet to attain a broad readership. Makowsky addresses this disconnect through a detailed critical study of Martin's distinguished oeuvre, grounding each work in its historical, cultural, and theoretical contexts. Makowsky begins with a sketch of Martin's life and then considers each of her ten novels and four collections of short stories. Throughout, Makowsky's deft critique reveals Martin to be an astute observer of people and places. Pointing to both early works, like A Recent Martyr (1987), and recent books, such as The Ghost of the Mary Celeste (2014), Makowsky identifies a potent mixture of pleasure and fear in Martin's writing that emphasizes the author's nuanced exploration of human imagination. Notable, too, are Martin's literary techniques -- especially point of view -- and her allusions to masterpieces in Western literature. The works of Henry and William James in particular influenced Martin's thematic blend of intellectualism and empathy evident in her rounded depictions of women in works like Italian Fever (1999) and The Great Divorce (1994). A rich and substantive study, The Fiction of Valerie Martin demonstrates and deconstructs the mastery of this thought-provoking author, in turn firmly establishing Martin's place in the canon of contemporary writers.
In Eat What You Kill by Ted Scofield, Evan Stoess is a struggling young Wall Street analyst obsessed with fortune and fame. A trailer park kid who attended an exclusive prep school through a lucky twist of fate, Evan's unusual past leaves him an alien in both worlds, an outsider who desperately wants to belong. When a small stock he discovers becomes an overnight sensation, he is poised to make millions and land the girl of his dreams, but disaster strikes and he loses everything. Two years later a mysterious firm offers Evan a chance for redemption, and he jumps at the opportunity. His new job is to short stocks—to bet against the market. But when the stock goes up and he finds himself on the brink of ruin once again, another option presents itself: murder. At a moral crossroads, Evan must ask himself—how far will a man go for money and vengeance?
A world list of books in the English language.
Mina's life is going according to plan; she's acing AP Calc and is perfectly content with her nonexistent social life. Though only a high school junior, Mina knows time is an investment, and she's putting all her capital into academics. Oliver, a child abuse survivor who grew up in the foster care system, is ready to burn down his old life and start from scratch-complete with a new name and emancipation papers-in L.A. When the two are thrown together through circumstance and develop an unexpected connection, they discover how hard it is to keep the past in the past. Love and Other Sins is an emotional coming-of-age YA drama about family, love, violence, and the residue of abuse set against the backdrop of contemporary Los Angeles. When Mina meets Oliver, you'll remember your own first love and just how fast it swept you under. What were the bonds that bound us? Was it purely physical attraction? Circumstance? Or perhaps it was a mutual gravitation toward inevitable pain. "There was something about her-her eyes. Well, not so much her eyes, physically, but more like what they said about her: she had this look-a kind of restless intensity." "It was intimate . . . a strange and beautiful feeling. We were breathing life into each other." Love and Other Sins is a moving story about what it means to be young and vulnerable in today's society. This young adult romance will make you laugh and cry and give you hope for tomorrow because there are people like Mina and Oliver who refuse to let themselves be defined by their pasts or circumstances. If you love reading books like Looking for Alaska or Thirteen Reasons Why, then this is definitely for you. Content warning: sexual assault, recollections of child abuse, discussions of suicidal thoughts, and mention of miscarriage.
In May 2005 Penguin will publish 70 unique titles to celebrate the company's 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane's vision of good books for all'. three essays evoke different aspects of the place - the title essay The Minotaur and The Return to Tipasa.
A striking debut novel about the power of a father’s love for his son and the heart-wrenching choices he has to make in the face of death. Yanis’s world is Pierre, the son he raised as a single parent. For nearly twenty years, Yanis spent his nights as a cabdriver with Pierre always at his side, so as not to miss a moment in each other’s company. Yanis and Pierre also share a love of diving—in pursuit of that magical moment when they lose themselves in the deep sea. When enveloped by the natural world, father and son relish an escape from life’s pressures. But for some time, Pierre has been tired. Too tired. Despite how attentively Yanis watched him, Yanis missed the early signs of illness. Faced with the harsh reality of his son’s numbered days, Yanis struggles to invent a life his son won’t have the time to live.
The novel tells the story, in the first person, of a young black male ex-student's obsession with a young English woman, Veronica Slater, whom he encounters on the segregated Durban beachfront. It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.