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Critical studies of the range of King’s public discourse as forms of sermonic rhetoric The nine essays in this volume offer critical studies of the range of King’s public discourse as forms of sermonic rhetoric. They focus on five diverse and relative short examples from King’s body of work: “Death of Evil on the Seashore,” “Letter from Birmingham Jail,” “I Have a Dream,” “A Time to Break Silence,” and “I’ve Been to the Mountaintop.” Taken collectively, these five works span both the duration of King’s career as a public advocate but also represent the broad scope of his efforts to craft and project a persuasive vision a beloved community that persists through time.
In this fast-paced, concise biography, Harvard Sitkoff presents a stunningly relevant and radical Martin Luther King, Jr. whose greatest accomplishments may have been yet to come. King's murder in April 1968 did far more than cut tragically short the life of one of America's most remarkable civil rights leaders. In commemorating King's achievements at the end of his life and ignoring his defeats, too many Americans quickly relegated the civil rights struggle to the past, halting the progression of the activist’s evolving movement. King: Pilgrimage to the Mountaintop honestly assesses his successes along with his failures—as an organizer in Albany, Georgia and St. Augustine, Florida; as a leader of ever more strident activists; and as a husband. Harvard Sitkoff weaves both high and low points together to capture King's lifelong struggle, through disappointment and epiphany, with his own injunction: "Let us be Christian in all our actions." By telling King's life as one on the verge of reaching its fullest fulfillment, Sitkoff powerfully shows where King's faith and activism were leading him—to a direct confrontation with a president over an immoral war and with an America blind to its complicity in economic injustice.
"To articulate this vision, Stull looks to those who compose from an oppressed place, finding in the works of W.E.B. Du Bois, Martin Luther King Jr., and Malcolm X radical theopolitical practices that can serve as a model for emancipatory composition."--BOOK JACKET.
Ven. Fulton J. Sheen, Dr. Martin Luther King Jr., and Rev. Jerry Falwell—religious leaders who popularized theology through media campaigns designed to persuade the public In Religion in the Public Square, James M. Patterson considers religious leaders who popularized theology through media campaigns designed to persuade the public. Ven. Fulton J. Sheen, Dr. Martin Luther King Jr., and Rev. Jerry Falwell differed profoundly on issues of theology and politics, but they shared an approach to public ministry that aimed directly at changing how Americans understood the nature and purpose of their country. From the 1930s through the 1950s, Sheen was an early adopter of paperbacks, radio, and television to condemn totalitarian ideologies and to defend American Catholicism against Protestant accusations of divided loyalty. During the 1950s and 1960s, King staged demonstrations and boycotts that drew the mass media to him. The attention provided him the platform to preach Christian love as a political foundation in direct opposition to white supremacy. Falwell started his own church, which he developed into a mass media empire. He then leveraged it during the late 1970s through the 1980s to influence the Republican Party by exhorting his audience to not only ally with religious conservatives around issues of abortion and the traditional family but also to vote accordingly. Sheen, King, and Falwell were so successful in popularizing their theological ideas that they won prestigious awards, had access to presidents, and witnessed the results of their labors. However, Patterson argues that Falwell's efforts broke with the longstanding refusal of religious public figures to participate directly in partisan affairs and thereby catalyzed the process of politicizing religion that undermined the Judeo-Christian consensus that formed the foundation of American politics.
This book is designed to introduce readers to the language of contemporary rhetorical studies. The book format is an alphabetized glossary (with appropriate cross listings) of key terms and concepts in contemporary rhetorical studies. An introductory chapter outlines the definitional ambiguities of the central concept of rhetoric itself. The primary emphasis is on the contemporary tradition of rhetorical studies as it has emerged in the discipline of speech communication. Each entry in the glossary ranges in length from a few paragraphs to a short essay of a few pages. Where appropriate, examples are provided to further illustrate the term or concept. Each entry will be accompanied by a list of references and additional readings to direct the reader to other materials of possible interest.
One Dream or Two? is a critical historical, constitutional, and philosophical examination of Martin Luther King Jr's understanding of justice--his "Dream"--from within the context of the American political tradition. Nathan Schlueter introduces King's "I Have a Dream Speech" and then isolates elements of his larger vision for social justice--paying special attention to issues of racial discrimination, political economy, civil disobedience, and the relationship between politics and religion--situating those elements within historical, rhetorical, and political context.
“A powerful and timely addition to the literature of rhetoric and folklore.” —Choice In 1860, Abraham Lincoln employed the proverb Right makes might—opposite of the more aggressive Might makes right—in his famed Cooper Union address. While Lincoln did not originate the proverb, his use of it in this critical speech indicates that the fourteenth century phrase had taken on new ethical and democratic connotations in the nineteenth century. In this collection, famed scholar of proverbs Wolfgang Mieder explores the multifaceted use and function of proverbs through the history of the United States, from their early beginnings up through their use by such modern-day politicians as Barack Obama, Hillary Rodham Clinton, and Bernie Sanders. Building on previous publications and unpublished research, Mieder explores sociopolitical aspects of the American worldview as expressed through the use of proverbs in politics, women’s rights, and the civil rights movement—and by looking at the use of proverbial phrases, Mieder demonstrates how one traditional phrase can take on numerous expressive roles over time, and how they continue to play a key role in our contemporary moment.
The thirteen chapters of this book comprise an intriguing and informative entry into the world of proverb scholarship, illustrating that proverbs have always been and continue to be wisdom's international currency. The first section of the book focuses on the field of paremiology (proverb studies) in general, the spread of Anglo-American proverbs in Europe, and the phenomenon of modern proverbs. The second section analyzes the use of proverbs in the world of politics, including a chapter on President Obama, while the third concentrates on the uses of proverbs in literature. The final section ends with detailed cultural studies of the origin, history, dissemination, use, function, and meaning of specific proverbs. Noted scholar Wolfgang Mieder shows that proverbs matter in culture, literature, and politics. Proverbs remain part and parcel of oral and written communication, and, he demonstrates, they deserve to be studied from a range of viewpoints. While various chapters deal with a variety of issues and approaches, they cohere through a rhetorical perspective that looks at the text, texture, and context of proverbs as speech acts that make a noteworthy impact on culture and society. Whether proverbs appear in everyday speech, on the radio, on television, in films, on the pages of newspapers or magazines, in advertisements, in literary works, or in political speeches, they serve as formulaic verbal devices to add authoritative weight through tradition, convention, and wisdom.
Since Martin Luther King Jr.’s “I Have a Dream” speech, some scholars have privately suspected that King’s “dream” was connected to Langston Hughes’s poetry. Drawing on archival materials, including notes, correspondence, and marginalia, W. Jason Miller provides a completely original and compelling argument that Hughes’s influence on King’s rhetoric was, in fact, evident in more than just the one famous speech. King’s staff had been wiretapped by J. Edgar Hoover and suffered accusations of communist influence, so quoting or naming the leader of the Harlem Renaissance—who had his own reputation as a communist—would only have intensified the threats against the civil rights activist. Thus, the link was purposefully veiled through careful allusions in King’s orations. In Origins of the Dream, Miller lifts that veil and shows how Hughes’s revolutionary poetry became a measurable inflection in King’s voice. He contends that by employing Hughes’s metaphors in his speeches, King negotiated a political climate that sought to silence the poet’s subversive voice. By separating Hughes’s identity from his poems, King helped the nation unconsciously embrace the incendiary ideas behind his poetry.